Item is a videocassette of the annual variety show with first-, second-, and third-year Dalhousie Medical School students competing against one another. The students are judged on participation, presentation, and performance. The tape was requested by the Dalhousie Medical Students' Society (DMSS).
Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.
File contains an autographed photograph of Sir Ernest MacMillan, the conductor of the Toronto Symphony Orchestra, in commemoration of a performance with Ellen Ballon of Heitor Villa-Lobos' first piano concerto.
File contains a manuscript book containing untitled and titled musical compositions in pencil, including "Counterpoint + Palestrina & the Dissonance"; "Western Wind"; "Weepe You No More"; "What is Beauty"; and "Never More the Wind."
File contains a photograph of Ellen Ballon and Heitor Villa-Lobos seated at a restaurant. The photograph is signed by Ellen Ballon and Mario Cortez(?).
Item is Elizabeth LeBlanc's notebook of handwritten French hymns or canticles. The first page of the notebook contains a short hymn for Anastasie LeBlanc, "quand elle commensait Le Rosaire."
File contains two copies of a poster for the Edmonton International Choral Festival, one of which is autographed by many of the performers in the Halifax Camerata Singers, the Rhapsody Quintet, the Chair of the Camerata Board, and the Manager. The Festival featured performances by Pro Choro Canada (Edmonton), Voces Noricae (Sweden), the Halifax Camerata Singers, and the Festival Choir.
File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
Item is a poster for Eastern Front Theatre's production, "Portia White: First You Dream," at Alderney Landing Theatre in Dartmouth, Nova Scotia. The play was directed by Linda Moore and featured Réjean J. Cournoyer, Sandi Ross, Jeremiah Sparks, and Denise A. Williams.
File contains three newspaper clippings relating to a concert by Symphony Nova Scotia and the Halifax Camerata Singers featuring Scott Macmillan's "Celtic Mass for the Sea" with special guest Ashley MacIsaac. The concert was held on Earth Day.
File contains recital and concert programs and reviews from Stephen Pedersen's student days; a copy of the National Composers' Competition of the Jeunesses Musicales of Canada entry rules; and a letter of rejection from the Canadian Music Centre. There are also programs for two flute seminars.
File contains drum parts for Paul Cram compositions for the Paul Cram Orchestra, including "High Ground"; "Walkin' the Wall"; "Zebra Zone"; "Have a Heart"; "Campin Out"; "Life of Crime"; "Trouble in Paradise"; "Immortal Coil"; and "Urban Desperado." There is also a page of handwritten notes for "Kafka's Chair" and loose sheets of manuscript scores for "Side Order from B-flat Restaurant" and "March of the Philistines" for concert-pitch instruments.
File contains drum parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Taiwanese Bootleg"; "Life of Crime"; "Tip of the Iceberg"; "High Ground"; "Have a Heart"; "Walking the Wall"; Eye of the Storm"; "Kafka's Chair"; "Immortal Coil", "Zebra Zone"; "Urban Desperado"; "Thunder"; and "Campin' Out." File also includes a note to Dave from Paul.
Item is an audio recording labelled "dress rehearsal of Verdi's Requiem on February 1, 1986, second session with Walter Kemp." The recording is on side B of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey singing in a dress rehearsal of "Verdi's Requiem" at St Theresa's church in Halifax on January 28, 1986, and a practice session with Walter Kemp for "Verdi's Requiem" on February 1, 1986.
File is an audio cassette tape recorded by Sheila Piercey in June-July, 1987 with handwritten notes on the label inserted in the case that reads: "Side A: Maritime Conservatory of Music 100th birthday gala performance at the Rebecca Cohn Auditorium at the Dalhousie Arts Centre, June 18, 1987 (dress performance) rehearsal Side B: Von Stade from Roy Thomson Hall, CBC FM, July 5, 1987."
Item is an audio recording of Sheila Piercey's dress rehearsal session of Orphée by Gluck, (Eurydice's solo) at St. Theresa's church in Halifax on February 1, 1988. The recording is on side A of audio cassette. (Side B is blank.)
Item is an audio recording of the second rehearsal for "La Boheme" in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre made by Sheila Piercey on February 11, 1981. Handwritten notes on the label inserted in the case read: "Side I: Sept 16/80 Dress rehearsal of Dr. Dennis Farrell’s compositions at Dunn Theatre -Sheila’s selections with Elvira Gonnella, Teresa Simons, Jeff Morris, Tim Matthew + John MacDonald." The recording is on side A of audio cassette.
Item is an audio recording of dress rehearsal by Sheila Piercey for the concert titled "Valentine Serenade" held in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre on February 14, 1982. The recording is on side B of audio cassette.
Item is an audio recording of dress rehearsal by Sheila Piercey for the concert titled "Valentine Serenade" held in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre on February 14, 1982. The recording is on side A of audio cassette.
File is an audio cassette tape with recordings of dress rehearsal by Sheila Piercey for the concert titled "Valentine Serenade" held in the Rebecca Cohn Auditorium at the Dalhousie Arts Centre on February 14, 1982.
Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.
Item consists of a handwritten 41-entry list of short musical pieces compiled by David Murray, with the composer of each piece noted in the right-hand margin. The first 23 entries on the list are under the heading 1936-37, the following 18 entries are under the heading 1937-38, while the final unnumbered entry is under the heading Halifax--Jan. 39. One page of item contains 20 examples of humorous quotations written by Murray, possibly for use in future sketches. While unrelated to the musical list, the pages appear to have been removed sequentially from a notebook.