Print preview Close

Showing 56 results

Archival Description
United Kingdom
Print preview View:

Villa-Lobos Exhibition : [program]

File contains two copies of the program for an exhibition creation by the Cultural Section of the Brazilian Embassy in London (February 19-March 12, 1964). The program includes lists of exhibited items donated by Ellen Ballon.

Ellen Ballon fonds

  • MS-5-2
  • Fonds
  • 1725-1972, predominantly 1898-1972
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.

Ballon, Ellen

Correspondence from Charles F. Towle

File contains an advertisement and pamphlet on the plays presented by the Stratford-upon-Avon Players at the Princess Theatre in Toronto as part of their first American Tour. Charles F. Towle was the business director of the tour.

Programs from St. James's Hall

File contains two programs from a series of "Popular Concerts" on Saturday afternoons, directed by S. Arthur Chappell. Each of the programs includes musical excerpts and analytical remarks. The concerts featured a variety of performers, all conducted by Mr. Benedict. Performers included M.M. Joachim, L. Ries, Straus, Piatti, Miss. Carola, Arabella Goddard, Annie Edmonds, Henry Blagrove, Zerbini, Paque, Edith Wynne, and Clara Schumann. The programs are from the ninth and twelfth seasons at St. James's Hall in London, England.

Mary Jones Theatre Program Collection

  • MS-3-20
  • Collection
  • 1937-1941, 1952-1986
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.

Jones, Mary

Ronald St. John Macdonald's unsorted correspondence from 1970 to 2006

  • MS-2-615, Box 30, Folder 16; MS-2-615, Box 44, Folders 1 - 5; MS-2-615, Box 45, Folders 1 - 5; MS-2-615, Box 46, Folders 1 - 7; MS-2-615, Box 47, Folders 1 - 5; MS-2-615, Box 48, Folders 1 - 6; MS-2-615, Box 49, Folders 1 - 9; MS-2-615, Box 50, Folders 1 - 14; MS-2-615, Box 51, Folders 1 - 6; MS-2-615, Box 52, Folders 1 - 6; MS-2-615, Box 53, Folders 1 - 4
  • File
  • 1970 - 2006
  • Part of Ronald St. John Macdonald fonds

File contains unsorted correspondence with different individuals, including Franklin Berman, Hebert Petzold, Wilbur F. Bowker, Jianming Shen, Timothy T. Daley, Charlotte Ku, Ian M. MacKeigan, Ivan L. Head, John E. Read, John K. Akpalu, Emile K.M. Yakpo, Bozidar Bakotic, Donald S. MacDonald, W. Andrew MacKay, Eileen Janzen, B.A. Pollard, W.A. Charles, Ganshof van der Meersch, J. King Gordon, Kurt Herndl, Pierre Elliot Trudeau, Horace E. Read, C. Trevor Anderson, Thomas R. Berger, Dawn Russel, Arnold W. Zeman, C. Rhodes Smith, Susan Mann, Wang Tieya, Niki Tobi, Sienho Yee, A. Kolodkin, Frank Milligan, M.L. Friedland, Brian Dickson, George C. van Roggen, D.H.N. Johnson, Lun S. Wong, Allan J. MacEachen, J. Zourek, Pierre Charpentier, John E.C. Brierley, Henry D. Hicks, Sandra Liebel, Marcel Cadieux, Alfred E. von Overbeck, Philip Girard, T.H.B. Symons, Edward McWhinney, Philip C. Jessup, Edward.G. Lee, E.E. Appiah, M. Jean Houston, David L. Johnston, John J. Quinn, Charles B. Bourne, L. Ferrari Bravo, John M. Davison, Edgar Gold, James C. Gervais, Ko Swan Sik, D.P. Verma, G.A. Klassen, Kathleen Fisher, Peter Malanczuk, Michael D. Harris, Alexander Marschik, Manfred Lachs, Thea E. Smith, J.S. Castel, Paul E. Martin, R.M. Warren, Hideo Takabayshi, and others, regarding a wide range of topics. File includes a transcript of an interview with Innis Christie in 1988, the Halifax Club pamphlet, a United Nations Economic and Social Council report of 1991, the British Institute of International and Comparative Law director's report for 1989, the Africa Society of International and Comparative Law supplement to the application for funding submitted to the Canadian International Development Agency of June 1988, the Africa Society of International and Comparative Law annual report of 1989, University of Western Ontario Faculty of Law newsletter vol. 1, no. 2, of May 1977, and vol. 5, no.1, of January 1981, Osgoode Hall Law School Continuum periodical, vol. 2, no. 1, of 1974, the American Society of International Law newsletter vol. 21, issue 4, of August/ October 2005, the World Academy of Art and Science newsletter of winter/spring 1999, the International Ocean Institute Across the Oceans newsletter, vol. 1, issue 1, of January 1982, Cyprus Bulletin, vol. 34, no. 23 and 24, of November 1996, University of Toronto Nexus periodical of February 1991, Dalhousie University Hearsay of January 1976, Amnesty International bulletin, vol. 1, no. 1, of January 1974, McGill University Quid Novi periodical, vol. 4, no. 9, of November 1983, Dalhousie Faculty Association Dialogue, vol. 3, no. 8, of March 1990, Dalhousie Law School programme for indigenous, blacks, and Mi'kmaqs of January 1994, Dalhousie University Marine Affairs Program, Dalhousie University Faculty of Graduate Studies meeting minutes, Dalhousie University Faculty of Law special meeting minute of January 1973, Council of Europe 67th plenary administrative session meeting minute of March 1989, Lester B. Pearson College Board of Trustees meeting minute of February 1979, Council of Europe report on the functioning of the organs of the European Convention on Human Rights of 1984, the editor's agreement between Koninklijke Brill NV., Douglas M. Johnson, and Ronald St. John Macdonald regarding the book "towards world constitutionalism: issues in the legal ordering of the world community" of 2003, photograph of John E.C.B. in front of Killam Memorial Library in 1985, a photograph of John Peters Humphrey possibly in 1995, two photographs of Ronald St. John Macdonald with a group of unidentified individuals in Calgary in 1974, a photograph of Ronald St. John Macdonald with Bozidar Bakotic and an unidentified man possibly in the late 1970s, a photograph of Charles B. Bourne in 1995, three photographs of Dalhousie University Law School Students of 1982-1983, a drawing of an unidentified man - possibly a judge, a transcript of an interview with Myres S. McDougal in 1994, a transcript of an interview with Charles B. Bourne in 1992, annotated typescripts, handwritten notes, newspaper clippings, and other materials. File includes a letter from Bozidar Bakotic to Ronald St. John Macdonald reporting that censorship forbade him to contribute to the development of one of Ronald St. John Macdonald's book.

Ronald St. John Macdonald's records regarding the African Society of International Law

File includes correspondence, provisional agenda for the African Society of International Law's first annual conference, a draft of the African Society of International Law's statute, the African Society of International Law's member list, and a copy of the African Society of International Law's certificate of incorporation.

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Alan Ruffman fonds

  • MS-2-578
  • Fonds
  • ? - 1990
Fonds consists of materials regarding Alan Ruffman's contributions to the Atlantic Sub-committee of Oceanography (ASCO) and the Canadian Committee on Oceanography (CCO), including reports, manuscripts, correspondence, newspaper clipping, meeting minutes, newsletters and others textual records.

Ruffman, Alan

Glyndebourne Festival Opera : [program]

  • MS-2-26, Box 5, Folder 8
  • File
  • June 11, 1957 - August 13, 1957
  • Part of Anthony Pugh fonds

File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.

Analytical excerpts, research notes, and program notes for various composers

File contains Anthony Pugh's handwritten analytical excerpts, research notes, and drafts of program notes for compositions by the following composers: E. Broughton, Sergei Rachmaninoff, Arthur Bliss, Ludwig van Beethoven, Charles Villiers Stanford, Maurice Ravel, Claude Debussy, Igor Stravinsky, Johann Strauss, Johannes Brahms, and Dmitry Sitkovesky. The file also contains a copy of a National Arts Centre program, which Pugh presumably used in his research, and a program from the 16th Annual Festival of Chamber Music and All that Jazz in Fredericton, New Brunswick. The file also contains a numerical coded index of composers and works, and a list of works and composers (also coded) that Anthony Pugh studied, listened to on his own records and borrowed records, heard on radio broadcasts, and heard on his own and borrowed tapes from 1980 to 1982.

Research and program notes for various composers

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the works of Robert Schumann, Franz Schubert, Ludwig van Beethoven, Niccola Porpora, Joseph Haydn, Gioachino Rossini, Felix Mendelssohn, and Jean Sibelius. The file also contains programs used in his research, including those from the Biggar Music Club, Radio France, Orchestre de Paris, and the Atlantic Symphony Orchestra (includes program notes by Pugh).

Research and program notes pertaining to Walton

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.

Research and program notes pertaining to Verdi

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.

Research and program notes pertaining to Vaughan Williams

File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.

Research and program notes pertaining to Tippett

File contains a draft of program notes by Anthony Pugh for String Quartet no. 2 by Michael Tippett. The file also includes a program from the Liverpool Philharmonic Society used in Pugh's research and a newspaper clipping with a profile article on Tippett.

Research and program notes pertaining to Stravinsky

File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.

Research and program notes pertaining to Schubert

File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Schubert, and programs that Pugh either contributed to or used in his research. Complete programs included in the file are from the Royal Festival Hall, London, England, and the University of New Brunswick and Saint Thomas University Creative Arts committee.

Research and program notes pertaining to Scarlatti

File contains drafts of program notes by Anthony Pugh pertaining to works by Domenico Scarlatti. The file includes Pugh's chronological analysis of Scarlatti's extant sonatas, annotated copies of the incipits for the sonatas, and correspondence with P. Joan Hymans of the British Broadcasting Corporation about the numbering of the Scarlatti sonatas.

Research and program notes for composers S

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.

Research and program notes pertaining to Ravel

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.

Research and program notes for composers T to W

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Ambroise Thomas, Viktor Ullman, Henri Vieuxtemps, Henryk Wieniawski, Peter Warlock, Lubomir Zelezny, Anton Webern, and Alexander von Zemlinsky. The file also includes three programs: "The Emperor of Atlantis," presented by the Terezin Studio Project in Halifax, Wolfville, Fredericton, Charlottetown, and Antigonish;"The Passion" by Raymond Warren at The Queen's University of Belfast; and the Walter Baker Memorial Concert with the Canadian Chamber Ensemble at the Fredericton Playhouse.

Research and program notes pertaining to Shostakovich

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.

Research and program notes pertaining to Liszt

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.

Research and program notes pertaining to Janáček

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Leoš Janáček. The file includes four programs used by Pugh in his research and a copy of an excerpt from a score for Janáček's String Quartet No. 2 "Intimate Letters".

Research and program notes pertaining to Haydn

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also contains Pugh's analyses of various works, including annotated musical incipits for Haydn's string quartets. The file also includes two programs for concerts presented by the University of New Brunswick and Saint Thomas University Creative Arts society, with program notes by Anthony Pugh, featuring the Brunswick String Quartet and the Saint Laurence String Quartet. A program for a performance of "The Passion," by Haydn, performed by the Pembroke College Musical Society is also included as part of Pugh's research notes.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.

Research and program notes pertaining to Mendelssohn

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes pertaining to Brahms

File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.

Research and program notes pertaining to Elgar

File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.

Program and research notes pertaining to Delius

File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.

Research and program notes pertaining to Bach

File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.

Program notes, essays, handouts, and correspondence pertaining to Berlioz

File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Research notes pertaining to Berg

File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.

Research and program notes pertaining to Beethoven

File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

Anthony Pugh's research materials for program notes

Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.

Records regarding Ronald St. John Macdonald’s academic work

Series comprises Ronald St. John Macdonald's records regarding his academic activities, including his involvement as a faculty member of York University Osgoode Hall, University of Toronto, Dalhousie University, and other institutions. Series also includes records and research materials regarding the development of Macdonald's publications, unpublished papers, and other materials.
Results 1 to 50 of 56