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Judge Peter O'Hearn fonds

  • MS-2-694
  • Fonds
  • [after 1917] - [before 1986] ; predominantly 1960 - 1979
Fonds consists of Peter O'Hearn's records regarding his professional activities and studies in criminal and family law. Record types include meeting minutes, correspondence, newspaper clippings, booklet, typescripts, and other textual records.

O'Hearn, Peter

Programs from the Auditorium

File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).

Programs from the Majestic Theatre

File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.

Programs from the First Baptist Church

File contains the program from the First Baptist Church in Halifax, Nova Scotia for an organ recital by Joseph Bonnet (December 17, 1920) and three copies of an advertising pamphlet for the concert.

Programs from the Halifax Ladies Musical Club

File contains two programs with performances by members of the Halifax Ladies Musical Club: "An Evening with Canadian Creative Composers" with a lecture by Dr. J.D. Logan (November 1, 1921) and a "Debate" between the old masters and modern composers (November 21, 1922). File also contains two programs presented by the Club, for performances by the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone and Boris Hambourg) (November 28, 1924) and the Hambourg Trio (Greza de Kresz, Reginald Stewart, and Boris Hambourg) (January 11, 1924).

Programs from the Halifax Conservatory of Music

File contains programs for the following: a recital by Ernest Leslie Schofield, baritone with Harry Dean, piano (October 6, 1925); "The Nativity of Our Lord Jesus Christ according to the Gospel of St. Luke," conducted by Harry Dean and presented by the Alumni Society (December 18, 1924); a lecture-recital by George M. McDonald, baritone, and Harry Dean, piano (October 4, 1921); and a pianoforte recital by Reginald Stewart, assisted by Luther Dickens Mott, bass-baritone, and Harry Dean, piano.

Program from St. Mary's Cathedral

File contains two copies of a program for an organ and choral recital at St. Mary's Cathedral by the church organist, Edwin C. Helsby, and choir, directed by Rev. Gerald B. Phelan.

Program from Nelson Hall

File contains two copies of a program for a recital given by Mrs. Chester MacDonald (soprano), Julius Silverman (violin), and Mrs. H.W. Dodwell (piano), presented by the Local Council of Women. The date of the recital has been revised from November 25, 1924 to December 9, 1924.

Autographs of the Hambourg Trio

File contains an autographed program by the Hambourg Trio (Geza de Kresz, violin; Reginald Stewart, piano; and Boris Hambourg, cello). The program is from a recital at Pythian Castle, Saint Join, New Brunswick. File also contains J.D. Logan's 1909-1910 season pass for the Massey Music Hall in Toronto, Ontario.

Dalhousie-King's Reading Club fonds

  • MS-2-456
  • Fonds
  • 1925-2010
Fonds consists primarily of meeting minutes, membership and attendance lists, programmes, a copy of the club’s sixty-fifth anniversary cookbook, correspondence, and miscellaneous papers which include photos and records related to the club’s anniversary events.

Dalhousie-King's Reading Club

Programs from Hart House Theatre

File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).

Personal archives of David Renton

  • MS-3-23
  • Collection
  • 1926-2006
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.

Renton, David, 1934-2006

Richard Ward fonds

  • MS-5-7
  • Fonds
  • 1927-1928, 1932-1933, 1937
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.

Ward, Richard, (fl.1888-1977)

Nova Scotia Agricultural College records and photographs relating to special events, celebrations, and workshops from 1928-2005

Series contains photographs, documents, flyers, scripts, and audio recordings of special events, celebrations, and workshops at the Nova Scotia Agricultural College. Records relate to Founders day, anniversaries, exhibitions, dramas, open houses, commencements, etc. between 1928-2006.
Dalhousie University Bulletin: Inauguration number

Dalhousie University Bulletin: Inauguration number

Item consists of two copies of the Dalhousie University Bulletin, Inauguration Number (#4), dated October 1931, from the inauguration of Carleton W. Stanley as president of Dalhousie University. The bulletin contains the program of the event, a photograph of Stanley, transcriptions of addresses given at the event, and a list of delegates from other universities.

Theatre Arts Guild fonds

  • MS-3-4
  • Fonds
  • 1931-1999
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.

Theatre Arts Guild.

Dalhousie University bulletin, inauguration number, number 4

Item is a program for the inauguration of Carleton W. Stanley as president of Dalhousie University, which includes addresses from Right Honorable R.B. Bennett, P.C., LL.B., LL.D.; G. Fred Pearson, Esq., LL.B, K.C.; A. Stanley Mackenzie, Ph.D., D.C.L., LL.D., F.R.S.C; and President Carleton W. Stanley, M.A.

Ronald St. John Macdonald’s professional records

Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.

Autograph of Mischa Elman

File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.

Ronald St. John Macdonald's research materials on John P. Humphrey's life and work

File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.

Ivan Maxwell Gillis fonds

  • MS-5-8
  • Fonds
  • 1934-1951
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.

Gillis, Ivan Maxwell

Anthony Pugh's research materials for program notes

Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Program notes pertaining to Fauré

File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

William Bruce Almon fonds

  • MS-3-15
  • Collection
  • [1935?]-1940
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.

Almon, William, Bruce, Lt. Col.

Mary Jones Theatre Program Collection

  • MS-3-20
  • Collection
  • 1937-1941, 1952-1986
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.

Jones, Mary

Documents related to Bucky Adams

File contains documents related to Bucky Adams, a jazz artist from Halifax, Nova Scotia.

Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Amnesty International, the Black Loyalist Heritage Society, CBC Television studios, a copy of Bucky Adams’ birth certificate, a copy of the Diamond Jubilee medal certificate awarded to Bucky Adams in 2012, Black Focus magazine, Halifax Jazz Festival, the Southern Christian Leadership Conference, a copy of the invitation to Bucky Adams and The Basin Street’s album releases and performances, Dartmouth Heritage Museum’s production of “The Phantom of the Opera” in 2011, Bucky Adams’ memorial, and others.

Alan and Blanche Lund fonds

  • MS-5-17
  • Fonds
  • 1940-1990
Fonds consists of sheet music, scripts, and programs from different musical plays that Blanche and Alan Lund performed, directed or choreographed. Also includes audio reel-to-reel and video tapes of some of the performances.

Lund, Alan

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Neptune Theatre fonds

  • MS-3-1
  • Fonds
  • 1943-2017
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.

Neptune Theatre

Research and program notes for composers B

File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.
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