Music

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2227 Archival Description results for Music

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Programs from the Majestic Theatre

File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.

Programs from the School for the Blind

File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.

Programs from the Symphony Hall

File contains three season programs and one season poster for concerts by the Boston Symphony Orchestra, conducted by Pierre Monteux. The file also includes John Daniel Logan's ticket stub from one of the performances and an annotated newspaper clipping of a review by Philip Hale on one of the Symphony's performances. One of the programs is for a concert given for the Handel and Haydn Society Centenary (1815-1915) at the Symphony Hall in Boston, Massachusetts; the program includes extensive historical notes on the Society.

Promotional pamphlet for W.O. Forsyth

File contains a promotional pamphlet for W.O. Forsyth, including a list of his publications, reviews of his compositions and performances, and reviews of some of his students (Jessie McApine-Dempster, Myrtle Webber, Leila Preston, and Elsie Bennett).

Promotional pamphlet on the Aeolian Singers

File contains a pamphlet with biographical information on the Aeolian Singers, commendations, and press reviews. The Aeolian Singers included Lynndale Byers (alto); Frank Odell (tenor); James Logue (baritone); and Jack George (bass).

Prospectus for the Hambourg Conservatory of Music

File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).
Psalmo with guests : [poster]

Psalmo with guests : [poster]

File contains two copies of a poster for a concert by the Halifax Camerata Singers in collaboration with Andrew Pickett, Shawn Whynot, Ellen Gibling, D'Arcy Gray, and singers of the Camerata Youth Mentoring Program. The concert took place at the First Baptist Church in Halifax, Nova Scotia.

Publicity photographs of Stephen Pedersen

File contains three publicity photographs of Stephen Pedersen and one of the Halifax Wind Quintet; an Atlantic Camera Trio program for "Music in the French Baroque Style"; and biographical sketches of Stephen Pedersen and Monique Gusset.

Quatuor à cordes No. 2, op. 50

Item is a copy of Jacques Hétu's final manuscript for his second string quartet, with pencil annotations and analysis by Anthony Pugh.

Hétu, Jacques

Quintet

Item is a recording labelled Quintet, which may be Dexter Morrill's Woodwind Quintet.

Quintet in C Major, op. 77 / Dvorak

Item is a recording of Dvorak's Quintet in C Major, op. 77 performed by members of Atlantic Sympathy Orchestra on April 12, 1970 at the Convent of the Scared Heart, Halifax.

Quintet, op. 84

Item is a copy of Edward Elgar's Piano Quintet, op. 84, with pencil annotations and analysis by Anthony Pugh.

Ragas

File contains published sheet music for various ragas, a recording program of Samuel Dolin's work, and a page of handwritten notes by Stephen Pedersen.

Record collection catalogs : [manuscripts]

  • MS-2-181, SF Box 27, Folder 45
  • File
  • [late 1930s, early 1940s?]

    • Part of David Murray fonds

File contains four documents related to David Murray's record collection. All of the record collection items contain Murray's location coding. File contains a handwritten 44-leaf notebook containing, alphabetically, Murray's "Record Library of Opera & Secular Music", a short handwritten addendum of record collection additions from 1936-37, a 49-leaf typescript variant collection list and a similar 49-leaf handwritten collection list with different location codes.
Record library of opera and secular music

Record library of opera and secular music

Item consists of a handwritten catalog of a personal record library of opera and secular music compiled by David Murray in the mid-to-late 1930s. The catalog is arranged in alphabetical order variably by category or musician, with associated records held in the collection listed underneath in a left-hand column (with corresponding storage location in the opposite column). The catalog was compiled in an address book.
Recording of an interview with Beatles fans before a concert

Recording of an interview with Beatles fans before a concert

File contains a reel-to-reel recording of Barbara Hinds interviewing several different people in the United Kingdom about the Beatles. Hinds interviews two unidentified men, and a third man named Mr. Taylor about the success of the Beatles. Hinds also interviews a group of young women who are waiting before a Beatles concert.

Red Klee : [score]

Item is a handwritten score for brass, perc.; reeds, strings; and sus. crec. in graphic notation.

Reed and concert parts for Paul Cram Orchestra 2002 tour and recording

File contains a tour and recording itinerary; set and repertoire lists; and reed parts for: "Eye of the Storm"; "Dminor Diner"; "Taiwanese Bootleg"; "Tip of the Iceberg"'; "Telescope"; "Trouble in Paradise"; "Revolutions"; "Kafka's Chair"; "Life of Crime"; "Side Order from Bb Restaurant"; "High Ground": "Have a Heart"; "Immortal Coil"; "Monk on Time"; "March of the Philistines"; and "Thunder."

Reed parts for Paul Cram compositions

File includes bass clarinet parts for "Mood Swing," "Pendulum," "Hum Over the Horizon," "Mail -Order Mantis," and "Free Fear"; clarinet part for "Out and About"; tenor saxophone parts for "Oh My God!!", "Underwater Highway," "Campin Out," "One Heart Suite," "Home Free," "Line of Fire," and Confederation"; baritone saxophone parts for "Bay of Pigs" and Overnight Express"; and alto saxophone part for "New York-Paris-New York."
Rehearsal for la boheme in cohn, president's concert (side A)

Rehearsal for la boheme in cohn, president's concert (side A)

Item is an audio recording of rehearsal for "La Boheme" in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre made by Sheila Piercey in February 1981. Full title as appears on audio cassette label is "2/10/81 Rehearsal for Boheme in Cohn - President concert. Feb 13/81 Jeff Morris + Sheila Piercey" The recording is on side A of audio cassette.
Rehearsal with Helen Murray for MATS teachers recital (side A)

Rehearsal with Helen Murray for MATS teachers recital (side A)

Item is an audio recording of Sheila Piercey's rehearsal session: The first part of the recording is a rehearsal with Helen Murray for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito. The second part of the recording (22:42) is a rehearsal for a CBC radio play called "Road to Rankin's Point" in October 1998. The recording is on side A of the audio cassette and continues on side B.

Rehearsals - MATS October 1993 & CBC Radio Play 1998

File is an audio cassette tape with recordings of Sheila Piercey rehearsing for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito in October 1993 and for the CBC radio play "Road to Rankin's Point " in October 1998.

Rejuvenation : [score and parts]

File contains a facsimile handwritten score for "Rejuvenation"; trumpet, trombone and tuba parts for "Spectrum," "Whirlwind," "Neptune," "Rejuvenation," "Vines," and "Riffin"; and tenor sax parts for "Spectrum," "Whirlwind," "Neptune," "Foundation," "Vines," and "Riffin." The trombone II part for "Rejuvenation" is a print copy attributed to Sam Rivers, and the rest of the parts are stamped "Rivbea Music Productions."

Requiebros

Item is a copy of "Requiebros" by Gaspar Cassado, with pencil annotations and analysis by Anthony Pugh.
Requiem for peace : [poster]

Requiem for peace : [poster]

File contains two copies of a poster for a concert by the Halifax Camerata Singers, which took place at the First Baptist Church in Halifax, Nova Scotia.

Requiem for solo voices and chorus

Item is a reduced piano score of the English version (translated by C.I. Kenney) of Verdi's Requiem, written in memory of Alessandro Manzoni. The flyleaf of the book was signed for J.D. Logan by the soloists of the Philharmonic Spring Musical Festival in Halifax, Nova Scotia: Grace Kerns (soprano), Judson House (tenor), Fred Patton (baritone), and Nevada Van der Veer (contralto). The file also includes a newspaper clipping of Logan's review of the concert from the Halifax Herald (April 26, 1922).

Verdi, Giuseppe

Research and program notes for composers A to C

File contains drafts of program notes pertaining to the following composers: Hugo Alfvén, Juan Crisostomo de Arriaga, Benjamin Britten, Bela Bartok, Aaron Copland, Ernest Chausson, Arcangelo Corelli, and Jean Coulthard. The file also includes a copy of a newspaper article on Carl Czerny and a copy of a magazine article on Charles-Valentin Alkan (both used in Pugh's research).

Research and program notes for composers B

File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.

Research and program notes for composers D to F

File contains drafts of program notes and research collected by Anthony Pugh (including programs) concerning music by the following composers: Ditters von Dittersdorf, Ernst von Dohnanyi, Franco Donatoni, Paul Dukas, Manuel de Falla, Benjamin Frankel, and Vincent d'Indy.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.

Research and program notes for composers S

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.

Research and program notes for composers T to W

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Ambroise Thomas, Viktor Ullman, Henri Vieuxtemps, Henryk Wieniawski, Peter Warlock, Lubomir Zelezny, Anton Webern, and Alexander von Zemlinsky. The file also includes three programs: "The Emperor of Atlantis," presented by the Terezin Studio Project in Halifax, Wolfville, Fredericton, Charlottetown, and Antigonish;"The Passion" by Raymond Warren at The Queen's University of Belfast; and the Walter Baker Memorial Concert with the Canadian Chamber Ensemble at the Fredericton Playhouse.
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