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Reviews

File consists of reviews of Come Near cut from newspapers and magazines. Also contains correspondence regarding reviews.

Bell, Jim

File contains a piece of handwritten correspondence sent by Jim K. Bell (Halifax), dated December 28, 1972, to Kenneth Lesile. File acknowledges enclosure of a cheque covering the cost of four copies of Leslie's self-published poetry anthology "O'Malley and the Reds and other poems", as well as a new subscription to The New Man. File also praises Leslie's "determination to resist and fight the fascist bastards" through his continued social-minded publications.

Chapman, G. C.

File contains typed correspondence written by G.C. Chapman (from New Westminster, BC), dated May 11, 1972, and sent to Kenneth Leslie. File acknowledges enclosure of a cheque to ensure renewal of a subscription to Leslie's periodical The New Man.

Lischeron, J. N.

File contains an undated (presumably late 1972) handwritten letter, written by J.N. Lischeron (of Windsor, ON) and addressed to Kenneth Leslie. File acknowledges Mr Lischeron's receipt of a copy of Leslie's poetry anthology "O'Malley to the Reds", and mentions the author's "deepest respect [and] great admiration [for Leslie's] forthrightness and courage to maintain the truthfullness [sic]" he upheld whilst publishing The Protestant and The New Man.

MacLean, M.

File contains a handwritten letter, written by M. MacLean (of Sydney, NS), dated April 14, 1972, and addressed to Kenneth Leslie. File expresses "very great appreciation" of receipt of a copy of 'O'Malley to the Reds', drawing connections to "the powerful image of Dr [Moses] Coady", and happy to discover that he is "still going strong [with] hopes you shall continue your creative works."

Pomeroy, Marine

File contains a handwritten letter postmarked December 7, 1972, written by Marine Pomeroy of The Ladysmith Press, sent to Kenneth Leslie. The file addresses his concerns about Bill Cole republishing two of Leslie's poems in a forthcoming anthology, but reassures Leslie that Cole is "not alienating any rights", and that "we keep all rights" and that the poems are being used "one time only".

Sedgley, Adelaide

File contains a handwritten letter dated January 8th, 1972 and written by Adelaide Sedgley, sent to Kenneth and Nora Leslie. The file expresses Adelaide's appreciation for having such wonderful friends as the Leslies at the age of 91, and expressing gratitude at receiving Leslie's volume of poems, and the "joy [...it] gave to this ancient admirer!"

Stone, Lloyd

File contains an undated Christmas card (presumably 1972) sent by Lloyd, Jessie, and Dale Stone, to Kenneth Leslie. The card expresses gratitude at receipt of a copy of "you book of lovely poems", as well as intentions to renew New Man subscriptions.

Tunnicliffe, John

File contains handwritten correspondence dated March 19th, 1972, written by John Tunnicliffe (Warwickshire, England) and sent to Kenneth Leslie. File expresses appreciation of the recent receipt of an issue of New Man, as well as remarking on his church work, having been ordained in 1910, and efforts at working on a memoir. He also remarks that one of his sons "is [now] vicar of a large new (pagan) parish not far from here" as well as relating a humorous anecdote about his son getting jam on his nose, and how he couldn't lick it off, while an elder brother suggested that "there's a chap at our school who can lick jam off his nose but he is a Roman Catholic."

The politics of trade negotiations : [research grant application]

File contains Gilbert Winham's supplementary request for a research grant application for a project titled "The Politics of Trade Negotiations", submitted to the Humanities and Social Science Division of the Canada Council in March 1972, while employed at McMaster University. Also includes correspondence with Rene Lemieux.

Exhibition - Douglas Duncan bequest

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

Owen Fitzgerald photographs

File consists of records related to the exhibition of Owen Fitzgerald's photographs organized and presented by Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Owen Fitzgerald and Mark Holton (Assistant Curator, Dalhousie Art Gallery), a list and pricelist of 25 photographs, and handwritten notes from Owen Fitzgerald. Records also include insurance files and a newspaper clipping.

Lawren P. Harris exhibition

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

Data analysis

Subseries includes data for and analyses of socioeconomic aspects of Yoruba women's lives (education, migration, social class, health, children, husbands, religion, family, etc.). The 1963 data seems to be part of another study, referred to in several files as "The 1963 study on the role of Yoruba women," that either piggybacked off the Cornell-Aro study or was somehow included as a sub-project.

Bass, Harold

File contains the typed draft of a letter written by Harold J. Bass (of Tacoma, WA), post-marked November 18, 1972, and submitted to Kenneth Leslie for consideration for inclusion in the publication The New Man. The piece, entitled "Whose mistake?", addresses the horrors and "tragedy of Vietnam", suggesting that George McGovern was barely listened to on the campaign trail "because he declared openly that we have done wrong and we ought to acknowledge and correct that wrong", while Nixon appears to merely want to "cover the wrong and make it seem like a right" with his "peace with honor" promises.

Duncan, Pam, Dr.

File contains a typed letter written by Dr. P. [Pam] Duncan of University of Victoria and Dr. J. [Joan] Coldwell of McMaster University, sent to Kenneth Leslie on September 25, 1972. File expresses the authors' interest in including any of "material published or unpublished" that Leslie would be willing to offer to the publication of a literary anthology of psychology courses, featuring works "which illustrate clearly defined psychological states such as depression, euphoria or anxiety" or featuring characters "who might be mentally retarded, paranoid, schizophrenic or addicted to drugs."

Kominsky, Morris

File contains five pieces of typed correspondence written by Morris Kominsky, of Elsinore, CA, between March and July of 1972, and sent to Kenneth Leslie. File contains Kominsky's discussions about the inclusion of his essay "The anatomy of Fascism" in a forthcoming issue of Leslie's publication "New Man" as well as Kominsky's request for dozens of copies; his desire to extend the readership of Kominsky's recent book "The Hoaxers"; and his efforts to expose an extremist plot against targets in Haiphong harbor, Vietnam.

File also contains facsimiles of correspondence sent to Kominsky, including two from sitting members of Congress: Jerome R. Waldie (14th, California) and Victor V. Veysey (38th, California) regarding threats to blow up a dredge in Haiphong harbor "that keeps [it] navigable [during the War]", as instigated in the October 1971 issue of Off-the-Cuff, written and distributed by "avowed member of the John Birch Society", ideologue Nord Davis, Jr. (fragments of which are included).

Business papers re. Henry House

Series includes correspondence and papers relating to the business side of Henry House, including architectural plans for proposed additions/alterations to the building.

Oscar Glennie Donovan fonds

  • MS-13-11
  • Fonds
  • 1805-1972
Fonds consists of Oscar Donovan's photographs, newspaper clippings, mementos, and correspondence from World War One and World War Two, including records related to Dalhousie No. 7 Overseas Stationary Hospital, with which his wife served.

Donovan, Oscar Glennie

Walter Richard Sickert exhibition

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

Exhibitions inactive 1971-72

File consists of records relating to exhibitions and artworks which did not occur, despite attempt made to book them, for the 1971-1972 period of shows at the Dalhousie Art Gallery.

records consist mainly of correspondence with other galleries, especially the National Gallery of Canada, regarding exhibitions available for this period which the Dalhousie Arts Gallery wished to have circulate through their location. Additional records consist of catalogues and descriptive exhibition texts.

Vera Frenkel - printmaking plus exhibition

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

Prints by Dongkuk Ahn

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

Drawings by Carol Fraser exhibition

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

Mans[a]ram Panchel exhibition (Memorial U.)

File consists of records related to the exhibition, 'Mansaram Panchal' organized and circulated by the Art Gallery, Memorial University through the Atlantic Provinces Art Circuit. The exhibition was meant to be presented at Dalhousie Art Gallery in March 1972, however it was not mounted due to time constraints resulting from receiving the artworks by mail too late in the exhibition period.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Art Gallery, Memorial University. Additional records consist of shipment receipts from the Confederation Art Gallery.

The Channel Shore

Subseries consists of 18 folders relating to Charles Bruce's 1954 book The Channel Shore, including manuscripts, correspondence, research notes and book reviews.
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