File contains computer printout datasets of Stirling County statistics for female respondents. Also includes analysis card for Stirling county female psychiatric and social data.
File contains printouts of computer code, and graphs and datasets analyzing socioeconomic acculturation of Yoruba women. File also includes three copies of Ilfield's study "Acculturation levels and mental health of 120 educated Yoruba women."
File contains notes on medical data relevant to hemoglobin. Includes lists of Sahli percentages and charts comparing averages. Also includes a memo regarding summary data from random village hemoglobin samples.
File contains manuscript prepared for litigation. File also contains draft manuscript titled, "Comments on July 21, 1995 draft interm treaty fisheries management plan for the ..." by John Hoenig and Ransom Myers.
File contains manuscript, draft manuscripts and data sets related to the report Analysis of Water Chemistry Data for 28 Rivers in Atlantic Canada prepared for Environment Canada.
File contains Anthony Pugh's handwritten analytical excerpts for the Manfred overture by Robert Schumann, Cariolan overture by Ludwig van Beethoven, Piano Concerto No.14 in E-flat major, K.449 by Wolfgang Amadeus Mozart, and an unidentified work by Johann Sebastian Bach. The file also includes programs for the Brunswick String Quartet and Valerie Tyron's Waater Baker Memorial Concert, both with program notes by Anthony Pugh.
File contains Anthony Pugh's handwritten analytical excerpts, research notes, and drafts of program notes for compositions by the following composers: E. Broughton, Sergei Rachmaninoff, Arthur Bliss, Ludwig van Beethoven, Charles Villiers Stanford, Maurice Ravel, Claude Debussy, Igor Stravinsky, Johann Strauss, Johannes Brahms, and Dmitry Sitkovesky. The file also contains a copy of a National Arts Centre program, which Pugh presumably used in his research, and a program from the 16th Annual Festival of Chamber Music and All that Jazz in Fredericton, New Brunswick. The file also contains a numerical coded index of composers and works, and a list of works and composers (also coded) that Anthony Pugh studied, listened to on his own records and borrowed records, heard on radio broadcasts, and heard on his own and borrowed tapes from 1980 to 1982.