Women artists

Taxonomy

Code

Scope note(s)

  • Use for records related to the attainments of women as artists.

Source note(s)

Display note(s)

Hierarchical terms

Women artists

Equivalent terms

Women artists

Associated terms

Women artists

10 Archival Description results for Women artists

10 results directly related Exclude narrower terms

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

Backgrounds: ten Nova Scotian women artists

File consists of records relating to an exhibition entitled Backgrounds: Ten Nova Scotian Women Artists, presented at the Dalhousie Art Gallery from October 4 to November 11, 1984. The artists that participated in this exhibition were Frances Bannerman, Marion Bond, Elizabeth Cann, Mabel Killam Day, Elizabeth Nutt, Florence Payzant, Tony Saulnier, Margaret Semple, Edith Smith, Ruth Wainwright, and Marguerite Zwicker.

Records consist mainly of insurance files, correspondence, loan agreement forms, and photographs.

Catherine Creighton and family fonds

  • MS-2-656
  • Fonds
  • [18--]-1989

Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.

The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.

Creighton Family

Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Maritime women's access handbook

Item is a book complied, edited and published by Reel Life, a women's media collective, from resource information they collected during a tour of Nova Scotia and New Brunswick screening and distributing films, videotapes, slides and women's art. "S. Sherwin, Philosophy Dept." is written in ink on the front cover.

Nightwood Theatre Board of Directors meeting minutes

File contains agendas, minutes and reports and an early proposal for a structure for Nightwood Theatre written by Kate Lushington and Linda Brown and presented to board members Martha Leary, Banuta Rubess, Susan Cole, Maureen Fitzgerald, Kim Renders and Mary Vingoe.

Selections from the Dalhousie Art Gallery permanent collection : works by women artists

File consists of records relating to the exhibition entitled 'Selections from the Dalhousie Art Gallery Permanent Collection : Works by Women Artists,' organized by Armgard Zentili (Registrar/Preparator, Dalhousie Art Gallery). The exhibition was presented at the Dalhousie Art Gallery from May 3 to June 2, 1985.

The display included paintings and works by such artists as Elisabeth Louise, Marie Vigee-Lebrun, Elizabeth Nutt, Paraskeva Clark, Marine Stewart, Carol Fraser, Marguerite Zwicker, and Aileen Meagher.

Records consist mainly of correspondence and a list of works and artists.

Women in Media Foundation fonds

  • MS-3-47.2011-029
  • Fonds
  • 1990-2007
Fonds contains comprehensive records documenting the functions and activities of the Women in Media Foundation between 1990 and 2007. Materials include administrative records, correspondence, financial records and video works created by young women who participated in the Foundation's summer camps and other programs. Fonds also contains communications and marketing material and records documenting the various girls camps operated by the Foundation across Canada.

Women in Media Foundation.