Les mouton à l'abattoir : [score]
- MS-5-16, Box 9, Folder 20
- File
- 1997
Part of Upstream Music Association fonds
Cram, Paul
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Les mouton à l'abattoir : [score]
Part of Upstream Music Association fonds
Cram, Paul
Let our spirits soar : the voices of our past : [poster]
Part of Halifax Camerata Singers fonds
Letter from Edna F. Anderson to John Logan
Part of John Daniel Logan fonds
Linda Carvery in concert yesterday today
Part of Joy O'Brien fonds
Lines in motion / University of the Air
Part of University of the Air
Part of John Daniel Logan fonds
Archibald, Edith Jessie
Madonna : songs of Mary : [poster]
Part of Halifax Camerata Singers fonds
Make we joy : a Canadian Christmas : [poster]
Part of Halifax Camerata Singers fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Martin Luther King Jr. tribute
Part of Joy O'Brien fonds
Martin Luther King Jr. tribute
Part of Joy O'Brien fonds
Martin Luther King Jr. tribute
Part of Joy O'Brien fonds
Mediterranean eyes : version for small orchestra : [score]
Part of Upstream Music Association fonds
Tittle, Steve
Part of Halifax Camerata Singers fonds
Monk on time : clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Mozart arias - Hendricks (side B)
Part of Sheila Piercey fonds
Mozart's Requiem with Symphony Nova Scotia : [poster]
Part of Halifax Camerata Singers fonds
MPBN radio recording of "Vanessa" and concert for nanny Mack and Agnes (side A)
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997 (side A)
Part of Sheila Piercey fonds
Mum and Sheila "Rockin" in a non-rehearsed session at home - November 1997 (side B)
Part of Sheila Piercey fonds
Muraille de Cayne : tenor saxophone
Part of Upstream Music Association fonds
Musica mystica with Symphony Nova Scotia Chorus : [poster]
Part of Halifax Camerata Singers fonds
Nanny, mum and Sheila practice session (side A)
Part of Sheila Piercey fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Nature of the beast / Paul Cram
Part of Paul Cram fonds
Neither fire nor place : [score]
Part of Upstream Music Association fonds
Frith, Fred
Newspaper clippings concerning organ concerts by Allen M. Reid
Part of John Daniel Logan fonds
Part of Upstream Music Association fonds
Naylor, Steve
Northern lights with Christianne Rushton : [poster]
Part of Halifax Camerata Singers fonds
Nova Music reviews and news stories
Part of Stephen Pedersen fonds
Nova Scotia Drama League's Annie
Part of Stephen Pedersen fonds
Nova Scotia Mass Choir gospel in the round
Part of Joy O'Brien fonds
Noye's fludde, a medieval pageant
Part of Joy O'Brien fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Theatre Arts Guild fonds
One heart broken into song : [parts]
Part of Paul Cram fonds
Order for information morning show
Part of Halifax Camerata Singers fonds
Part of Paul Cram fonds
Part of Paul Cram fonds