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Artist's books

File consists of records related to the exhibition "Artist's Books," organized by the Independent Curators Incorporated, Washington D.C. and presented at the Dalhousie Art Gallery from August 15 to September 10, 1978.

Records consist of correspondence, news releases, clippings, a condition report, a booking contract form, and other administrative documents.

Arthur Lismer : Nova Scotia, 1916-1919

File consists of records related to an exhibition, 'Arthur Lismer: Nova Scotia, 1916-1919,' curated by Gemey Kelly and presented at the Dalhousie Art Gallery from December 2, 1982, to January 9, 1983. This exhibition of approximately 45 paintings and 20 drawings and lithographs by Arthur Lismer focused on the years during which he resided in Bedford, Nova Scotia and was Principal of the Victoria School of Art and Design (now NSCAD University).

Records are divided into 21 folders (Titles transcribed from original folder labels.):
Box 36
Folder 13 - Canada Council grant
Folder 14 - N. S. Dept. of Culture, Recreation, Fitness application
Folder 15 - Other grant applications
Folder 16 - Loan correspondence
Folder 17 - General correspondence (with other galleries)
Folder 18 - Invoices, purchasing
Folder 19 - Miscellaneous information loans
Folder 20 - Transportation
Folder 21 - Itinerary
Folder 22 - Canadian Conservation Institute
Folder 23 - Gemey's talk at Beaverbrook
Folder 24 - Correspondence with Marjorie Lismer
Folder 25 - Catalogues (sales & complimentary copies)
Folder 26 - Press Release (This file contains various clippings, a catalogue published by The Beaverbrook Art Gallery (Feb. 1983), and Arts Atlantic magazine (Spring 1983) published by Confederation Centre Art Gallary.
Box 37
Folder 1 - Opening: December 9, 1982
Folder 2 - Loan agreement forms
Folder 3 - Insurance
Folder 4 - Condition reports (Norman Macknzie Art Gallery, 1982)
Folder 5 - Condition reports (Memorial University & Beaverbrook Art Gallery, 1983)
Folder 6 - Photographs (various formats)
Folder 7 - Photographs (contact sheets)

Arrangement between the Ministry of Marine Affairs and Fisheries of the Republic of Indonesia and Dalhousie University ... on capacity building and institutional strengthening of marine environment, maritime and fisheries sector development

File contains a first and final unsigned draft agreement; a signed copy with a an attachment indicating its expiry; and correspondence and itineraries regarding visits to Dalhousie in 2003 and 2007 from the Indonesian Minister of Marine Affairs and Fisheries.

ArcOD: Arctic Ocean Diversity

Subseries contains correspondence, research data, and conference minutes and notes related to the Census of Marine Life subcommittee, Arctic Ocean Diversity (ArcOD). The Arctic Ocean Diversity project was designed to catalogue animal species and microbes found in the Arctic region—on, in and under the sea ice, in deep basins and along the continental shelves. The project was led by American scientists Bodil Bluhm, Rolf Gradinger and Russ Hopcroft, who sought to document the northward extensions of ranges of Arctic fish and invertebrates.

Anthony Law oil paintings

File consists of records related to the Anthony Law Exhibition held at Dalhousie Art Gallery from February 12 to March 3, 1974.

Records consist of guest lists, exhibition invitation, list of artworks, a biography of Law, insurance form, correspondence from Simpson-Hurst Insurance Ltd, and two opening invitations.

Andre Bieler

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

Ancient ceramics of the new world

File consists of records relating to an exhibition entitled Ancient Ceramics of the New World, organized and circulated by the Montreal Museum of Fine Arts. The exhibition was presented at the Dalhousie Art Gallery from July 12 - August 19, 1984.

Records are divided between two folders:
Folder 19 - Programming : Nelly Gray
(including list of pre-Columbian fertility figures and pottery from Mexico and correspondence)
Folder 20 - Administrative files
(including correspondence, a list of works, condition reports, exhibition agreement contracts, news release, and photographs)

Alex Colville : a retrospective

File consists of records related to an exhibition entitled "Alex Colville : A Retrospective," organized by the Art Gallery of Ontario and curated by David Burnett. The exhibition was presented at Dalhousie Art Gallery from April 17 to May 27, 1984.

Records are divided into 17 folders (Titles transcribed from original folder labels.):
Folder 1 - School tours
Folder 2 - Petro Canada (funding application and correspondence)
Folder 3 - Guest book
Folder 4 - Schedule of events
Folder 5 - Volunteers, April 1984
Folder 6 - Colville Correspondence
Folder 7 - Film (Colville documentary film invitation and tour)
Folder 8 - AGO (Art Gallery of Ontario) correspondence
Folder 9 - Staff schedules
Folder 10 - Publicity (clippings, news releases, and promotional materials created by AGO)
Folder 11 - Norcen (Energy Resources Limited. correspondence re. supplementary funding)
Folder 12 - General correspondence (with other galleries and schools)
Folder 13 - List of works in exhibition
Folder 14 - Invitation list
Folder 15 - Financial documents
Folder 16 - Visual materials (including ca. 80 slides, exhibition leaflets and invitations)
Folder 17 - Photographs (ca. 60 prints, 8 film strips and contact sheets)

Aldo Chircop's correspondence and records about the International Oceans Institute

File includes correspondence; two draft memorandums of understanding between the Marine Affairs Diploma Program and the International Oceans Institute dated 1987; a 1995 MOU between Dalhousie University and the International Ocean Institute, Valletta, Malta, signed by President Clark and Elizabeth Mann Borgese; IOI Training Programme materials and reports; and a report of the Working Group on Development of the IOI Virtual University.

Agreement between The Governors of Dalhousie College and University, and Her Majesty the Queen in RIght of Canada, regarding loaning of Labrador duck specimens to the National Museum of Canada

Item consists of a signed agreement -- dated April 16, 1968 -- between the Dalhousie Board of Governors and Her Majesty the Queen in Right of Canada (via the Department of the Secretary of State, which oversees the National Museum of Canada) regarding the loaning and preservation of Labrador duck specimens from the Thomas McCulloch Museum to the National Museum of Canada.

Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald

File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.

3 [three] from California

File consists of records related to the exhibition 'Three from California' of artworks by Roy DeForest, Robert Hudson, and William Wiley, held at the Dalhousie Art Gallery from November 15 to December 15, 1976.

Records consist of exhibition documents including insurance documents, loan agreements, a list of expenses, biographies of each artists, correspondence, invoices and other administrative records. Additional records consist of newspaper clippings, photocopies of magazine clippings, and opening invitation cards.

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