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Dalhousie University Archives
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Richard Ward fonds

  • MS-5-7
  • Fonds
  • 1927-1928, 1932-1933, 1937
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.

Ward, Richard, (fl.1888-1977)

Autograph of Fritz Kreisler

File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.

Autograph of Amelita Galli-Curci

File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.

Henry Hicks' personal records

Series consists of records created and collected by Henry Hicks that document his interests and activities outside of his professional political and university careers, including committee work, social engagements, community involvement and travel. There are also financial records and correspondence relating to his father's business and estate and two notebooks belonging to his wife Gene. Record types include calendars, meeting minutes, invitations, programs, cassette tapes and newspaper clippings.
Dalhousie University Bulletin: Inauguration number

Dalhousie University Bulletin: Inauguration number

Item consists of two copies of the Dalhousie University Bulletin, Inauguration Number (#4), dated October 1931, from the inauguration of Carleton W. Stanley as president of Dalhousie University. The bulletin contains the program of the event, a photograph of Stanley, transcriptions of addresses given at the event, and a list of delegates from other universities.

Theatre Arts Guild fonds

  • MS-3-4
  • Fonds
  • 1931-1999
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.

Theatre Arts Guild.

Ronald St. John Macdonald’s professional records

Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.

Autograph of Mischa Elman

File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.

Ronald St. John Macdonald's research materials on John P. Humphrey's life and work

File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.

Ivan Maxwell Gillis fonds

  • MS-5-8
  • Fonds
  • 1934-1951
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.

Gillis, Ivan Maxwell

Anthony Pugh's research materials for program notes

Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.

Research and program notes pertaining to Liszt

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart: Sonata in D, K. 576 and Clarinet Concerto in A, K. 622.

Research and program notes pertaining to Strauss

File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Richard Strauss. The file includes a notebook with handwritten excerpts (written by Pugh) from Strauss's Till Eulenspiegels lustige Streiche, Op.28.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Research and program notes pertaining to Debussy

File contains drafts of program notes and research research notes by Anthony Pugh on the music of Claude Debussy. The file includes a detailed written analysis of his opera "Pelléas et Mélisande."

Research and program notes for composers D to F

File contains drafts of program notes and research collected by Anthony Pugh (including programs) concerning music by the following composers: Ditters von Dittersdorf, Ernst von Dohnanyi, Franco Donatoni, Paul Dukas, Manuel de Falla, Benjamin Frankel, and Vincent d'Indy.

Program notes pertaining to Fauré

File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

William Bruce Almon fonds

  • MS-3-15
  • Collection
  • [1935?]-1940
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.

Almon, William, Bruce, Lt. Col.

Programs and fliers

Series contains programs and fliers from Ellen Ballon's concert performances. Series also includes an exhibition program of some of the Ellen Ballon materials available at the Dalhousie University Archives as well as a short biography written by a Dalhousie staff member.

Program and research notes pertaining to Delius

File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.

Mary Jones Theatre Program Collection

  • MS-3-20
  • Collection
  • 1937-1941, 1952-1986
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.

Jones, Mary

Documents related to Bucky Adams

File contains documents related to Bucky Adams, a jazz artist from Halifax, Nova Scotia.

Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Amnesty International, the Black Loyalist Heritage Society, CBC Television studios, a copy of Bucky Adams’ birth certificate, a copy of the Diamond Jubilee medal certificate awarded to Bucky Adams in 2012, Black Focus magazine, Halifax Jazz Festival, the Southern Christian Leadership Conference, a copy of the invitation to Bucky Adams and The Basin Street’s album releases and performances, Dartmouth Heritage Museum’s production of “The Phantom of the Opera” in 2011, Bucky Adams’ memorial, and others.

Henry Hicks' Oxford University records

Series comprises records created and collected by Henry Hicks during his studies in law at Oxford University as a Rhodes Scholar. Records include typewritten, perfect bound volumes of detailed notes about specific subjects and lectures, which were either created or acquired by Hicks. There is also a boat race programme and a 1939 food ration book.

Alan and Blanche Lund fonds

  • MS-5-17
  • Fonds
  • 1940-1990
Fonds consists of sheet music, scripts, and programs from different musical plays that Blanche and Alan Lund performed, directed or choreographed. Also includes audio reel-to-reel and video tapes of some of the performances.

Lund, Alan

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
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