File consists of records relating to the planned group exhibition of artworks by Sarah Jackson, Carol Fraser, and Aileen Meagher for 1964 which did not occur.

Records include price lists for artworks; and artist biographies and curriculum vitae for Jackson, Fraser, and Meagher.

File consists of records related to the exhibition of artwork by Willam Hogarth, organized and circulated by the Western Association of Art Museums at Mills College in Oakland, California. The exhibition was presented at the Dalhousie Art Gallery from June 16 to July 11, 1976.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the Western Association of Art Museums, including condition report, inventory, packing and handling instructions, a floor plan, correspondence, and a news release.

File consists of records related to the Chicago painting of the 1960s exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from July 15 to Aug 15, 1973.

Records consist of displaying and hanging instructions, packing and unpacking instructions, a loan agreement from the National Gallery of Canada, a list of artworks, and a condition report. Records also include two photographic prints of paintings Cave Park 1971 by Roger Brown and Pairadancycle 1971 by Gladys Nilsson.

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.

File consists of records related to the Unicef Children's Art Exhibit, held at Dalhousie Art Gallery in August 1974.

Records consist of shipping receipts, letters from the Unicef Nova Scotia and the Canadian Unicef Committee, a list of dimensions, invoices, and a folded card.

File consists of records related to the exhibition 'Traditional Landscape Painting in Canada' organized and loaned by the National Gallery of Canada. The exhibition showed at Dalhousie Art Gallery in March 1969.

Records consist of exhibition documents including biographies for the included artists, a packing list, exhibition loan agreement, condition report, and list of artworks. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

File consists of records related to the Tradition Plus One: Quilts from Eastern Ontario Exhibition, circulated by the Agnes Etherington Art Gallery, Queen's University, Kingston. The exhibition was presented at Dalhousie Art Gallery from August 15 to September 15, 1975.

Records consist mainly of correspondence between Dalhousie Art Gallery and Agnes Etherington Art Gallery regarding the tour schedule and arranging the shipping and dry cleaning of the quilts from the exhibition. File also includes condition reports, a checklist of works, invoices, a list of expenses, a floor plan, newspaper and magazine clippings, packing and unpacking instructions, receipts of catalogue orders, exhibition itinerary, press releases and shipment documents.

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

File consists of records related to the Tom Forrestall exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of fine arts policy and a handwritten list of drawings.

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

File consists of records related to the exhibition 'The Rothman's Collection of Christmas Ornaments' organized by the Art Gallery of Ontario and presented at the Dalhousie Art Gallery in January 1969.

Records consist of an information bulletin released by Rothmans of Pall Mall Canada Limited, a condition report, a guest list, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Rothmans representatives, and a photograph of the artwork display. The condition report is accompanied by an attached copy of the exhibition catalogue with notes regarding the condition of each sculpture.

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

File consists of records related to the annual exhibition of works by student, staff, and alumni of Dalhousie University.

Records consist of lists of entries and subsequent lists of artworks chosen for the exhibition and for prize winners.

File consists of records related to an exhibition of artwork by Stephen Cruise titled 'Bitsandpieces,' organized by and presented at the Dalhousie Art Gallery from April 27 to May 22, 1976, and later at the Vancouver Art Gallery in 1980.

Records consist mainly of correspondence, financial statements, floor plans, and clippings. Also includes three photographs of Cruise's artworks, two postcards from Stephen Cruise to Bruce Ferguson (Director, Dalhousie Art Gallery), eight photographic slides, and an opening invitation.

File consists of records related to the exhibition 'Shiryu Morita' organized by Mr. Tetsuo Yamada, Director of the Yamada Art Gallery, Kyoto, Japan, and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie Art Gallery from October 13 - November 15, 1970.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and National Gallery staff, an exhibition agreement contract, a cumulative condition report, shipment invoice, and a packing list.

File consists of records related to the 'Canadian Artist Series' exhibition, loaned from the National Gallery of Canada in November 1959.

Records consist of a loan agreement, exhibition description, packing lists, and biographies of Ghitta Caiserman and Ron Spickett.

File consists of records related to the exhibition 'Rorke's Drift: Woven Tapestries' arranged by the Art Gallery, Memorial University, St. John's, in collaboration with Gallery 101, Johannesburg. The exhibition was presented at Dalhousie Art Gallery in November 1969.

Records consist of a photocopy of the article 'Rorke's Drift: A New Fame' published in Fair Lady, April 17, 1968, a list of artworks and an itinerary, a Dalhousie newsletter, and correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and curators of other galleries involved in the presentation of the exhibition.

File consists of records related to the Ronald Shuebrook Exhibition as a part of the "Know Your Artists" series, held at Dalhousie Art Gallery from October 29 to November 17, 1974.

Records consist of correspondence between Shuebrook and staff of Dalhousie Art Gallery, newspaper clippings, a price list, a list of institutions and individuals to receive catalogue, and a letter to Nick Fillmore (Editor) from Shuebrook.

File consists of records related to the Ronald Kostyniuk Exhibition, held at the Dalhousie Art Gallery from April 24 to May 6, 1973.

Records consist mainly of correspondence between R. Kostyniuk, Ernest Smith (Director, Dalhousie Are Gallery), and other galleries. Records also include condition reports, waybills, and damage claims..

File consists of records related to In Black and White, a photo exhibit by Ron E. Merrick and Albert Lee, held at Dalhousie Art Gallery from October 29 to November 17, 1974.

Records consist of newspaper clippings, a list of photographs and places, draft biographies, insurance papers, a photocopy of catalogue cover, and invitation cards.

File consists of records related to the Robert Annand Exhibition, the second exhibition of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from April 30 to June 2, 1974.

Records consist of a draft copy for the introduction to the Robert Annand catalogue, lists and pricelists of paintings and drawings, insurance papers, a handwritten draft of Annand's biography, and a newspaper clipping. File also contain an invitation card to exhibition and an unfolded card.

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

File consists of records related to the Printed Matter exhibition, organized by the Owens Art Gallery, Mount Allison University in Sackville, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from April 22-May 11, 1975.

Records consist of an invoice, correspondence, a newspaper clipping, condition reports, and a price list.

File consists of records related to the exhibition '11 Pop artists: The New Image' organized by the Confederation Art Gallery for the Atlantic Provinces art Circuit (APAC), and sponsored by Benson & Hedges (Canada) Ltd. The exhibition was presented at Dalhousie Art Gallery in December 1968.

Records consist of an exhibition statement written by Antonio Toledo (Executive Vice-President, Benson & Hedges), a list of artworks, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, and a condition report.

File consists of records related to the Nineteenth Annual Dalhousie Student, Staff, and Alumni exhibition held at Dalhousie Art Gallery from February 6 to February 18, 1973.

Records consist of letters from Evelyn Holmes (curator, Dalhousie Art Gallery) to the judges for the photographic section of the exhibition. Records also include the list of artworks.

File consists of records related to the exhibition 'Paintings, Drawings, Sculpture by David Paton and Alex Tissington' organized by and presented at the Dalhousie Art Gallery from April 1-18, 1968. This exhibition was a part of the Know Your Artist Series.

Records consist of correspondence with Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), and Curators of other galleries in the Atlantic Provinces Art Circuit, a photocopy of a newspaper article titled 'Perspectives in Art' by Rae Perlin, two newspaper clippings promoting the exhibition, a packing list, a guest list, biographies for Paton and Tissington with handwritten notes, and a draft exhibition pamphlet.

File consists of records pertaining to the exhibition 'Paintings 1965 by Jeffrey E. Poklen' presented at the Dalhousie Art Gallery in December 1965.

Records consist of a biography of Poklen, artwork price list, newspaper clipping of an exhibition announcement, correspondence between Evelyn Holmes (Acting Curator, Dalhousie art Gallery) and Poklen, and two Dalhousie University newsletters discussing Poklen's show.

File consists of records related to the exhibition 'Paintings and Drawings by Miller Brittain' held at the Dalhousie Art Gallery in February 1965.

Records consist of one newspaper clipping titled ‘Connoisseur [Daniel O’Keefe] Praises Works of Miller Brittain’; correspondence between Mirko Usmiami and Stuart Smith (Curator, Beaverbrook Art Gallery), Mrs. Paul (Celia) Toomik (Assistant to Mr. Brittain), Lawren Harris (Head, Department of Fine Arts, Mount Allison University), Miller Brittain, Dr. Charles Comfort (Director, National Gallery of Canada), and R. F. Wodehouse (Curator, War Collection, National Gallery of Canada); a loan agreement between Dalhousie Art Gallery and the National Gallery of Canada; an biography and artist statement of Miller G. Brittain; exhibition notes; a list of artworks; an invitation list; exhibition reviews; and draft press release and publicity texts.

File consists of records related to the exhibition of Owen Fitzgerald's photographs organized and presented by Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Owen Fitzgerald and Mark Holton (Assistant Curator, Dalhousie Art Gallery), a list and pricelist of 25 photographs, and handwritten notes from Owen Fitzgerald. Records also include insurance files and a newspaper clipping.

File consists of records related to the Nova Scotia X 15 exhibition, consisting of large paintings by fifteen Nova Scotian artists, presented at Dalhousie Art Gallery from July 30 to August 25, 1974.

Records consist of letters to the artists from staff of Dalhousie Art Gallery, insurance documents, a list and pricelists of paintings, and a newspaper clipping.

File consists of records related to the exhibition ‘Non-figurative Paintings 1961-1964 by Lawren P. Harris’, held at the Dalhousie Art Gallery in January 1965.

Records consist of a list of artworks, artist biography, and correspondence between Mirko Usmiami and Lawren P. Harris.

File consists of records related to the Exhibition of Rubbings from Ancient Egyptian, Mesopot. and Hittite Reliefs by Nelly B. Gray, organized and presented at Dalhousie Art Gallery from August 30 to September 24, 1972.

Records consist of lists and pricelists of artworks and insurance files.

File consists of records related to the Morbus exhibition, held at the Dalhousie Art Gallery in April 1973.

Records consist of correspondence between Earnest Smith (Director, Dalhousie Art Gallery) and curators at other galleries, newspaper clippings, a list of participating artists, and grant approval documents from the Canada Council.

File consists of records related to the Montreal Museum lends II exhibition: 19th and 20th century paintings. The National Gallery of Canada organized and circulated the exhibition, and it was shown at Dalhousie Art Gallery from February 18 to March 30, 1975.

Records consist of condition reports, packing instructions, newspaper clippings, a floor plan, correspondence between the National Gallery of Canada and Dalhousie Art Gallery, loan agreements, and photographs of paintings including "Autumn On The Banks Of The Oise" by Alfred Sisley, "Lamp and Cherries" by Pablo Picasso, and "Neapolitan Girl's Head" by Pierre-Auguste.

File consists of records related to the Models and Michelangelo exhibition, held at the Dalhousie Art Gallery from August 9 to 31, 1973. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of Halifax School for the Blind regarding the sale of the art catalogues and staff of Maritime Telegraph and Telephone Co., Ltd. regarding the opening ceremony, and staff of Rothman's of Pall Mall Canada Ltd. regarding installation and security arrangement for the exhibition. In addition records include a tour schedule, historical background to the collection of models in the exhibition, media release, exhibition invitation list, newspaper clippings, and a floor plan designed by Golden Miller at the Vancouver centennial museum in November 1972. Records also contain a copy of an Impetus magazine, published in April 1973, and photographic prints of the three terracotta models of the right hand, torso, lower back and left thigh.

The file consists of records related to the exhibition 'Miserere by Rouault' organized and circulated by the National Gallery of Canada and shown at Dalhousie Art Gallery from January 4-28, 1968.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including packing and mounting instructions, floor plans, packing lists, agreement forms, exhibition text, and a list of accompanying slides (not included in the file).

File consists of records related to the Mira Schor exhibition, held at Dalhousie Art Gallery from December 9, 1975 to January 4, 1976.

Records consist of a short bio of Mira Schor, a handwritten essay, a list of artworks with handwritten notes, lists of expenses, an opening invitation, and correspondence between Bruce. W. Ferguson (Director, Dalhousie Art Gallery) and Mira Schor.

File consists of records related to the exhibition of works by Michael Fernandes, part of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from September 4 to September 28, 1975.

Records consist of a list of expenses, a list of artworks, interdepartmental memos, a floor plan, and draft invitations.

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

File consists of records related to the exhibition 'Massey Collection: Landscapes', organized an circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1966.

Records consist of an exhibition catalogue, box list, contractual documents, invoices, and correspondence.

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

File consists of records related to an exhibition of works by a Newfoundland painter, Mary Pratt, organized by the Memorial Art Gallery. The exhibition was presented at Dalhousie Art Gallery from December 9, 1975, to January 4, 1976.

Records consist of a condition report, correspondence, a floor plan, a list of exhibition expenses, invoices, interdepartmental memos, newspaper clipping, and an opening invitation.

File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.

Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

File consists of records related to the L. L. (Lionel Lemoine) Fitzgerald exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in March 1967.

Records consist of lists of works, contractual documents, a condition report, and a letter to Evelyn Holmes regarding exhibition fees.

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

File consists of records related to the planning and presentation of an exhibition of works by Karl Douglas McKeeman, presented by the Dalhousie Art Gallery from September 4-28, 1975. The works are photo engravings of sections of 19th-century American luminist's paintings.

Records consist of correspondence, a floor plan, a list of expenses, interdepartmental memos, a biography of McKeeman, a bibliography, an art critic and writer, and a photocopied image of Karl McKeeman with three individuals at the opening night reception at the art gallery. File also includes invitation cards, Karl's notes, and photographic prints of 'The Heart of the Andes.'

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.