- MS-2-771, 1
Roome (née Hollett), Annie Belle
Roome (née Hollett), Annie Belle
Dalhousie University. University Libraries. Killam Memorial Library. University Archives.
Collection includes 41 original pen and ink drawings by Arthur Lismer commissioned ca. 1919 by Dalhousie's Centenary Committee to illustrate its history of the university's first century: One hundred years of Dalhousie, 1818–1918, which was published in 1920. The collection includes the original and some unfinished and/or unpublished versions of all but one of the 26 illustrations used in the book, which features historic and contemporary Dalhousie figures and buildings. There are several portraits of President Arthur Stanley Mackenzie, which were rejected in favour of publishing a photographic image, as well as a rough sketch of Lismer's daughter, Marjorie. Also included in the collection are 22 reproductions, which are probably printer's proofs, given the poor quality of the paper.
Twelve of the Lismer images were also reproduced in the booklet titled simply Dalhousie University, which was produced by the Dalhousie Million Committee as part of the promotional literature supporting the university's 1920 Million Dollar Campaign and published shortly after the Centenary Committee's book.
There is little documentary evidence beyond these two publications regarding the precise date or other details of the Lismer commission; one of the drawings is marked "1 March 1920," and another "27 March 1920," on date-received stamps from the engraving department of Rous & Mann, the Toronto company that printed both publications. The existing archival correspondence between the university and the printer (UA-3, Box 621, Folder 6) is from the Million Committee file, and refers only peripherally to the Centenary Committee's book project. A letter dated 24 March 1920 from Rous & Mann advises that the cuts, or illustrations, proposed for use in the campaign booklet were "at present locked up for the printing of the other Book in course of preparation," while later correspondence indicates that the printing and delivery of the campaign booklet gained precedence over the commemorative history, and the first run of these booklets was shipped on 17 April. The history was printed shortly after that, although by 26 May it had already been reprinted, owing to the misspelling of George Stewart Campbell, whose middle name appears in the first printing as "Stuart." The existence of the misprinted copies is due to their purchase at a steep discount by the Million Committee, who wrote: "... if the price were attractive a way might be found to use them."
No correspondence or documents have been found in the Dalhousie University Archives regarding Lismer's actual commission: within the Million Committee's correspondence file exists a single telegram from President Mackenzie to Arthur Lismer, dated 3 April 1920, which expresses a need to rush the printing along with the instruction: "leave layout to your judgement," the sole reference to Lismer's role in either project.
Hatfield, Byron Ulric
Centre for Art Tapes
Dalhousie University. Faculty of Medicine. MedIT.
Dalhousie Student Union
Class of 1931
Dalhousie University. Board of Governors.
Mullaly, Edward J.
Miller, Elliot Black
Bronson, Howard Logan
Deale, Irving Thomas
Kaulback, Henry Adolphus Newman, 1830-1896
Collection contains documents relating to the mercantile and shipping activities of William McMillan, McMillan was active in the business between 1893 and the early 1930's. Records include receipts, invoices and other material from other merchants he purchased or sold to, correspondence regarding the shipping of those goods, papers regarding the vessels he owned or contracted to sail the material to different parts of the world and correspondence from individuals who ran the ships. Also included are telegram notices, personal correspondence and other material. This collection also contains material from the Locke Family, the Harding Family, all in Lockeport, Nova Scotia. It also contains documents from different individuals in the town of Lockeport.
Part of the material included in this collection is the research of Trevor Bebb. He was working on the shipping history of Lockeport and the surrounding areas and as such has collected a great deal of material. Included in his papers are research notes, photocopies of shipping and customs records, diaries and logs, and printed material.
Bebb, James Trevor
MacKenzie, Norman Archibald MacRae, Hon.
Renton, David, 1934-2006
Mackenzie, William Roy
Colchester Historical Society
Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre.
Joint Review Panel for the Whites Point Quarry and Marine Terminal Project.
Graham, Robert Henry
Reid, Robie Lewis
The Shipping Reference Collection incorporates virtually all miscellanous shipping records and reference material that were accessioned as part of "MS-8-Ref." A large portion of the collection consists of reference files on various vessels and shipping lines. A card-catalogue index known as "Master and Mates" provides references to microfilmed vessel papers, trade records, registers, and other related materials. The collection also includes photographs, slides, and published materials such as the Lloyd's Register of Ships.
The collection contains four series:
Shipping Line reference files
Vessel reference files
Bebb, James Trevor
Solar Audio & Recording Limited.
Collection comprises 34 mounted photographs of political demonstrations and protest marches organized by Dalhousie students between 1967 and 1970. The photographs were taken by students for the Dalhousie Gazette and/or Pharos yearbook and were compiled and printed by Stephen Archibald for a show in the Student Union Building in Spring 1971. The scope and content notes for the images are drawn from the background information provided by Stephen Archibald, who writes: "The pictures were taken by young men in their late teens and early 20s who had no formal training, but who were drawn to photography because it provided a visual, aesthetic outlet that was missing from their academic university life. We also had no particular political beliefs or insight. The editors at the Gazette were left-leaning during this period so it is not surprising that we were assigned to photograph demonstrations that were organized, in large part or totally, by Dal radicals."
The photographs were printed and mounted by Stephen Archibald on F5 high-contrast paper to exaggerate their graphic nature, and printed full frame, which gives them a black border. As he explains in his notes, this was part of the contemporary aesthetic, ensuring that the viewer was aware that the images were composed in the frame, with nothing edited or cropped out. Most of the photographs are mounted, and the dimensions provided in the physical descriptions do not include the mount board.