The TAG/HRDC project resulted in several publications and consisted of interviews with leaders througohut Canada and individuals who had recieved payments from the TAGS program do deterimine the impact and effect of the program. The project was funded through the HRDC, and Joan Cummings acted as the director of the HRDC TAGS Impact Study, although recieved significant assistance and credited publications to Rick Williams.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Cat that Barked." Subseries also contains illustrations for the book by Terry Roscoe.
Subseries consists of typed drafts of Wendy Lill's ply "Corker," originally titled "Taking care of Corker," which was first produced by Neptune Theatre in 1998.
Subseries contains a copy-edited draft of Budge Wilson's short story anthology "Mothers and other Strangers" and a copy-edited draft of one of the short stories that it contained, "The Listener." Most of the short stories in this anthology also appeared in other anthologies: "The Listener," "Loretta and Alexander," "Elliot's Daughter," "Just Give Me a Little more Time," "Mrs. Macintosh," "The House on High Street," "Birds, Horses, and Muffins," "The Diary," "Mrs. Garibaldi and Leonardo," and "The Reunion."
Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Long Wait," previously titled "The Incredible Wait." Subseries includes Budge Wilson's ideas for illustrations for the book and a typescript of its French translation, "Une Incroyable Attente," translated by Florence Treadwell.
Subseries contains electronic correspondence between Ransom Myers and researchers, employers, students and prospective students, co-authors, journals, grant agencies, journalists, conference organizers, associations and others. Some electronic correspondence includes datasets, draft manuscripts and reference articles.
Subseries comprises records generated by the National Network on Environments and Women's Health (NNEWH), including meeting minutes, contact information, correspondence, grant application and research materials. The NNEWH was populated by women across a variety of fields including health care professionals and professors of medicine and philosophy. The members of NNEWH published a book collectively, with Susan Sherwin as principal investigator.
Subseries contains records created and collected by Gil Winham during his work as the research consultant for the Sub-committee on the Review of the Special Import Measures Act of the Standing Committee on Finance, for which he was responsible for drafting the Sub-committee report. Records include background papers; government reports; notes; correspondence; manuscript drafts; and a copy of the final report.
Subseries contains records that illustrate the promotional activities of Two Planks and a Passion Theatre. Types of materials include brochures and pamphlets, press releases and tour packages.
Subseries contains production binders and/or prompt books for plays produced by Two Planks and a Passion Theatre from 1995-2009. Prompt books, also known as prompt copies, stage manager's books, production bibles, or simply "the book," are the master copies of scripts, containing blocking and technical cues, used by the stage manager to control the performance. The binders may also contain contact lists; set, costume and properties sheets; venue(s) and tour information; and show reports. Materials were removed intact from binders. Also included in this subseries are similar records that were maintained in individual files rather than within a single binder.
Sub-series contains materials related to board and staff meetings of the Women in Media Foundation. This material includes agendas and minutes of meetings.
Subseries contains duplicate issues of Wayves Magazine. Wayves was initially published beginning in 1983 as the newsletter for the Gay and Lesbian Association of Nova Scotia, under the name Gaezette. The magazine adopted the name Wayves in 1995 and continued to print content intended to inform and support lesbians, gay men, bisexuals and transgendered people throughout Atlantic Canada until the print edition ended in 2012.
Subseries contains drafts of Mary Vingoe's script adaptations of Alistair MacLeod's short story by the same name, as well as a letter from Vingoe to MacLeod asking permission to adapt the story for a short film series.
Sub-series contains general administration records of the Women in Media Foundation, which includes various policies, documents, and correspondence regarding the operation and organization of the foundation.
Sub-series contains material relating to the WTN-Dowment program that was run by the Women in Media Foundation. Files regarding the WTN-Dowment may be interfiled within the administration, finance and communications series.
Subseries comprises records created and collected by Gil Winham in the course of co-editing with Sylvia Ostry The Halifax G-7 Summit: Issues on the Table (Centre for Foreign Policy Studies, 1995). Records include correspondence, a manuscript, contract, background materials and a copy of the published book.
File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.
Subseries comprises teaching records for PLAN 5101, which was taught by Jill Grant through the Faculty of Architecture and Planning at Dalhousie University. Records from an earlier course called Planning History, taught at Nova Scotia College of Art and Design, are incorporated into this subseries and within the files. Materials include course outlines and syllabi, instructional assessments, lecture notes, class readings, and slides.
Subseries comprises records documenting Susan Sherwin's professional activities with the International Association of Bioethics, including her appointment to the board of directors, meeting minutes, and conference and workshop proceedings and materials.
Subseries contains yearbooks of the Dalhousie University School of Education: Spitballs and Chalkdust (1994); and Taking a Bite Out of Time (1995). The yearbook and program both ended in 1995.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "Harold and Harold." Subseries also contains illustrations for the book by Terry Roscoe.
Subseries contains the proceedings of the first, second, third, fourth, fifth, and sixth colloquium of the Rural Research Centre of the Nova Scotia Agricultural College. Papers topics include the barley market, domestic tax policy, awareness of agriculture, perceptions of sustainable agriculture, changing patterns of agricultural settlement, farming immigrants, perceptions of crime and safety, traditional dance of rural Malawi, improving water quality, sustainable community development, rural planning issues, sports and recreation in Nova Scotia, location patterns of cottaging, carrying agricultural knowledge, rural-urban relations, Co-Op Atlantic, sustainable rural regions, and the impacts of subsidy programs in the agricultural sector of Nova Scotia.
Subseries contains documents related to the writing and production of "The Americans are Coming," a play written by Jenny Munday and Herb Curtis and based on Curtis' novel.
Series contains materials related to AIDS-LINK, a volunteer-based project operated by CARAS to institute interfaith pastoral services for persons living with HIV/AIDS. The project was launched in 1996 and ceased operations in the early 2000s.
Subseries consists of handwritten and typescript drafts for Budge Wilson's book "Cassandra's Driftwood," previously titled "Belinda's Driftwood." Subseries also contains drafts of drawings for the book's illustrations, by Terry Roscoe.
Series consists of Nova Scotia Agricultural College strategic plans, outlining future including managing enrollment, promoting research and scholarships, serving the community, sustaining the environment and additional topics related to future plans for the NSAC.
Subseries contains correspondence, press releases, and planning notes used in improvisational workshops presented and/or organized by Upstream. Many of the workshops in this subseries were organized for, or in collaboration with, Dalhousie University music students.
Subseries contains working papers and research papers from the Rural Research Centre at the Department of Humanities, Nova Scotia Agricultural College. Topics include variations in agriculture, cultural perspectives of farmers, Mennonite farms, life and community satisfaction, retirement homes, the quality of life on and off farms, farm-nonfarm comparisons in Ontario, scenic resources of Nova Scotia, community satisfaction and social interaction in the Toronto metropolitan fringe, and housing environments and older women theoretical perspectives,
