Subseries consists of injury and accident reports and some related correspondence. In early investigation reports, injured parties are identified by name, but starting in 1989, the reports identify the injured parties by job and location only.
Subseries consists of reading lists, copies of assigned readings, term papers, student research proposals, syllabi, student grades, and copies of theses supervised by Borgese while she was a professor in the Department of Political Science.
This subseries contains material from Neptune Theatre's production of A Year with Frog and Toad; based on the classic children's books by Arnold Lobel and transformed into a musical by Robert and Willie Reale. The cast includes Shane Carty (Toad); Justin Goodhand (Frog); Mark Allan, Laura Caswell and Heather McGuigan as Friends. The creative team includes George Pothitos (director); Crystal MacDonell (stage manager); Chuck Homewood (musical director); Laura Caswell (choreographer); Geofrey Dinwiddie (set design); Bonnie Deakin (costume design); Siobhan Sleath (lighting design); Andy Allen (sound design); Johnny Cann (video design).
Subseries consists of handwritten and typed drafts of Budge Wilson's book "A House Far from Home," originally titled "The Uprooting," which was published by Scholastic in 1986.
Subseries consists of drafts and proofs for Budge Wilson's children's book "A Fiddle for Angus," previously titled "A Fiddle for Luther" and "Luther's Fiddle." The subseries also contains four colour slides with illustrations by Susan Tooke.
A Christmas Story, by Jean Shepherd, adapted by Philip Grecian is directed by George Pothitos. The cast includes Jamie Williams; Stacy Smith; Jayden Greig; Sheldon Davis; Connor Chisholm; Noel Fougere; Katie Goddard; Gracyn MacDonald; Gabriel Varga-Watt and Thamela Mpumlwana. Chrystal MacDonell is the stage manager.
This sub-series contains the records for the production of "A Christmas Carol - the Musical" based on the novella by Charles Dickens; with the music and lyrics by Eric Hughes. The stage manager for this production was Crystal MacDonell.
