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Committee records

Sub-series contains records of various committees with which the Institute of Public Affairs was engaged or affiliated. Materials include meeting minutes, memoranda, notes and correspondence, reports, and other material that documents the functions and activities of the committees.

Committees

This series includes the records of various committees formed to assist Centre for Art Tapes’ functions and activities, and is divided into sub-series based on committee names. Records include meeting minutes, correspondence, reports and planning notes.

Committees and associations

Subseries consists of meeting minutes, correspondence, and notes relating to governmental committees and association meetings, some of which include the Fisheries Council of Canada, Voluntary Planning: Fisheries Sector, Canadian Association of Fish Exporters, and Atlantic Groundfish Advisory Committee. The Seafood Producers Association of Nova Scotia had representatives on each committee or belonged to these associations.

Company photographs

Sub-series contains two photographs of plants owned by L.E. Shaw Limited, six photographs of unidentified company events, and one photograph of an unidentified brick house.

Compiled field work notebooks

Subseries contains five handwritten notebooks which are the compiled final versions of the field work research notebooks created in the Jos Plateau by James Morrison in 1973. Each notebook is specific to a region of the Jos Plateau and group of people living there.

Complaints

Subseries consists of records relating to work refusals under the Health and Safety Act. Records include correspondence between IBEW Local 1928, the Nova Scotia Department of Labour, and the employer (primarily Nova Scotia Power). Files also contain statements of fact regarding the complaint and psychological evaluations of employees for work refusals, as required by the collective agreement between Nova Scotia Power Inc. and IBEW Local 1928.

Composts and composting: a selective annotated bibliography of materials relevant to Canadian agriculture

Subseries contains an annotated bibliography of compost resources compiled and annotated by Lisa Simpson, Department of Biology and MacRae Library, Nova Scotia Agricultural College. It presents literature pertaining to agricultural composting as it relates to ingredients, factors, processes, and product benefits, as well as Bio-Dynamic and vermicompost methods. Specific reference is made to agricultural products, particularly animal and plant wastes. References were acquired from various academic institutions. Selection from the large volume of available composting information was based on the relevance to and usage in Canadian agriculture. Literature which did not pertain to Canadian environmental conditions, or agriculture, was excluded. Articles of special interest have been included though they do not necessarily pertain to the specified locale or to agriculture. Information included dates from 1830 to 1994. Article summaries were composed by the author. References for which a print copy was not obtained (or which an English copy was not obtained) are listed by citation only. To avoid duplication, bibliographical entries are organized into sections according to subject, listed alphabetically within subject area sections, and numbered for purposes of indexing and cross reference to other subject areas.

Computer Scholarship

This sub-series contains materials regarding the Centre for Art Tapes Computer Scholarship, wherein participants received an honorarium, access to equipment and facilities, workshop instruction and a premiere of the final work, which might include digital imaging, animation or interactive multimedia. Records include applications and correspondence.

Concert Works

Concert works includes the recordings of Paul Cram compositions performed in concert, or composed for the purpose of being performed in concert.

Concerto para piano e orquestra

Subseries contains scores and parts for Villa-Lobos's first piano concerto, dedicated to Ellen Ballon. It includes the autograph manuscript, copies of the manuscript, a two-piano reduction of the concerto, and parts for each of the orchestral instruments (piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 4 trombones, tuba, timpani, tam-tam, triangle, bass drum, harp, strings). The concerto premiered on October 11, 1946 at the Teatro Municipal in Rio de Janeiro, featuring Ellen Ballon as the piano soloist with Heitor Villa-Lobos conducting the Orquestra do Teatro Municipal. The score and orchestral parts were presumably used at the premiere performance as well as a few subsequent performances, indicated on several of the individual instrumental parts.

Villa-Lobos, Heitor

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