Fonds includes records primarily created or collected by William Guptill, including correspondence, articles, publications, research notes, photographs and newspaper clippings.
MS-2-266, SF Box 31, Folder 14-15; SF Box 35, Folder 3-5
Fonds
1877-1937
Fonds comprises photocopies of MacDougall’s diary, reference letters, correspondence from the author Frederick William Wallace and MacDougall’s sister Alice, miscellaneous business papers, and photographs of MacDougall, other mariners, and shipping vessels.
File includes photograph of Garry Kennedy exhibition, 'Locating', Ted Ross' 'A Nova Scotia Landscape', and invitations for exhibitions by Stephen Horne, Elizabeth Mackenzie, James MacSwain, W.C. Woods, and Douglas Sharpe
File consists of exhibition records for 1962-1963.
Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Item is a photograph of the No. 10 Halifax Siege Battery, including cadets and drummer boys, standing to attention in a field, with a cemetery and farmhouses in the background.
Series consists of Florence Jessie Murray's correspondence, manuscripts, pamphlets and photographs regarding her involvement in the Korean mission of the United Church of Canada.
Fonds includes the transcripts of conversations Fred Brodie had with Charles Murray and David Gutnick, and with John Bell. Fonds also includes newspaper clippings collected by Fred Brodie on the Canadian Congress of Labour and Trades and Labour Congress of Canada merger, the Halifax Labour Temple, the Halifax Typographical Union, the Teann Ghlac Black Friday coin, along with a variety of letters to the editor. Also included are reference materials for the ITU - Herald contract, the CHFX radio scripts, the Royal Commission on Newspapers' presentation, and a letter written by Fred Brodie to the Halifax Labour Temple.
Fonds consists of scripts of the puppet plays as well as correspondence, photographs and slides, newspaper clippings of reviews, programs, videocassettes, and some administrative papers.
This fonds consists of material created by or accumulated by George V.V. Nicholls. Records include correspondence, Nicholls and Van Vliet family estates and wills, course material from classes taught by Nicholls at Dalhousie’s Law School and Queen’s University, meeting minutes from professional associations, Dalhousie and community committees and clubs that Nicholls was involved with, some photographs and drafts and published legal journal articles and essays written by Nicholls.
Item is an album containing photographs of unidentified Dalhousie classmates; as well as landscapes. There are also nine postcards addressed to her mother, Mrs. J.H. Smith.
Photograph of D.W. Myers, Mrs. Alice Stevens, Mrs. Joyce Beazley, Miss Marilyn Castle, G.D. Robb, Mrs. Vivian McPhee, Miss Carol Brophy, Mrs. Ann Beazley and R.H. Short at the dial cross over.
Fonds consists of correspondence (1943-1975), publications (1946-1970), addresses and forewords (1944-1977), unpublished documents (1952-1978), material collected for reference and other purposes, newspaper cuttings, memorabilia (1934-1977), and black and white photographs (1946-1975), written or collected by Guy Henson. Reference and other materials pertain to a wide variety of topics, including golf, education in Nova Scotia, political movements and current affairs, social causes, labour, management, and the activities of many local, provincial and national societies.
Fonds contains Halifax Seed Company's ledgers and business correspondence, which contain advertisements and other printed matter, dating between 1956-1965.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
File contains photographs used in the course of Henry Orenstein's creative process in the concept development of the "Sudbury Industrial Landscape". File also contains a photograph of the mural.
This fonds consists of a variety of materials related to all aspects of Read's career. The fonds includes a range of correspondence; biographical records pertaining to Read himself such as newspaper clippings and a curriculum vitae; conference papers; various association files and Dalhousie committee files; lecutres; souvenirs from Read's military career that include certificates, miniature medals, a records of military service; published and printed workds; committee files related to the Nova Scotia Labour Relations Board, the Nova Scotia Royal Commission on Auto Insurance, Uniformity of Legislation in Canada, the King's Regulation Revision Committee; and photographs (primarily of Read during the War or attending various functions).
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.
Fonds consists of J. Gordon Duff's professional records, including correspondence, pharmacy history and research materials, photographs, and records of the Dalhousie College of Pharmacy, Dalhousie University Faculty of Health, and various pharmacy associations.
Fonds consists of notes of lectures on logic delivered by James Ross at the Theological Seminary in Truro, Nova Scotia (1860-1861) and on Moral Philosophy at Dalhousie College (1863-1864), as well as certificates of attendance from the 1860s and a photograph of Thomas McCulloch and others.
Fonds comprises records documenting James Gray's work s a scholar and teacher. Records include publications, manuscripts and lecture notes; audio recording of lectures; correspondence with colleagues and students; teaching materials; editorial and publishing correspondence and records; and personal correspondence and photographs.
File consists of records related to the James Shirley Exhibition "Winter Visions," held at Dalhousie Art Gallery from August 15 to September 1, 1975.
Records consist of interdepartmental memos, invoices, cheques, list of expenses, a floor plan, correspondence, a photograph of Jim Shirley with four individuals at the opening night reception, and a list of works and prices. File also includes untitled photographs and an invitation card.
Fonds consists of materials regarding the student lives of James Stanley Hillis and his wife Pauline E. Hillis. Records include notebooks, books, and others textual records. Fonds also contains photographic negatives and prints of Pauline E. Hillis with friends, and of their son Eric Stanley Hillis at the age of 5, and two manuscripts regarding Hillis & Son Limited.
This fonds contains correspondence, agreements, price lists, financial records and photographs relating to the J.E. Morse Tea company. Also contains a picture of the Studley Quoit Club plus a key to the group picture.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Fonds comprises records regarding Jessica Scott Kerrin's work as a children's author, including printed and electronic manuscripts; editorial correspondence; book reviews; style and writing guides; learning resource materials; digital photographs; and correspondence from readers, primarily school children.
Fonds comprises records that illustrate Jill Grant's work as a planning educator and scholar, including her teaching, research, publishing and professional activities. Types of records include lecture notes, presentations and images, teaching evaluations, research notes and data, publishing contracts, editorial correspondence and reviews, manuscripts, drafts and presentation copies of talks and published papers. There is also a series containing Jill Grant's records from the Joint Review Panel established to review a proposal from Bilcon of Nova Scotia Corporation for a basalt quarry at Whites Point, Digby County.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
