Showing 762 results

Archival Description
Canada
Print preview View:
Ascending

52 results with digital objects Show results with digital objects

A review : Nova Scotia mental health system and changes required

Item is an undated review of the current Nova Scotia mental health system, as well as an outline of required changes to the system, compiled by Alexander Murchison in the early 1970s. The item provides a brief outline of present mental health programs and facilities in the province — the Cape Breton Mental Health Centre in Sydney, the Eastern Counties Mental Health Centre in Antigonish, the Pictou County Mental Health Centre in New Glasgow, the Cumberland County Mental Health Centre in Amherst, the Cobequid Mental Health Centre in Truro, the Funday [sic] Mental Health Centre in Wolfville, the Digby-Annapolis Mental Health Centre in Digby, the program at the Yarmouth Regional Hospital, and the South Shore Mental Health Centre in Bridgewater — as well as mental and public hospital services — Nova Scotia Hospital, Abbie J. Lane Memorial Hospital, Halifax County Hospital, and Kings County Hospital — and provides recommendations on how to improve the province-wide program addressing mental health. Item contains a few inked and whited-out corrections.

School phobia : a review / Alexander Murchison : [manuscript]

Item is a paper written by Alexander Murchison in December 1970, outlining the "acute psychiatric emergency" of school phobia, suggesting that it is more complicated than being simply "separation anxiety." He defines the phobia, outlines the clinical features and symptoms, discusses the role of separation in the condition, and addresses potential treatments.

Kathy Hooper

File consists of records related to the exhibition 'Kathy Hooper: Painting and Sculpture', organized by the Beaverbrook Art Gallery for the Atlantic Provinces Art Circuit (APAC) schedule of 1969-1970. The exhibition was presented at Dalhousie Art Gallery in March 1970.

Records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) with curators of other APAC member galleries, a condition report, and artwork handling instructions.

Tony Urquhart drawings

File consists of records related to an exhibition of sketches and drawings by Tony Urqhart, organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in April 1970.

Records consist of exhibition agreement forms, a condition report and handwritten condition notes, photocopy of an excerpt from Canadian Art, Volume 18, No. 1 titled 'Urqhart', an excerpt from Ontario Library Review, December 1966 containing an entry on Urqhart in 'Who's Who in Ontario Art', a packing list and list of artworks, a biography in English and French, and exhibition descriptive text.

Massey bequest

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

Sue Campbell fonds

  • MS-2-770
  • Fonds
  • 1970-2010
Fonds contains records created and collected by Sue Campbell in the course of her work as a scholar and educator in philosophy and women's and gender studies, beginning with her MA thesis research. Record types include research and lecture notes; grant applications; conference materials; newsletters; teaching and course materials; correspondence; and manuscripts.

Campbell, Sue

Canadian Council on International Law

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.

Gino Lorcini

File consists of records related to the exhibition 'Gino Lorcini', organized by the Art Gallery, Memorial University, St. John's and arranged in collaboration with Galerie Godard Lefort, Montreal. The Exhibition was scheduled to be presented at Dalhousie Art Gallery in March 1970, however was declined after significant shipping damages occurred.

Records consist of correspondence between APAC member galleries and two condition reports

Walter Richard Sickert exhibition

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

Murray G. Brown fonds

  • MS-2-802
  • Fonds
  • 1970 - 2019
Fonds comprises Murray Brown's research and teaching-related records, including notes, annotated drafts of papers, presentations and reports, abstracts, correspondence, funding applications and reports, as well as administrative papers and employment records and contracts.

Brown, Murray G.

Ronald St. John Macdonald's correspondence regarding the American Society of International Law

File contains correspondence with different individuals, including Eli Whitney Debevoise, John Lawrence Hargrove, W.H. Montgomery, Bryan F. MacPherson, Tad Daley, Michael P. Scharf, and others. File includes the American Society of International Law letter to members from 1961 to 1962, and 1971, a notice of proposed amendments to the constitution of the society, a photocopy of the American Society of International Law newsletter of May to July 1986, an issue of the American Society of International Law interest group on the United Nations decade of international law newsletter of December 1992, February 1993, and March 1995, an issue of the American Society of International Law newsletter of January to February 1995, a World Association for World Federation special report of November 1989.

Erie and Superior Community Project

Subseries contains records created and collected by Gil Winham during his work on the Erie and Superior Community Project, which analyzed the capacity of ten Ontario communities to manage water quality. This project was initiated by Gil Winham and P.A. Globensky, funded by the Government of Canada, and located at McMaster University, where Winham was teaching. Records types include correspondence; grant applications; research materials; a copy of the final report; and a subsequent analysis of the project data.

E.S.P. (John K. Esler and Charles Pachter)

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

On the water's edge

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.

The photograph as object

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

Massey medals 1970

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

Canadian watercolours of the 19th century exhibition

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

Bruno Bobak - 'humanism' exhib[ition]

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

Ron O'Dor's administrative correspondence and records

Series comprises Ron O'Dor's administrative correspondence, reports and other records related to his teaching, committee work and research roles within and external to Dalhousie University, and to his roles as head of the Department of Biology and director of the Aquatron facility. Records related directly to his teaching are largely found in the teaching records series, while most correspondence related to named research projects is found within the related series or subseries.

Image 6/Federation des centres culturels de la province de Quebec inc. December 1971

File consists of records relating to the presentation of 'Image 6', an exhibition organized by the Still Photography Division of the National Film Board, and circulated through the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report, correspondence between Dalhousie Art Gallery and staff of the National Film Board, a review of the exhibition, French-language documents regarding the reservation of the exhibition, a price list, and French-language descriptive text for the exhibition.

Exhibition schedule 1971-72

File consists of records related to general planning and organizing of exhibitions for the 1971-1972 academic period at the Dalhousie Art Gallery.

Records consist of correspondence, packing lists, insurance slips, and itineraries for various exhibitions including: Sketches by the Group of Seven, Six Paris Artists, The Salvation Army's 90th Year in Canada: National Art Cavalcade, Alex Colville Serigraphs, Roy Kiyooka, and Invitational Photographers.

Fritz Brandtner 1896-1969

File consists of records related to presenting the exhibition 'Fritz Brandtner 1896-1969: A Retrospective Exhibition', sponsored by Sir George Williams University, Montreal. The exhibition was presented at Dalhousie Art Gallery in February 1972, through circulation in the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report and handwritten condition notes, an essay on Brandtner's work, an itinerary, and correspondence between Dalhousie Art Gallery and other APAC member galleries.

Results 251 to 300 of 762