Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.
Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.
Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.
Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.
File contains concert, Bb instrument, Eb instrument and bass clef instrument parts for Graham Collier's "Bread & Circuses." Folder also contains a program note written by Graham Collier and an enclosure note from Collier to Paul Cram.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
Item is a published copy of Gordon Jacob's arrangement of "Brother James' Air," for voice and piano, with pencil annotations and analysis by Anthony Pugh.
File contains a set list, script material, and Paul Cram and other artists' parts and scores for a cabaret/concert in Chester, Nova Scotia. Music includes a concert part for "Y Chromosome"; tenor sax parts for "Holiday in Paradise, "Well You Needn't," "No Call for Mercy," "Come Sunday," "Wonderland," "Stormy Weather," "More" and Moonlight in Rio"; synth parts for "Walking thru Walls" and "Dancing Star"; and the clarinet part for "Send in the Clowns."
File contains bass parts music by Paul Cram and other artists performed in "Cabaret for the End of Time" in Chester, Nova Scotia. Compositions include: for "Holiday in Paradise"; "No Call for Mercy"; "Wonderland"; "Moonlight in Rio"; "Dancing Star"; "Send in the Clowns"; "Walking the Walls"; "More"; "Nightcap"; "All the Things You Are"; "Georgia"; and "Boogie Stop Shuffles."
Item is an annotated copy of the score for Georges Bizet's opera "Carmen," used and annotated by Pugh in his activities as a researcher and writer of program notes. The annotations are his analysis of various parts from the opera.
File contains cello parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label, “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil."
Item is a copy of "Minstrel's Song" by Alexandre Glazunov for cello and piano, dedicated to Mr. A. Wierzbilowicz, with pencil annotations and analysis by Anthony Pugh.
File contains handwritten copies of various sea chanties collected by Frank Parker Day. Includes "Yankee Ship," "A la Claire Fontaine" (accompanied by musical notation), "Storm Along," "Shenandoah," and other untitled chanties.
Item is a copy of a handwritten piece called "Chipper," by Don Palmer. The piece is for solo alto recorder with harp, flute, clarinet, Flugal horn, and bass clarinet. The piece is in C Major and has a 3/4 time signature.
File contains annotated drum, trombone and bass parts for "1963," "Revolutions" and "Under the Double Standard"; trumpet part for "Under the Double Standard"; bass part for "Zones"; Tenor and alto sax parts for "Tango Oreo"; clarinet parts for "March of the Philistines" and "Get up and Go"; Bb and concert parts for "Monk on Time"; concert parts for "On the Lam";"Telescope"; "Live it Up"; "Mandarins"; "Lonely Woman"; "In the Bosom of the Bubble"; "Round Trip"; "Heads Up"; and "In Mufti." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.
File contains parts for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999. Parts include: guitar; tenor sax; solo electric cello; piano; accordion; alto sax; bass clarinet; drums; electric bass; violin 1; violin 2; viola; cello; contrabass; flute 1; flute 2; oboe 1; oboe 2; clarinet 1; clarinet 2; bassoon 1; bassoon 2; trumpet 1; trumpet 2; French horn 1; French horn 2; timpani; and marimba. The parts were copies for a Halifax Grammar School concert or workshop in 2012/2013.
File includes concert parts for "Ambulatory"; "Lamnations"; "The Problem"; "Groucho Joe"; "Happy Talk"; "Caravan"; "In the Bosom of the Bubble"; "Somewhere in Between"; "Wave Surface"; "Volga Boat Race"; "Walk!!!"; and "Campin Out."
Item is the second clarinet part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second bassoon part.
Item is the first horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second horn part.
Item is the second horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the first horn part.
