File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.
File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."
File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.
File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file includes programs for performances at Schade's Restaurant (Fredericton, New Brunswick) and Christ Church Cathedral (Fredericton, organ works performed by Jeffrey Campbell). The file also includes Pugh's ticket to a concert by Quartetto Gelato, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas (March 27, 1994).
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University. The file also includes a program for a piano concert by Valerie Tryon (February 19, 1975) at The Fredericton Playhouse, presented by the Creative Arts Committee, which included Beethoven's Sonata in A major, op. 101.
File contains program notes and programs for concerts containing music by Ludwig van Beethoven, including piano trios, piano quartets, piano sonatas, violin sonatas, string quartets, and symphonies. The file includes programs for performances by the Brunswick String Quartet and Vladimir Levtov (piano), which were presented by the University of New Brunswick and Saint Thomas University Creative Arts Committee.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains drafts of program notes and research by Anthony Pugh concerning music by Frederic Chopin. The file includes the booklet from a record of Chopin's Waltzes by Arthur Rubenstein, presumably used by Pugh in his research, and a partial program from a concert at the University of New Brunswick as part of the annual Walter Baker concert series.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
File contains drafts of program notes by Anthony Pugh about compositions by Cesar Franck. The file also includes a program for a concert by the Duo Pach (Joseph and Arlene Nimmons Pach), Paul Campbell, Jutta Puchhammer, Paul Pulford, and Heather Toews at the University of New Brunswick, presented by the UNB and Saint Thomas University Creative Arts committee. The program includes program notes by Anthony Pugh.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Erich Wolfgang Korngold, which were featured in the New Brunswick Summer Music Festival of August 20-26, 1995. The file includes the program for the festival, Pugh's program notes, and correspondence between Robert Kortgaard from the Centre for Musical Arts, University of New Brunswick and the Erich Wolfgang Korngold Society, and Kortgaard and Cambria Master Recordings and Publishing. Kortgaard was the Director of the Music Festival.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
File consists of records relating to talks that Anthony Pugh gave on sonata form, music in New Brunswick, musical interpretation, Tchaikovsky's fourth symphony, and the performance and style of works by Mozart.
File consists of handouts, course descriptions, class plans, and correspondence relating to courses given by Anthony Pugh as part of the University of New Brunswick's extended learning program. Pugh's courses included one on Beethoven's piano sonatas and one one Beethoven's concertos.
File contains correspondence from Marc Sabat of the Tempest String Quartet (also including Sheila McDonald, Anthony Rapoport, and Katja Linfield) regarding their performances in Fredericton, New Brunswick. The file also includes a copy of the press release for their June 8, 1988 concert, and a copy of the program from the concert.
File contains drafts of program notes by Anthony Pugh pertaining to works by Robert Schumann, as well as complete programs from concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University (for which Pugh regularly wrote program notes). The file also contains a program from a concert produced by Jeanine Roze, which Pugh used for his research.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Jean Sibelius. The file also includes a Toronto Symphony Orchestra program that Pugh used in his research.
File contains a program for a Brunswick String Quartet performance at the University of New Brunswick, featuring Hugo Wolf's "Italian Serenade." The program notes are by Anthony Pugh.
File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Ludwig van Beethoven, Wolfgang Amadeus Mozart, and Franz Joseph Haydn.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the works of Robert Schumann, Franz Schubert, Ludwig van Beethoven, Niccola Porpora, Joseph Haydn, Gioachino Rossini, Felix Mendelssohn, and Jean Sibelius. The file also contains programs used in his research, including those from the Biggar Music Club, Radio France, Orchestre de Paris, and the Atlantic Symphony Orchestra (includes program notes by Pugh).
File contains Anthony Pugh's handwritten analytical excerpts for the Manfred overture by Robert Schumann, Cariolan overture by Ludwig van Beethoven, Piano Concerto No.14 in E-flat major, K.449 by Wolfgang Amadeus Mozart, and an unidentified work by Johann Sebastian Bach. The file also includes programs for the Brunswick String Quartet and Valerie Tyron's Waater Baker Memorial Concert, both with program notes by Anthony Pugh.
File contains Anthony Pugh's handwritten analytical excerpts, research notes, and drafts of program notes for compositions by the following composers: E. Broughton, Sergei Rachmaninoff, Arthur Bliss, Ludwig van Beethoven, Charles Villiers Stanford, Maurice Ravel, Claude Debussy, Igor Stravinsky, Johann Strauss, Johannes Brahms, and Dmitry Sitkovesky. The file also contains a copy of a National Arts Centre program, which Pugh presumably used in his research, and a program from the 16th Annual Festival of Chamber Music and All that Jazz in Fredericton, New Brunswick. The file also contains a numerical coded index of composers and works, and a list of works and composers (also coded) that Anthony Pugh studied, listened to on his own records and borrowed records, heard on radio broadcasts, and heard on his own and borrowed tapes from 1980 to 1982.
File contains miscellaneous program notes by Anthony Pugh and programs for concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University.
File contains miscellaneous program notes by Anthony Pugh and programs for concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University.
File contains programs from the Vancouver Chamber Choir's performance in Fredericton, New Brunswick and that of Gregory MacLeod, sponsored by the Fredericton Committee of the Atlantic Symphony Orchestra and The New Brunswick Museum.
File consists of various research materials on music collected by Anthony Pugh. The file includes the newsletter of the New Brunswick Registered Music Teachers' Association (January 1972); correspondence from the Institute for Bach Studies; list of music positions and organizations in the Fredericton area; a chronological list of music compositions; and two program notes written by Anthony Pugh.
File contains drafts of program notes by Anthony Pugh concerning music by Anton Bruckner. The file also includes a program from a performance by the Orchestre Philharmonique de Radio France (April 2, 1999) which featured Bruckner's "Te Deum" and Symphonie no. 9 (program notes by Violaine Anger).
File contains research notes, newspaper clippings, and drafts of program notes by Anthony Pugh concerning the music of Benjamin Britten. The file includes programs collected by Pugh for his research and programs that he contributed to. The file also includes the libretto from "Saint Nicholas: A Cantata."
File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.
File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.
