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Ellen Ballon fonds

  • MS-5-2
  • Fonds
  • 1725-1972, predominantly 1898-1972
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.

Ballon, Ellen

The Impossible Museum fonds

  • Fonds
  • 2018-2020

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

Wilson, D'Arcy

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Robert Doyle fonds

  • MS-3-18
  • Fonds
  • 1964 - 2019
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.

Doyle, Robert

Newspaper cartoons regarding the LGBT community

File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.

Goodnight Desdemona (Good morning, Juliet)

File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).

Osler, Stephen

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Brock University : The Rover

Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Reviews of Glace Bay miner's museum

File contains two reviews of the 2013 Neptune Theatre production of Glace Bay Miner's Museum. The reviews are printed versions of online reviews published by The Chronicle Herald on March 2, 2013 and by The Coast on March 7, 2013.

Costume and prop sketches for Glace Bay miner's museum

File contains costume and prop sketches drawn by Sue LePage for the 2012 National Arts Centre production of Glace Bay Miner's Museum. File also includes accompanying handwritten notes from Sue LePage to Mary Vingoe.

Director's notebooks

File contains two director's notebooks with handwritten notes by Mary Vingoe. File also includes three thank you cards from the cast and crew of the 2012 National Arts Centre / 2013 Neptune Theatre production, and a ticket to the March 1, 2013 performance at Neptune Theatre.

Sketches of Margaret and Ian's costumes

File contains two sketches and two handwritten cards by Sue LePage. The sketches depict the costumes of characters Margaret (played by Francine Deschapper) and Ian (played by Jeff Schwager). The sketches were gifts from Sue to Mary Vingoe and Paul Cram.

Art Penson fonds

  • MS-3-38
  • Fonds
  • 1977-2005
Fonds comprises set, furniture and prop design sketches for Neptune Theatre.

Penson, Art

William J. Roué fonds

  • MS-4-39
  • Fonds
  • 1885 - 1964
Fonds contains William Roué's correspondence (1919-1964), design specifications and ship plans (1930-1964), photographs and financial records.

Roué, William

Kenneth Leslie's sketchbook

File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.
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