Fonds contains material relating to the personal life and professional career of Bill Freedman (1950-2015), an environmental scientist based at Dalhousie University. Fonds includes research data, teaching materials, publications, manuscripts and draft manuscripts, correspondence, committee and meeting minutes, electronic records, analogue and digital photographs, thousands of 35 mm slides, video cassettes, and appointments and awards.
Fonds comprises Murray Brown's research and teaching-related records, including notes, annotated drafts of papers, presentations and reports, abstracts, correspondence, funding applications and reports, as well as administrative papers and employment records and contracts.
Fonds consists of information and material relating to courses taught by Hennigar-Shuh and his involvement at Dalhousie University, as well as correspondence, personal writings, and magazine articles relating to his life and work.
Fonds comprises records related to Susan Sherwin's professional activities, including publication, research and teaching. Record types include correspondence, contracts, manuscripts, research materials and notes, committee materials, reports, conference materials, and university course records such as syllabi, exams, and assignments.
Fonds contains records created and collected by Jerome Barkow in the course of his research and teaching at Dalhousie University. Records types include course materials in anthropology, biology and sociology; university and departmental records, including meeting minutes, correspondence and reports; editorial correspondence and manuscript drafts of published papers; lecture and presentation manuscripts and slides.
Fonds comprises correspondence and questionnaires for merchant seamen completed by Leo Corkum and Harry Delap. The questionnaires were completed in response to an appeal for research data in conjunction with Miller's project with the National Maritime Museum in Greenwich, England.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Fonds comprises records related to Raymond's investment in the Henry House restaurant, including correspondence, financial statements, menu designs, architectural drawings and construction records. Other records include Dalhousie Review poetry correpondence.
Collection consists of videos and photographs that document the administrative and operational activities of Dalhousie University’s MedIT, providing media services to the Dalhousie Faculty of Medicine. The collection also includes the card catalogue and register created and used by MedIT to organize their video and photograph libraries.
Fonds contains records documenting Ian McAllister's work as an economist and professor between 1967 and 2010. Records include research materials and manuscripts about regional and international development and policy, foreign aid, disasters and development, and the role of universities as development contributors.
Fonds comprises records related to Terrence Gordon's biography of Marshall McLuhan published in 1997 and includes correspondence with publishers and reviewers; a curriculum vitae; a manuscript draft; newspaper clippings and copies of reviews; and secondary research materials. Other records include the working papers from three books edited by Gordon: McLuhan Unbound, Understanding Media (Critical Edition) and The Classical Trivium: The Place of Thomas Nashe in the Learning of his Time.
This collection consists of records pertaining to the management and the productions of the Dartmouth Players from 1967-1975. The records include administrative documents, financial statements, correspondence, programs, and newsletters.
Fonds consists of a wide range of records from both MOVE and MOVE coalition members, consisting of administrative records to material on social issues. Records include meeting minutes from the board and staff; material on operations; records on funding and finances; material on activities and participation of MOVE such as conferences, seminars, and workshops; various material on internal committees and external committees; various material on MOVE coalition member groups; resource and reference material that made up much of MOVE's library as well as research information they used for various publications for citizen awareness. In addition, the above records contain material that target many social issues such as environment, human rights, poverty, unemployment, city planning, and transit issues.
Fonds consists of Clayton J. Myers' records created in his position as a Dalhousie University English department faculty member. Record types include correspondence, reports and meeting minutes.
Fonds comprises records created and collected by Don Allison that document his work as an actor in Neptune Theatre's 1967 production of The Wooden Ship, as well as his own poetry and prose writings. There is also a small number of letters from someone named Anna.
Fonds comprises records documenting J. Graham Morgan's role as a faculty member of Dalhousie's Department of Sociology, including his work with the Dalhousie University Senate Library Committee and ad hoc Strategy Sub-Committee. Records include a report, a meeting notice, meeting minutes, correspondence, and course outlines examinations and assignments. Fonds also contains his correspondence regarding the Society for Social Studies of Science and Environmental Studies Association of Canada meeting held in Halifax, Nova Scotia, and a 2004 curriculum vitae.
Fonds comprises several drafts of Health Care in Nova Scotia: A New Direction for the Seventies (1972) and includes related briefs, submissions, statistics, and articles.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
Fonds contains architectural drawings created by Drew Sperry as a student at Nova Scotia Technical College and later as a certified architect. His student work comprises presentation drawings, while the designs for his own home in Dartmouth, Nova Scotia, and two other residential commissions include both presentation and construction drawings. There are two folders of textual records, which comprise a transcript of an interview with Drew and Sheila Sperry, real estate appraisals of their Dartmouth residence, and early budget breakdowns from Sperry's architectural practice.
Series contains incomplete runs of Dalhousie University Newsletter (1965-1971), University News (1971-1983), Dal News (1983-1989), Dalhousie News (1989-2008) and Dalnews (2008-2010), all of which were former paper iterations of the website Dal News, a service of Communications, Marketing and Creative Services. There are no issues for 2004-2007; individual numbers are missing from some volumes throughout the publications.
Dalhousie University. Communications and Marketing Department.
This fonds primarily consists of records of various actuarial organizations, including the Canadian Institute of Actuaries, the Society of Actuaries, the Actuarial Society of America, and the American Academy of Actuaries.
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.
Nova Scotia Folk Arts Council Fonds includes correspondence 1964-1973, financial documents 1966-1972, festival documentation 1964-1973, and administrative records 1966-72. The bulk of the records are from Nova Scotia folk art festivals in 1967 in relation to Canada’s centennial celebration.
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.
Fonds comprises reports, publications, meeting notes and minutes, correspondence and general documentation illustrating the activities of the Community Planning Association of Canada, Nova Scotia Division.
Community Planning Association of Canada, Nova Scotia Division
Three letters from Thomas Raddall to Miss Margaret Martin at the Halifax Memorial Library regarding the details of his speaking engagement with the Young People's Section of the Canadian Library Association.
Fonds consists primarily of correspondence (1970-1974). Other materials include documents regarding American draft laws, Canadian immigration laws and counselling notes on immigrants. Administrative records (1970-1974) include press releases, financial documents and newspaper clippings.
Nova Scotia Committee to Aid American War Objectors
Fonds is primarily comprised of artistic programs from musical and theatrical events held predominantly in Nova Scotia, specifically in the Halifax area. Fonds also includes some music school syllabi, event competition forms and regulations, newspaper clippings, and correspondence.
Fonds comprises records created or collected by Gil Winham in the course of his education, teaching, research, publication and consultancy activities. Record types include course materials; personal and professional correspondence; grant applications; research materials, reports and manuscripts; and committee minutes and notes.
Fonds contains textual records relating to the history of the activities of the Dalhousie University English Department and to Bevan's academic activities. The fonds consist of research notes generated during Bevan's study of Dryden's literature; academic and departmental correspondence and documentation created while Bevan was head of the English department and afterwards; documents and correspondence relating to operations at the Dalhousie Review from 1972-1980; fiction and other writings; material pertaining to courses he taught from 1949 to 1976; and various undated papers written by his students.
The fonds includes Linda Moore's papers and files relating to her work as director of Neptune Theatre in Halifax. The fonds includes designs and annotated construction plans and photos of the theatre; annotated scripts, photos, and production notes from Neptune shows; correspondence and interview texts; video and audio footage of productions and auditions. There is also a substantial volume of material relating to the world premier production of Dracula: a Chamber Musical.
Fonds consists of Allan Currie Dunlop's records documenting his student years at Dalhousie University, including materials regarding the Dalhousie Alumni Association, Dalhousie Student Council, Dalhousie Student Union, Dalhousie University men's residence, and student political activities. Fonds contains correspondence, photographs, reports, programmes, meeting minutes, newspaper clippings, student newspapers, Dalhousie University residences' administrative records.
Fonds contains materials documenting Brian Hall's research and teaching. Records include awards and notices of awards, correspondence, lecture and class notes, grant information, early zoology schoolwork, publication information, media coverage, seminar materials, photographs, and a reference card system.
Fonds consists of materials regarding J.D. Shatford Memorial Trust scholarship students at Dalhousie University. Fonds contains correspondence, newspaper clippings, students list, students grades, and other textual records.
Fonds consists of materials created or collected by Dr. John F. Godfrey while he was a professor at Dalhousie University and President and Vice-Chancellor at the University of King’s College in Halifax, Nova Scotia. Material consists of correspondence, course material, lecture notes, videocassettes, shooting scripts and research for History 100 videos, manuscripts, notes, printed material of local history and locations, and meeting minutes and memos from committees, the Faculty of Arts and Science, and the History Department at Dalhousie University.
Fonds consists of administrative records related to the operation of the Dalhousie Arts Centre which includes correspondence, personnel files, reports, and memos; audio-visual materials; minutes, correspondence, and reports related to the Dalhousie Cultural Activities Committee and its sub-committees; financial records which include annual and monthly reports, budget records, payroll reports and other fiscal documents; artistic organization files; photographic records of performers; production, performance and event records that include contracts, news clippings, and promotional materials; as well as publicity materials for the Arts Centre.
Fonds contains Halifax Seed Company's ledgers and business correspondence, which contain advertisements and other printed matter, dating between 1956-1965.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.