File contains two copies of a program for a recital given by Mrs. Chester MacDonald (soprano), Julius Silverman (violin), and Mrs. H.W. Dodwell (piano), presented by the Local Council of Women. The date of the recital has been revised from November 25, 1924 to December 9, 1924.
File contains an autographed program by the Hambourg Trio (Geza de Kresz, violin; Reginald Stewart, piano; and Boris Hambourg, cello). The program is from a recital at Pythian Castle, Saint Join, New Brunswick. File also contains J.D. Logan's 1909-1910 season pass for the Massey Music Hall in Toronto, Ontario.
Fonds consists primarily of meeting minutes, membership and attendance lists, programmes, a copy of the club’s sixty-fifth anniversary cookbook, correspondence, and miscellaneous papers which include photos and records related to the club’s anniversary events.
File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
File contains an autographed program by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The program is for a concert given by the Chicago Symphony Orchestra at the Pabst Theatre in Milwaukee, Wisconsin, presented by the Milwaukee Orchestral Association. The program contains annotations in pencil by J.D. Logan.
File contains an autographed program by the tenor John McCormack. The program is from a recital McCormack gave at the Milwaukee Auditorium, accompanied by Lauri Kennedy (cello) and Edwin Schneider (piano). The program is annotated in pencil by J.D. Logan. The file also includes Logan's ticket stub from the concert.
File contains an autographed program by Leopold Stokowski, the conductor of the Philadelphia Orchestra. The program is for a concert given by the Philadelphia Orchestra at the Milwaukee Auditorium. File also contains J.D. Logan's ticket stub from the concert.
File contains a program from a recital by The Hambourg Trio (Reginald Stewart, pianist; Elie Spivak, violinist; and Boris Hambour, cellist) on March 23, 1927.
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.
File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.
File contains correspondence, certificates, forms, email printouts, event programs, and other documents related to Alexander Leighton's academic years.
File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.
Series contains photographs, documents, flyers, scripts, and audio recordings of special events, celebrations, and workshops at the Nova Scotia Agricultural College. Records relate to Founders day, anniversaries, exhibitions, dramas, open houses, commencements, etc. between 1928-2006.
Subseries contains pamphlets, programs, and audio recordings of special events at the Nova Scotia Agricultural College. These events include memorials and complimentary banquets between 1928-2004.
Series consists of records created and collected by Henry Hicks that document his interests and activities outside of his professional political and university careers, including committee work, social engagements, community involvement and travel. There are also financial records and correspondence relating to his father's business and estate and two notebooks belonging to his wife Gene. Record types include calendars, meeting minutes, invitations, programs, cassette tapes and newspaper clippings.
Item is a program for a luncheon at the Halifax Hotel at which Vincent MacDonald was the guest speaker, giving an address on the St. Lawrence waterway.
Item is a programme of ceremonies from the inauguration of Carleton W. Stanley as president of Dalhousie University. The event took place on October 9, 1931 at the Capitol Theatre in Halifax.
Item consists of two copies of the Dalhousie University Bulletin, Inauguration Number (#4), dated October 1931, from the inauguration of Carleton W. Stanley as president of Dalhousie University. The bulletin contains the program of the event, a photograph of Stanley, transcriptions of addresses given at the event, and a list of delegates from other universities.
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.
Item is a program for the inauguration of Carleton W. Stanley as president of Dalhousie University, which includes addresses from Right Honorable R.B. Bennett, P.C., LL.B., LL.D.; G. Fred Pearson, Esq., LL.B, K.C.; A. Stanley Mackenzie, Ph.D., D.C.L., LL.D., F.R.S.C; and President Carleton W. Stanley, M.A.
Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.
File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.
File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.
Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.
File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart: Sonata in D, K. 576 and Clarinet Concerto in A, K. 622.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Richard Strauss. The file includes a notebook with handwritten excerpts (written by Pugh) from Strauss's Till Eulenspiegels lustige Streiche, Op.28.
File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."
File contains drafts of program notes and research research notes by Anthony Pugh on the music of Claude Debussy. The file includes a detailed written analysis of his opera "Pelléas et Mélisande."
File contains drafts of program notes and research collected by Anthony Pugh (including programs) concerning music by the following composers: Ditters von Dittersdorf, Ernst von Dohnanyi, Franco Donatoni, Paul Dukas, Manuel de Falla, Benjamin Frankel, and Vincent d'Indy.
File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.
