Showing 483 results

File consists of records related to the Progress in Conservation Exhibition, organized by the National Conservation Research Laboratory and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in May 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and George Rogers (National Museum of Canada), newspaper clipping, floor plan, insurance documents, condition report, press release, and event calendar of the exhibition at Rothmans Art Gallery of Stratford in November 1973.

File consists of records related to the Overlord Tapestries Exhibition, held at Dalhousie Art Gallery from April 9 to April 21, 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Gordon S. Way (Director, Department of Veterans Affairs), a letter from Bernard Pothier (Curator, National Museum of Canada), a memo to Erik Perth regarding the exhibition opening, insurance documents, press release, and newspaper clippings.

File consists of records related to the exhibition of paintings and drawings by Catherine and Beecher Weld presented at Dalhousie Art Gallery from March 13 - 29, 1974.

Records consist of insurance documents, newspaper clipping, press release, and handwritten notes of artworks and pricelist, and invitation lists.

File consists of records related to the Claude Tousignant exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 1 to March 31, 1974.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the National Gallery of Canada, a letter from Claude, a newspaper regarding the exhibition at the Van Guard Vancouver art gallery in July 1973, postcard invitation, press releases, a condition report, a list of artworks, and packing and unpacking instructions.

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.

File consists of records related to the Kim Ondaatje exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of correspondence requesting exhibition loan from the Confederation of Art Gallery and Museum, handwritten letters from Kim Ondaatje, press release, condition report, and a copy of a paper titled 'Ondaatje's paintings scary' written by Lenore Crawford. Records also include two postcards.

File consists of records related to the Flora Rey exhibition held at Dalhousie Art Gallery in October 1973.

Records consist of two copies of condition report and an article titled 'Rey Poetically Persuasive,' written by Ernest Smith (Director, Dalhousie Art Gallery) of the Dalhousie Gazette published on October 26, 1973. Records also include correspondence from the Embassy of Argentina in Ottawa, a copy of a paper titled 'Exciting exhibition by Argentine artist' of the Ottawa Journal published on October 17, 1973.

File consists of records related to the Montreal Museum Lends I exhibition, organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from September 15 to October 31, 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the National Gallery of Canada regarding transferring the exhibition. Records include a loan agreement, newspaper clippings, lists and pricelists of artworks, and packing lists.

File consists of records related to the Marina Stewart exhibition, held at Dalhousie Art Gallery in September 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Stewart, a shipping insurance letter, a press release draft, and a newspaper clipping titled 'Marina Stewart - a supernatural quality' by Ernest Smith.

File consists of records related to the Models and Michelangelo exhibition, held at the Dalhousie Art Gallery from August 9 to 31, 1973. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of Halifax School for the Blind regarding the sale of the art catalogues and staff of Maritime Telegraph and Telephone Co., Ltd. regarding the opening ceremony, and staff of Rothman's of Pall Mall Canada Ltd. regarding installation and security arrangement for the exhibition. In addition records include a tour schedule, historical background to the collection of models in the exhibition, media release, exhibition invitation list, newspaper clippings, and a floor plan designed by Golden Miller at the Vancouver centennial museum in November 1972. Records also contain a copy of an Impetus magazine, published in April 1973, and photographic prints of the three terracotta models of the right hand, torso, lower back and left thigh.

File consists of records related to the Chambers' Cartoons Exhibition, held at the Dalhousie Art Gallery in May 1973.

Records consist of newspaper clippings, invitation letters, lists of cartoons, a loan agreement from Art Gallery of Ontario, correspondence between Ernest Smith (Director, Dalhousie Art Gallery), Robert W. Chambers, and others.

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

File consists of records related to 'exhibition by Members of Faculty: Nova Scotia College of Art' presented at Dalhousie Art Gallery in January 1967.

Records consist of an exhibition pamphlet, an informational brochure about the College's offerings for 1966-1967, entry forms, a price list, and a newspaper clipping of a review by Marion Moore.

File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.

Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.

File consists of records related to the exhibition 'Paintings, Drawings and Prints by Christopher Pratt' arranged and presented by Dalhousie Art Gallery in February 1966.

Records consist mainly of correspondence, including a letter from Pratt to Evelyn Holmes. Records also include newspaper clippings, receipts, a list of artworks, and an exhibition itinerary.

File consists of records related to an exhibition of artworks by children from Halifax schools, held at Dalhousie Art Gallery in February 1966.

Records consist of newspaper clippings, a list of artworks, a Dalhousie newsletter, and a press release draft.

File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.

Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

File consists of records related to the planning of a solo exhibition at the Dalhousie Art Gallery of Carole Fraser’s drawings and paintings. Arranged by the Dalhousie Art Gallery for the 1965 rotation, this exhibition travelled with the Atlantic Provinces Art Circuit (APAC) from 1966 to 1968.

Records include a pamphlet for the cancelled 1964 exhibition ‘Works by Sarah Jackson, Carol Fraser and Aileen Meagher’; newspaper clippings discussing Fraser’s work and solo exhibition; box and artwork lists; correspondence with Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery, regarding Fraser’s works; two Dalhousie newsletters; and exhibition pamphlets from APAC member galleries.

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

Fonds consists of textual records created and accumulated by various groups and organizations within the Institute of Public Affairs.. Records include articles, correspondence, minutes, memos, newspaper and magazine clippings, interviews, field notes, pamphlets and reports. Many of the documents pertain to the internal operations of the IPA.

The fonds also contains research proposals and reports related to energy, community growth, urban and rural development, labour studies, education, economic and industrial development, the medical sector and housing. There is significant work on the health, employment and economic status of African Nova Scotians.

The fonds also contains reference material kept by the IPA in its corporate library, which was used in the research and drafting of various reports.

File contains documents related to the Nova Scotia Mass Choir in 1997.

Documents include newspaper clippings, magazine clippings, ephemera, and programs related to the East Coast Music Association awards and the Martin Luther King concert with Symphony Nova Scotia.

File also contains a copy of Rising Tide newspaper.

File contains documents related to Nova Scotia Mass Choir in 1995.

Documents include programs, itineraries, promotional material, and newspaper clippings related Black History Month, Oliver Jones, and various performances.

File contains documents related to Nova Scotia Mass Choir in 2001.

Documents include programs, itineraries, and newspaper clippings related to Symphony Nova Scotia, the Martin Luther King tribute concert, the Black Business Summit at Casino Nova Scotia, the annual Nova Scotia Multicultural Festival, African Heritage Month, the South African Polokwane Choral Society, Jeremiah Sparks' farewell party, and the Halifax Regional Municipality tree lighting.

File also includes a Nova Scotia Mass Choir contact list, including names, phone numbers, and addresses of members.