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Marina Stewart

File consists of records related to the Marina Stewart exhibition, held at Dalhousie Art Gallery in September 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Stewart, a shipping insurance letter, a press release draft, and a newspaper clipping titled 'Marina Stewart - a supernatural quality' by Ernest Smith.

Models and Michelangelo exhibition

File consists of records related to the Models and Michelangelo exhibition, held at the Dalhousie Art Gallery from August 9 to 31, 1973. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of Halifax School for the Blind regarding the sale of the art catalogues and staff of Maritime Telegraph and Telephone Co., Ltd. regarding the opening ceremony, and staff of Rothman's of Pall Mall Canada Ltd. regarding installation and security arrangement for the exhibition. In addition records include a tour schedule, historical background to the collection of models in the exhibition, media release, exhibition invitation list, newspaper clippings, and a floor plan designed by Golden Miller at the Vancouver centennial museum in November 1972. Records also contain a copy of an Impetus magazine, published in April 1973, and photographic prints of the three terracotta models of the right hand, torso, lower back and left thigh.

Chambers' Cartoons exhibition

File consists of records related to the Chambers' Cartoons Exhibition, held at the Dalhousie Art Gallery in May 1973.

Records consist of newspaper clippings, invitation letters, lists of cartoons, a loan agreement from Art Gallery of Ontario, correspondence between Ernest Smith (Director, Dalhousie Art Gallery), Robert W. Chambers, and others.

Maxwell Bates retrospective exhibition

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

Exhibition by members of faculty N.S. College of Art

File consists of records related to 'exhibition by Members of Faculty: Nova Scotia College of Art' presented at Dalhousie Art Gallery in January 1967.

Records consist of an exhibition pamphlet, an informational brochure about the College's offerings for 1966-1967, entry forms, a price list, and a newspaper clipping of a review by Marion Moore.

Lectures 1967-68

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

Arts for the home exhibition

File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.

Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.

Paintings, drawings and prints by Christopher Pratt exhibition

File consists of records related to the exhibition 'Paintings, Drawings and Prints by Christopher Pratt' arranged and presented by Dalhousie Art Gallery in February 1966.

Records consist mainly of correspondence, including a letter from Pratt to Evelyn Holmes. Records also include newspaper clippings, receipts, a list of artworks, and an exhibition itinerary.

Children's art exhibition

File consists of records related to an exhibition of artworks by children from Halifax schools, held at Dalhousie Art Gallery in February 1966.

Records consist of newspaper clippings, a list of artworks, a Dalhousie newsletter, and a press release draft.

Artistes de Montréal exhibition

File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.

Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.

Lectures 1966-67

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

Prints by David Silverberg exhibition

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

Exhibition of paintings by Ruth Wainwright exhibition

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

Carole Fraser exhibition

File consists of records related to the planning of a solo exhibition at the Dalhousie Art Gallery of Carole Fraser’s drawings and paintings. Arranged by the Dalhousie Art Gallery for the 1965 rotation, this exhibition travelled with the Atlantic Provinces Art Circuit (APAC) from 1966 to 1968.

Records include a pamphlet for the cancelled 1964 exhibition ‘Works by Sarah Jackson, Carol Fraser and Aileen Meagher’; newspaper clippings discussing Fraser’s work and solo exhibition; box and artwork lists; correspondence with Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery, regarding Fraser’s works; two Dalhousie newsletters; and exhibition pamphlets from APAC member galleries.

Exhibitions 1961-62

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2014
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Dalhousie Alumni Association, September 1958-October 1962

Item is a bound volume containing pasted copies of Executive meeting minutes; lists of officers; committee and division reports; Annual Meeting minutes and reports; summaries of revenues and expenses; minutes and reports to the Annual Meeting; meeting announcements; general notices; and newspaper clippings.

Dalhousie Alumni Association fonds

  • UA-32
  • Fonds
  • 1872-1988, bulk 1914-1945
Fonds comprises records documenting the administration, governance and activities of the Dalhousie Alumni Association, including their involvement in events such as the class reunions; the amalgamation of Dalhousie University and the Technical University of Nova Scotia; university campaigns; Dalhousie Centenary celebrations; track and field meets. Record types include correspondence, lists, photographs, press releases, and newspaper clippings.

Dalhousie Alumni Association

Newspaper clippings regarding Carleton Stanley's addresses

File contains clippings of newspaper announcements and reports of Carleton Stanley's public addresses. There are also copies of his opening address at Dalhousie in 1933; an offprint of a 1932 article on Cretan art based on Stanley's lecture to the Montreal Art Association; and a copy of the University of Maine's 1935 commencement ceremonies at which Stanley spoke.

Carleton Stanley's correspondence and offprints

File contains Carleton Stanley's general correspondence dated between 1931 and 1945, including copies of his outgoing letters, as well as newspaper clippings and offprints of his articles. There are also letters and newspaper clippings from 1959 related to the official portrait of Stanley painted by Arthur Hodgkins.

Records regarding Carleton Stanley's inauguration and retirement

File contains records regarding Carleton Stanley's inauguration ceremony and dinner, including correspondence, lists, seating arrangements, invitations, programs and tickets; copies of several addresses given by Stanley in the 1930s; correspondence with W.D. Woodhead at McGill University; and correspondence regarding Stanley's annuities and pension, including that paid to his widow.

Institute of Public Affairs fonds

  • UA-26
  • Fonds
  • 1890-1996

Fonds consists of textual records created and accumulated by various groups and organizations within the Institute of Public Affairs.. Records include articles, correspondence, minutes, memos, newspaper and magazine clippings, interviews, field notes, pamphlets and reports. Many of the documents pertain to the internal operations of the IPA.

The fonds also contains research proposals and reports related to energy, community growth, urban and rural development, labour studies, education, economic and industrial development, the medical sector and housing. There is significant work on the health, employment and economic status of African Nova Scotians.

The fonds also contains reference material kept by the IPA in its corporate library, which was used in the research and drafting of various reports.

Dalhousie University. Institute of Public Affairs

Photograph of Dalhousie University Open House

Item is a photograph of Dr. Robert MacGregor Dawson demonstrating how to use the leather-covered balls to spread the ink on the hand press to an unidentified adult. The replica of a 17th century wooden hand press was housed in the Dawson Room of the Killam Memorial Library at Dalhousie University. The replica press was built by two professors: Robert MacGregor Dawson of the Department of English and Fred J. Matthews of the Library School. It is based on blueprints of a press, dating from around 1625, from the Plantin-Moretus Museum in Antwerp. As far as possible the ancient traditions have been followed: the frame is entirely of oak and maple, the joints are all mortised and tenoned and held together with glue and pegs. Screws have been kept to a minimum. Old leather-covered balls are used for spreading ink. The 18 by 25-inch bed of the press is a slab of marble.

Clippings 1989

File contains clippings from Nova Scotia newspapers dated 1989 regarding AIDS transmission, treatment, and prevention; the government's response to the AIDS crisis; and AIDS-related social issues in Nova Scotia. File also contains posters, programs, and pamphlets for AIDS-related causes and events in Nova Scotia.

Fred Brodie fonds

  • MS-9-6
  • Fonds
  • 1949-1977
Fonds includes the transcripts of conversations Fred Brodie had with Charles Murray and David Gutnick, and with John Bell. Fonds also includes newspaper clippings collected by Fred Brodie on the Canadian Congress of Labour and Trades and Labour Congress of Canada merger, the Halifax Labour Temple, the Halifax Typographical Union, the Teann Ghlac Black Friday coin, along with a variety of letters to the editor. Also included are reference materials for the ITU - Herald contract, the CHFX radio scripts, the Royal Commission on Newspapers' presentation, and a letter written by Fred Brodie to the Halifax Labour Temple.

Brodie, Fred

United Textile Workers of America Local 159 fonds

  • MS-9-19
  • Fonds
  • 1946-1973
This fonds contains minute books of meetings from 1946-1972, three filed employee grievances ( Janette Roy, Thelma Burgess, and Helen Haskem), conciliation board submissions and papers, arbitration board submissions and papers, reference material including newspaper clippings and miscellaneous reference material. The miscellaneous reference file contains receipts, an application for membership with the United Textile Workers of America, an efficiency report for 1969, and a record of proceedings and decision of board referees. As well this fonds includes collective agreements from 1948-1973, and miscellaneous correspondence.

United Textile Workers of America. Local 159.

Ivan Maxwell Gillis fonds

  • MS-5-8
  • Fonds
  • 1934-1951
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.

Gillis, Ivan Maxwell

Concert programs, reviews and promotional records

File contains correspondence, posters, programs and contracts for recitals and concerts in which Stephen Pedersen performed solo, with his wife, Virginia Beaton, and with groups including Scotia Winds, Chebucto Symphony Orchestra, Atlantic Symphony Orchestra and the Hamilton Philharmonic Orchestra Symphony.

Halifax Explosion Memorial Evening

File contains notes, a script, correspondence, and newspaper clippings regarding a Halifax Explosion Memorial Evening held at St. George's Anglican Church, Halifax, with musical direction by Stephen Pedersen.

Early concert programs and reviews

File contains recital and concert programs and reviews from Stephen Pedersen's student days; a copy of the National Composers' Competition of the Jeunesses Musicales of Canada entry rules; and a letter of rejection from the Canadian Music Centre. There are also programs for two flute seminars.

Atlantic Camera Trio

File contains correspondence, promotional materials, newspaper clippings, programs and notes related to the Atlantic Camera Trio and other groups with which Stephen Pedersen performed.
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