File contains correspondence with (among others): Dr. El-Hafid Tabet-Aoul; Professor Ines Wesley Tanaskovic; Dr. Hubert Tierry; Olaf Tandberg, Professor James Tobin (outgoing only) ;Edith Thauer; Amado S. Tolentino; Dr. Klaus Topfer (outgoing only); Tom Traves (outgoing only); and Alfredas Tytmonas. Topics of discussion include the Tobin tax, the rewriting of the Barcelona Convention, a project on sustainable sea-bed development, International Ocean Institute (IOI) financial matters, and the International Sea-bed Authority.
File contains set designs for Neptune Theatre's production of "Take Twelve," directed by Richard O. and designed by Andrew M. The file also contains copies of costume and prop designs for the production.
File contains a reel-to-reel recording of an unidentified radio program; and Barbara Hinds talking about taking baths in British bath tubs. The recording is preceded by a short recording from an unidentified radio program.
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File contains a transcription of a discussion at an unknown conference or seminar at which the participants are discussing the creation of a bureau or institute to monitor the Mediterranean Sea (a.k.a. International Ocean Institute). Present were [Ros], [Vaeeiere], [Buonomo], [Featherstone], Elisabeth Mann Borgese, [Arangio], [Oren], [Dohrn], [Miller], [Blake], Sidney J. Holt, [Marchetti], [Stirn], [Kennet], and an unidentified President.
File contains set designs for Neptune Theatre's production of "Tartuffe," directed by Richard Ouzounian and designed by David B. Ingraham. The file includes Ingraham's original drawings and annotated copies.
File contains a paper by Elisabeth Mann Borgese, on the importance of a "technology transfer" to poor (mainly southern) nations to allow them to achieve sustainable development with respect to their ocean resources. It was originally filed with papers from the Geneva meetings in October, 1996, and may have been presented to members of IWCO (Independent World Commission on the Oceans) during those meetings. The file folder also contains a shorter version of a paper on the same topic, which was sent to Bill Faries. File contains duplicate copies which have not been digitized.
File contains a photograph of ten unidentified women at an unidentified event. Nine women are standing and one woman is sitting at a table with tea and hors d'oeuvres. Some of the women are holding tea cups.
File contains the document "Tentative Schedule of the United Nations and UNIDO Meetings for 1995" as published by the Secretariat at the United Nations Office at Vienna (UNOV), Interpretation and Meetings Service. As stated on the schedule, "this list contains meetings of those UN bodies and offices location at the VIC, any other UN meetings convened at Vienna, meetings of UNIDO (United Nations International Development Organization) convened at Vienna and elsewhere, and meetings of the IAEA (International Atomic Energy Agency) for which interpretation is provided by UNOV."
File contains five copies of the poster for the Halifax Camerata Singers concert with guest conductor Wayne Riddell. The concert took place at the First Baptist Church in Halifax, Nova Scotia.
File contains a provisional agenda, meeting minutes (discussed at the meeting were: Pacem in Maribus (PIM) VI, IOI seminars, administrative matters, study projects on the New International Economic Order and the Law of the Sea, and the Arctic/Antarctic projects, and other matters), memos, a draft Director's Report, and a list of Planning Council members.
File contains set designs for Neptune Theatre's production of "The Apple Cart" drawn by Andrew Murray. The file includes original drawings and annotated copies.
File contains a report by Elisabeth Mann Borgese, updating the Regional Seas Programme in the Mediterrean. File includes correspondence; and documents Mann Borgese used for research (including the original Barcelona Convention, signed 1976). Also includes a report by a Maltese delegation on the Barcelona Convention adn the Mediterranean Action Plan (including proposed amendments).
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains a copy of the report "A Canadian-Chinese Prorgamme in International & Comparative Law" drafted by the College of Law at Peking University and the Faculty of Law at Dalhousie University. File also contains correspondence between Ronald St. John Macdonald, Paul Brennan, Marc Dolgin, Peter Hoffman, W. Andrew Mackay, H.L. O'Brien, Alasdair Sinclair, and Wang Tieya.
File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "Tales Until Dawn" with the Cape Gael Co-op, which aired on November 3, 1989. Recording is part 1 of 3.
File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "Tales Until Dawn" with the Cape Gael Co-op, which aired on November 3, 1989. Recording is part 2 of 3.
File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "Tales Until Dawn" with the Cape Gael Co-op, which aired on November 3, 1989. Recording is part 3 of 3.
File contains a faxed draft copy of content for a series of brochures on the need for reforming the United Nations Environment Programme (UNEP)'s Regional Sea Programme. The author of the report is uncertain, but this version contains handwritten annotations/corrections by Elisabeth Mann Borgese.
File contains part of "The Common Heritage," a collection of papers by Arvid Pardo. Included is the table of contents, dedication page, and an introduction to the collection by Elisabeth Mann Borgese (which contains biographical information on Pardo, and a summary of the United Nations Conference on the Law of the Sea, or UNCLoS III, through 1974).
File includes copies of a paper by Elisabeth Mann Borgese, written for a publication in honour of Shigeru Oda ("Liber Amicorum Judge Shigeru Oda"), on the expansion of the concept of "the common heritage of mankind" from the mineral resources of the international seabed to the ocean's living resources. The file contains a preprint version, as well as an earlier draft. The file also includes a copy of a different article by Mann Borgese, "The Common Heritage," which was published in 1974 in "Ceres" magazine (see MS-2-744, Box 174, Folder 18). File contains duplicate copies which have not been digitized.
File contains notes (may have been used for a speech or slides), on the common heritage of mankind, the problems of ocean space, and new uses of the seabed.
File contains an address given by Elisabeth Mann Borgese at the occasion of the official closing of the International Course on Housing, Planning and Building, and the International course on Industrial Quality Control of Bouwcentrum International Education on 19 December 1975 in Rotterdam, the Netherlands.
File contains an address delievered by Elisabeth Mann Borgese on the occassion of the official closing of the international course on housing, planning, and building and the international course on industrial quality control of The Bouwientrum International Education in Rotterdam, Netherlands.
File contains a copy of an article written for the New York Times entitled "The Complexities of a Sea Change" on the third and fifth session of the Law of the Sea conference. Also includes a longer draft version of the article.
File contains a paper written by Elisabeth Mann Borgese in advance of the "Conference on the Conduct of International Relations in an Interdependent World," which was held at the Center for the Study of Democratic Institutions (October 12-18. 1969). File also Includes a list of speakers at the conference.
File contains three copies of a poster for a performance by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia and the Symphony Nova Scotia Chorus. The concert took place at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
Possibly a copy. These manuscripts came from the west coast of France, and represent originals, not existing in any of the great libraries of either Europe or America. The original manuscripts comprise ten pages.
File contains set designs by Robert Doyle for a Shaw Festival production of "The Devil's Disciple." File includes original drawings and annotated copies.
File contains a draft copy (with some corrections) of a paper by Elisabeth Mann Borgese on the accomplishments Ninth (9th) Session of the United Nations Conference on the Law of the Sea (including a discussion of the Informal Composite Negotiating Text), and some of the difficulties that lay ahead.
File contains two papers written by Elisabeth Mann Borgese. The first, "The Draft Convention on the Law of the Sea: An Appeal for Action Now," was written after the suspension of the Tenth (10th) Session of the United Nations Conference on the Law of the Sea, after the United States Government announced a review of the Draft Convention. The second is a a copy of "The Draft Convention" on the Informal Composite Negotiating Text.
File contains photocopies of illustrations (with captions) used by Elisabeth Mann Borgese in "The Drama of the Oceans." Includes 12 photographs from the United States Navy (mainly of naval vessels and equipment), three historical illustrations from the National Maritime Museum in Greenwich, London, and two photos from the National Oceanic and Atmospheric Administration. Also contains a typed page entitled "Explanations for Photographs."
File contains two drafts of a concept paper authored by Elisabeth Mann Borgese. The paper is a proposal for a study to be undertaken by Mann Borgese, includes some budgetary figures. Attached is correspondence with Rob Riemen and Barbara Finberg.