File contains correspondence with Landshoff of Harry N. Abrams, Inc., Kodansha Publishers Ltd, Encyclopedia Britannica, Aurelio Peccei (The Club of Rome), and La Nouvelle Agence. Most of the correspondence surrounds Mann Borgese's "The Drama of the Oceans," and securing the rights of various photographs for publication in that work. File also includes a mock-up of a brochure for the International Ocean Institute (IOI) and friends of the IOI ("What Can You Do to Save the Oceans?") as well as a newspaper clipping. See also MS-2-744, Box 95, Folder 2 and MS-2-744, Box 83, Folder 23 for more correspondence with Landshoff.
File contains correspondence with Pus McCloy, Michael Dempsey (Managing Editor, MacGibbon and Kee Ltd.), Larry Eugene McGinesey (on "The Drama of the Oceans)", and George MacLeod. Also inlcudes a newspaper clipping ("Global Body Urged for Sea Control").
File contains correspondence with contributors to, and readers of, Elisabeth Mann Borgese's book, based on the Pacem in Maribus (PIM) XXI (21) conference. Also includes an advertisment for the book from Dalhousie's Centre for Foreign Policy Studies, and correspondence surrounding the Chinese translation of the book. File Includes copies of the preface and introduction to the book, the table of contents, and copies of two chapters from the book (Chapter 9: "Ocean Governance and the Secretary-General's Agenda for Peace," and the economics chapter).
File contains two articles on world federalism, likely written by Elisabeth Mann Borgese. The first summarizes the Chicago Committee to Frame a World Constitution, the second is a draft of "The World Communities" by Mann Borgese (see MS-2-744, Box 147, Folder 1 for another version of that paper).
File contains a preface, written by Elisabeth Mann Borgese, on the Canadian Ocean Assessment, discussing its relation to the Independent World Commission on the Oceans (IWCO). This document was possibly the one she presented at the public hearings for the Canadian Ocean Assessment. File also includes handwritten notes by Borgese, on the back of an agenda for the Ottawa Public Hearings held by the Canadian Ocean Assessment. File also contains duplicate copies, which have not been digitized.
File includes news releases relating top the public hearings hosted by the Canadian Ocean Assessment in Halifax, Ottawa, and Vancouver (Elisabeth Mann Borgese was a speaker at each). The file also includes newspaper clippings (from the Dalhousie News, and the Chronicle Herald), and agendas for the meetings. File contains duplicate copies, which have not been digitized.
File contains correspondence with various individuals. Correspondents include Najeeb Al Nuimi (Legal Advisor to the Crown Prince on Qatar), which discuss Pacem in Maribus XXI, and the Secretary-General's consultations on the Law of the Sea, and attached is a paper by Mann Borgese: "Making the Convention 'Universally Accepatble';" Lennox Ballah of the Institute of Marine Affairs (attached is a copy of the Nonpaper); W. Balzan (personal assistant to Guido De Marco); Paul Berenger, Minister of Foreign Affairs for Mauritius; Martin Blakeway (who wrote to the Prince of Tonga about raitification of the United Nations Convention on the Law of the Sea); United Nations Secretary General Boutros Boutros-Ghali, which advocate turing the Preparatory Commission into an Interim Authority, in light of the "boat paper; and Salvino Busuttil on Malta's failure to announce ratification of the convention.
File contains correspondence with German Ambassador Per Fischer and two letters from Elisabeth Mann Borgese to Timo Lahelma (of the Ministry of Foreign Affairs, Finland), on the subject of manganese nodules in the EEZ (Exclusive Economic Zone) of Chile. File contains a duplicate letter, which has not been digitized.
File contains correspondence with the following: Judge Abdul Koroma (on the boat paper, and attachments: A speech on that paper, the "Anderson Paper," a "Draft Resolution for Adoption by the General Assembly," an "Agreement Relating to the Implementation of Part XI of the 1982 United Nations Convention on the Law of the Sea"); Ambassador Ramtane Lamamara (outgoing only, on the need to rally Group 77 countries on ratifying the United Nations Convention on the Law of the Sea); Patricia Lewis; and Dr. Luis Preval (on Part XI of the United Nations Convention on the Law of the Sea).
File includes correspondence with: Kenneth Rattray (Ministry of Foreign Affairs, Jamaica); Ivo Sanander (Deputy Foreign Minister, Croatia); Alfred Sereki (Minister of Foreign Affairs, Albania); Indian Ambassador Bhagwat Singh; Indian Minister Manmohan Singh; Ambassador to the United Nations Danielle de St. Jorre; John R. Stevenson; and Keith Suter. Mainly discussed is the "Boat Paper" and the responding Koroma non-paper (written in part by Judge Koroma and Mann Borgese).
File contains correspondence with: Anton Vratusa of the ICPE (International Center for Public Enterprise in Developing Countries) on adovating for ratification of the United Nations Convention on the Law of the Sea (UNCLoS); Lojze Peterle (Slovenian Deputy Minister and Minister of Foreign Affairs, letter contains an appeal from Mann Borgese on why UNCLoS is important to Slovenia); Mark Wood (a journalist at "The Malta Independent"); Layachi Yaker (mainly on the Secreatary General Consultations, the boat paper, and the non-paper); and Günther Zade of the World Maritime University (the International Ocean Institute held a training programme with them in 1992).
Item is a legal document between Sir John Wentworth and Matthew Richardson. The document involves land originally secured by William Dawes Quarrell for Maroons that the British sent to Nova Scotia from Trelawny Town, Jamaica in 1790s.
File contains a letter from Edna Ferber in response to a birthday telegram sent by Ellen Ballon, Sally Ryan, and Ralph Gustafson of High Perch Farm, Georgetown, Connecticut.
File contains a letter from Josef Hoffman granting Ellen Ballon permission to use his name in a scholarship. Hofmann was Ballon's teacher from 1914-1916 in Switzerland.
File contains a printed letter from the White House sent in response to an invitation from Ellen Ballon for Mrs. Anna Eleanor Roosevelt to attend an event in New York on November 28, 1944.
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File includes the set designs for Neptune Theatre's production of "How the Other Half Loves," directed by Leslie Yeo with designs by Arthur Penson. The file includes an original drawing of the rigging plot by "T.P." and annotated copies of the set plans by Penson.
File contains the set designs for Neptune Theatre's production of "Night of the Iguana," directed by John Neville with drawings by Phillip Silver and S. LePage.
File contains set designs for Neptune Theatre's production of "Ever Loving," directed by Tom Kerr with set designs by Ted Roberts. File includes Roberts's original drawings and annotated copies. File also contains copies of wartime posters that were used in the production.
File contains set designs for Neptune Theatre's production of "Private Lives," directed by John Neville and Don Allison with set designs by Art Penson. The file includes original drawings and annotated copies of the originals.
File contains set designs for the Neptune Theatre production of "Juno and the Paycock," directed by Tom Kerr with designs by Art Penson. The file includes Penson's original drawings and annotated copies of the originals.
File contains set designs for Neptune Theatre's productions of "West Side Story" and "Romeo and Juliet," directed by Tom Kerr and S. MacDonald with designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies of sheets 1 and 5.
File contains set designs for Neptune Theatre's production of "Don Messr Jubilee," directed by Tom Kerr with designs by S.J. Degenstein. The file includes original drawings by Degenstein and annotated copies.
File contains set designs for Neptune Theatre's production of "The Mystery if the Oak Island Treasure," directed by Bob Paisly and designed by Andrew Murray and S.J. Degenstein. The file includes their original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Sherlock Holmes: A Curse of the Sign of Four," directed by Richard Ouzounian and designed by S.J. Degenstein. The file includes Degenstein's original drawings and some annotated copies.
File contains set designs for Neptune Theatre's production of "Cinderella," directed by C. MacFarland and designed by P. Clark. The file includes some of Clark's original drawings and some annotated copies.
File contains set designs for Neptune Theatre's production of "Dear Liar," directed by Tom Kerr and designed by Patrick Clark. The file includes Clark's original drawings and annotated copies.
File contains set and light designs for Neptune Theatre's production of "Memories of You," directed by Linda Moore with designs by Stephen Osler (set) and Bonnie Beecher (light).
File contains set and light designs for Neptune Theatre's production of David French's "1949," directed by A. MacInnes and designed by M. Eagan (set) and J. Stewart (lights).
File contains set designs for Neptune Theatre's 1992 production of "A Christmas Carol," directed by Paula Dankert and designed by J. Cameron. The file includes Cameron's original drawings and some annotated copies. *Note: Pages 28 & 29 are not scanned.
File contains a copy of Brian Pincott's light design for the Neptune Theatre studio production of "Caveman Rainbow and House," which opened October 19, 1993 at the Sir James Dunn Theatre.
File contains set designs for Neptune Theatre's production of "Les Miserables," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and annotated copies of the first page of the set designs. The file also includes a copy of the lighting plot, drawn by Harry Frehner.
File contains set designs and original light plot drawings for Neptune Theatre's production of "Safe Haven," directed by Linda Moore and designed by Stephen Osler (set) and Bonnie Beecher (lights).
File contains set designs for Neptune Theatre's production of "Harlem Duet," directed by Alison Sealy Smith and designed by Denyse Karn. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains original and annotated copies of set designs for Neptune Theatre's lunchtime production of "The End of the Beginning," directed by Denise Coffey and designed by Trevor Parsons.
File contains an envelope addressed to Mr. John E. Bigelow of Canning, Nova Scotia and a letter from his granddaughter Caroline Button (Bigelow) from Evanston, Illinois.
