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Art Penson fonds

  • MS-3-38
  • Fonds
  • 1977-2005
Fonds comprises set, furniture and prop design sketches for Neptune Theatre.

Penson, Art

Maurice Evans fonds

  • MS-4-234, Boxes 1-4
  • Fonds
  • 1941-1989
Fonds contains correspondence, contract files, notes, plans, and photographs of various ships Maurice Evans' company worked on.

Evans, Maurice

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

The Impossible Museum fonds

  • Fonds
  • 2018-2020

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

Wilson, D'Arcy

Arthur Lismer's Dalhousie sketches

  • 0000-091
  • Collection
  • [ca. 1919]

Collection includes 41 original pen and ink drawings by Arthur Lismer commissioned ca. 1919 by Dalhousie's Centenary Committee to illustrate its history of the university's first century: One Hundred Years of Dalhousie, 1818–1918, which was published in 1920. The collection includes the original and some unfinished and/or unpublished versions of all but one of the 26 illustrations used in the book, which features historic and contemporary Dalhousie figures and buildings. There are several portraits of President Arthur Stanley Mackenzie, which were rejected in favour of publishing a photographic image, as well as a rough sketch of Lismer's daughter, Marjorie. Also included in the collection are 22 reproductions, which are probably printer's proofs, given the poor quality of the paper.

Twelve of the Lismer images were also reproduced in the booklet titled simply Dalhousie University, which was produced by the Dalhousie Million Committee as part of the promotional literature supporting the university's 1920 Million Dollar Campaign and published shortly after the Centenary Committee's book.

There is little documentary evidence beyond these two publications regarding the precise date or other details of the Lismer commission; one of the drawings is marked "1 March 1920," and another "27 March 1920," on date-received stamps from the engraving department of Rous & Mann, the Toronto company that printed both publications. The existing archival correspondence between the university and the printer (UA-3, Box 621, Folder 6) is from the Million Committee file, and refers only peripherally to the Centenary Committee's book project. A letter dated 24 March 1920 from Rous & Mann advises that the cuts, or illustrations, proposed for use in the campaign booklet were "at present locked up for the printing of the other Book in course of preparation," while later correspondence indicates that the printing and delivery of the campaign booklet gained precedence over the commemorative history, and the first run of these booklets was shipped on 17 April. The history was printed shortly after that, although by 26 May it had already been reprinted, owing to the misspelling of George Stewart Campbell, whose middle name appears in the first printing as "Stuart." The existence of the misprinted copies is due to their purchase at a steep discount by the Million Committee, who wrote: "... if the price were attractive a way might be found to use them."

No correspondence or documents have been found in the Dalhousie University Archives regarding Lismer's actual commission: within the Million Committee's correspondence file exists a single telegram from President Mackenzie to Arthur Lismer, dated 3 April 1920, which expresses a need to rush the printing along with the instruction: "leave layout to your judgement," the sole reference to Lismer's role in either project.

Lismer, Arthur

Ronald Justin Inness fonds

  • MS-2-600
  • Fonds
  • [19--]
Fonds consists of materials collected by Ronald Justin Inness about ships and shipping companies, including pamphlets, manuscripts, clippings, and correspondence. Fonds also contains manuscripts written by Ronald Justin Inness about the Innes' genealogy.

Inness, Ronald Justin

Macdonald Memorial Library

Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to the Macdonald Memorial Library, now known as the Macdonald Building.

Central Services parkade drawings

File contains three sets of drawings for the Central Services parkade produced by Chebucto Engineering Limited Consulting Engineers, Brandys McBride Richardson Engineering, and Rendan Fabricators.

History of Assakio village : [sketches]

File consists of a notebook of drawings created by James H. Morrison, and three maps of the Jos Plateau in Nigeria. One map was created in 1903 and is a visualization of the settlements on the Jos Plateau; one map is a visualization of Nigeria with a focus on Jos Plateau; one map is entitled "The Fulani Jihad and those Settlements on the Jos Plateau Affected by the Emirates and/or their Allies" and displays the attack strategy of Jemaa, Zaria, Ningi, and Bauchi groups. The notebook contains colour pencil crayon drawings of styles of dress in Assakio Village with descriptive titles.

Drew Sperry fonds

  • MS-2-835
  • Fonds
  • 1966 - 2004
Fonds contains architectural drawings created by Drew Sperry as a student at Nova Scotia Technical College and later as a certified architect. His student work comprises presentation drawings, while the designs for his own home in Dartmouth, Nova Scotia, and two other residential commissions include both presentation and construction drawings. There are two folders of textual records, which comprise a transcript of an interview with Drew and Sheila Sperry, real estate appraisals of their Dartmouth residence, and early budget breakdowns from Sperry's architectural practice.

Sperry, Henry Drew

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