File contains the original set designs and copies of the light plot designs for Neptune Theatre's production of "Sexy Laundry," directed by Marcia Kash and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Sherlock Holmes: A Curse of the Sign of Four," directed by Richard Ouzounian and designed by S.J. Degenstein. The file includes Degenstein's original drawings and some annotated copies.
File contains set designs for Neptune Theatre's production of "Shine Boy," directed by Lorne Kennedy and designed by W. Chesney with lighting by Steve Ross.
File contains light and set designs for Neptune Theatre's production of "Shirley Valentine," directed by Alan MacInnis and designed by Stephen Osler (set) and Leslie Wilkinson (lights). The file includes the original designs by Osler and Wilkinson and a copy of a second light design by Wilkinson.
File contains set designs for Neptune Theatre's production of "Sincerely, a Friend," directed by Bryden MacDonald and designed by M. Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains the sheet music for a piece for solo voice and piano accompaniment in C Major with words by Neil Herman of Dartmouth, Nova Scotia and music by Forsyth de Fronsac of Halifax, Nova Scotia. The sheet music was self-published by Herman and Fronsac. The file also includes a note to Dr. Logan from "W.H.D." to review the sheet music enclosed.
File contains set designs for Neptune Theatre's production of "Special Occasions," directed by Ron Ulrich with designs by Arthur Penson. File includes original drawings and annotated copies.
File contains handwritten notes from speeches delivered by a Dalhousie sophomore student (probably Avis Marshall) during the hazing of "freshettes" (first-year female students). Some are written on the back of unrelated typed notes.
File contains a speech by Ambassadr Pardo delivered to Subcommittee III of the Committee on the Peaceful Uses of the Sea-Bed and the Ocean Floor Beyond the Limits of National Jurisdiction. This version has handwritten comments and marking by Elisabeth Mann Borgese.
File contains forms detailing MT&T employees' name, position, address, and damages sustained from the Halifax Explosion. Forms document personal injury and loss of life as well as damage to personal property.
File contains the set designs for Neptune Theatre's production of "Step Dance" by Tom Gallant, directed by John Neville, with set designs by Lesley Preston.
File contains student tickets collected by Nelson Pratt while he was a medical student at Dalhousie University's Medical Faculty, including examination certificates and registration tickets.
File contains student tickets collected by Nelson Pratt while he was a medical student at Halifax Medical College, including class attendance records, registration tickets, and records of dissections.
File contains two student's tickets from the Victoria General Hospital, admitting Nelson Pratt to the hospital during the visiting hour of the attending physician or surgeon.
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
File contains correspondence with Bogdan Trifunovic, Louis Turner, Lawrence Thorpe, W.T. Thorneycroft, Ernest Thorn, Texas AandM Univeristy, and Rodney Tarboosh. Contains copies of pictures of Elisabeth Mann Borgese's dog and chimpanzee. Also includes an article, "How to Share Sebed's Riches" by Ernest W. Thorn.
File contains set designs for Neptune Theatre's production of "Take Twelve," directed by Richard O. and designed by Andrew M. The file also contains copies of costume and prop designs for the production.
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File contains set designs for Neptune Theatre's production of "Tartuffe," directed by Richard Ouzounian and designed by David B. Ingraham. The file includes Ingraham's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Apple Cart" drawn by Andrew Murray. The file includes original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains a copy of the report "A Canadian-Chinese Prorgamme in International & Comparative Law" drafted by the College of Law at Peking University and the Faculty of Law at Dalhousie University. File also contains correspondence between Ronald St. John Macdonald, Paul Brennan, Marc Dolgin, Peter Hoffman, W. Andrew Mackay, H.L. O'Brien, Alasdair Sinclair, and Wang Tieya.
File contains set designs by Robert Doyle for a Shaw Festival production of "The Devil's Disciple." File includes original drawings and annotated copies.
File contains original and annotated copies of set designs for Neptune Theatre's lunchtime production of "The End of the Beginning," directed by Denise Coffey and designed by Trevor Parsons.
File contains a summary of the Fifth Session of the United Nations Conference on the Law of the Sea (UNCLoS) by Elisabeth Mann Borgese, along with a history of the talks since 1967. Contains some handwritten annotations/corrections.
File contains original set designs for Neptune Theatre's production of "The Glace Bay Miner's Museum," directed by Mary Vingoe and designed by Stephen Osler. Scott Miller was the technical director. The file includes designs for Neptune Theatre as well as the Centaur Theatre (Montreal, Quebec) and the Manitoba Theatre Centre.
File contains set designs for Neptune Theatre's production of "The Little Shop of Horrors," directed by Alan MacGuinnes and designed by Patrick Clark. The file includes Clark's original drawings, a coloured annotated copy of the ground plan and an annotated copy of the Masking Elevators.
File contains set and light designs for Neptune Theatre's production of "The Mousetrap," directed by Linda Moore and designed by Robert Doyle (set) and Bonnie Beecher (lights). The file includes Doyle's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Mystery if the Oak Island Treasure," directed by Bob Paisly and designed by Andrew Murray and S.J. Degenstein. The file includes their original drawings and annotated copies.
File contains the set and lighting designs for Neptune Theatre's production of "The Real Thing," directed by Linda Moore and designed by Brian Perchaluk (set) and Brian Pincott (lights).
File contains original set and light designs for Neptune Theatre's production of "The Search for Signs of Intelligent Life in the Universe," directed by Miles Potter and designed by Warren Carrie, assisted by Ian Rye. The file includes drawings for Neptune Theatre and for The Belfry Theatre (Victoria, British Columbia).
File contains set designs for Neptune Theatre's production of "The Stone Angel," directed by James Roy and designed by Brian Perchaluk. The file includes Perchaluk's original drawings, annotated copies of pages 1 and 2, and a copy of the light design plot by John Munro.
File contains background papers distributed by the Center for the Study of Democratic Institutions. Includes "The United Nations (UN) Conference on the Law of the Sea" by Elisabeth Mann Borgese,"The Preparations for the Law of the Sea Conference" by John R. Stevenson and Bernard Oxman, and "The Latin American Contribution to the Development of the Law of the Sea" by F.V. García-Amador. Also includes a brief letter from Ambassador John R. Stevenson (the American Special Representative of the President for the Law of the Sea Conference) on the Fifth Pacem in Maribus (PIM V) Convocation.
File contains a brochure created in 1920 by the Dalhousie Campaign Committee. The brochure presents architect Andrew Cobb's campus master plan known as the "vision of Dalhousie." The brochure presents the original Dalhousie College building on Grand Parade as the "First Dalhousie" and the newly constructed Forrest Building as the "Second Dalhousie."
File contains set designs for Neptune Theatre's production of "The Winslow Boy," directed by Linda Moore and designed by Nigel Scott. The file includes Scott's original drawings and a copy of the lighting plot, also by Scott.
File contains the original set designs for Neptune Theatre's production of "Tonight at 8:30" directed by John Neville with designs by Robert Doyle for "Still Life" and "Hands Across the Sea".
File contains four pages of five traditional songs sung to Edward Charles Feltmate during his childhood in New Glasgow, Nova Scotia. Includes the text to the following songs: "The Cold Winters Night", "The Steam Packet Soverign [sic]", "The Gay Spanish Maid", "The Flying Cloud", and "Sable Island: Graveyard of the Atlantic" (written by an attendant of the [Sable Island] Life Saving Station).
![Song of the Maritimes : [sheet music]](/uploads/r/dalhousie-university-archives/3/5/9/359ea720aef7100f4bcf6cf0f7d8404d2db53931cf37359f6fd77d5c4efed4ca/MS-5-1_3_60_access_142.jpg)
![The fifth session by Elisabeth Mann Borgese : [draft version]](/uploads/r/dalhousie-university-archives/c/a/e/caeec39ddd019bb0cd6abe6a0df2f407a118f4a7d93db01f90b4428af49f10e8/ms-2-744_126-12_access_142.jpg)
![The vision of Dalhousie : [brochure]](/uploads/r/dalhousie-university-archives/4/2/f/42f6a5780676795544da0b485459b7d941e7848e8990941bc07f59d468265aca/MS-1-Ref_89_11_142.jpg)
