Halifax (N.S.)

Taxonomy

Code

44.647401, -63.590651 Map of Halifax (N.S.)

Scope note(s)

Source note(s)

  • Coordinates derived from http://www4.rncan.gc.ca/search-place-names/search?lang=en

Display note(s)

Equivalent terms

Halifax (N.S.)

Associated terms

Halifax (N.S.)

19537 Archival Description results for Halifax (N.S.)

19178 results directly related Exclude narrower terms

Correspondence with staff at Yale University

File consists of correspondence between Ernest Heighton and members of the libraries and archives at Yale University. The file contains information regarding Dr. Bronson as requested by Heighton.

Correspondence with the Canadian Medical Association and others

File contains correspondence with the Atlantic Research Centre for Mental Retardation; Wayne Augustus; G. du Bois; the Canadian Cancer Society; the Canadian Medical Association; the Canadian Society of Respiratory Therapists; Cathy; Control Data Canada Ltd; Éditions D'Acadie; Fancy Foods Ltd; Future Health; D. G. Gwyn; the Halifax Herald Limited; James G. Holland; IMS Communications Ltd; Jim Lotz; Claude D. MacLachlan; le Madawaska Itée; Medical Research Council of Canada; Mrs. S. B. Millen; Nora; the Nova Scotia Confederation of University Faculty Associations; Peter; Roger S. Rittmaster; S. S. Sodhi; George I. Turnbull; the Victoria General Hospital; Wayne; Kathie Wdowiak; David Woods; and Isabel Henderson Wright. The file also includes some newspaper clippings and photocopies which were attached to the letters.

Correspondence with the Halifax landmarks commission and other material

File contains documents related to Barbara Hinds' involvement in the Halifax Landmarks Commission, including correspondence; lists of contact information; agendas; minutes; memorandums; a manuscript called "An Annotated List of Buildings and Places of Historic and Architectural Significance in Halifax," which contains sketches and descriptions of historic buildings in Halifax; "Proposal for Restoration & Development of Historic Buildings: Halifax Waterfront" by Stevens & Fiske Ltd., including folders containing appendices; and "Call for Proposals, Restoration and Development of the Historic Waterfront Buildings, Halifax, Nova Scotia" from the Halifax Landmarks Commission; an illustration of a street; a photograph of an old wooden beam; a photograph of an unidentified building; "Historic building restoration gathers tempo" by Barbara Hinds, from the November 27, 1973 issue of the Chronicle-Herald; typed drafts; and promotional material, maps, and other information about historic buildings on the Halifax waterfront.

Correspondence with William Lovell

File consists of correspondence records between Ernest Smith and William (Bill) Lovell spanning August 1970 to October 1971.

Records consist of letters between Lovell and Smith (Director ,Dalhousie Art Gallery) regarding plans to have a showing of Lovell's prints at the art gallery in 1971.

Correspondence with William MacKay (Mack) Creelman

File consists of correspondence between Ernest Heighton and W. M. Creelman, referred to by Heighton as Mack. The correspondence is related to a donation of Bronson's papers to the Dalhousie Archive. File includes a funeral announcement for Creelman.

Correspondence, clippings, and notes regarding pension benefits for same sex couples

File contains materials relating to both provincial and federal supreme court rulings relating to spousal benefits for same-sex couples. Materials include one report from Nova Scotia Member of Parliament Alexa McDonough dated May, 1998 regarding declining living standards and accompanying correspondence; clippings from the Cape Breton Post; correspondence; and one oversized meeting agenda and guidelines.

Correspondence, itinerary, and budgets for Upstream's Ontario fall tour

File also includes the tour manager's report; applications to Canada Council for the Arts for funding; Upstream's technical rider; contracts; and attendance reports at venues (Numus, Waterloo, Ontario; Peterborough Festival for the Arts, Ontario; Espace Musique, Ottawa, Ontario; and New Music Across America/ Red Door Productions, Toronto, Ontario).

Correspondence, media releases, and reports from Paul Cram, Artistic Director

File contains records from the 1994-1995 season from Paul Cram, one of the Artistic Directors of the Upstream Music Association. The file includes copies of newspaper clippings with reviews of Upstream concerts; Sandy Moore's Curriculum Vitae; and Paul Cram's signed contract, on behalf of the Upstream Ensemble, for the Atlantic Federation of Musicians.

Cram, Paul

Correspondence, meeting minutes, and certificate of incorporation regarding name change from GayLine to Gay, Lesbian and Bisexual Line

File contains correspondence regarding the 1993 annual report and meeting minutes from the 1993 general meeting, held 1993-01-11, which outline plans to rename the GayLine to the Gay, Lesbian and Bisexual Line. File also contains one copy of the special resolution related to the renaming that was passed at the general meeting, the certificate of incorporation for the new business name, and associated correspondence and paperwork.

Correspondence, Red Cap Snow Shoe Club

File contains correspondence from Samuel Balcom and Hylton Olthouse to members of the Red Cap Snow Shoe Club, about honorary memberships, reminders of upcoming meetings and committee obligations, and potential donations of books (in lieu of flowers) as requested by deceased members, to All Saints Cathedral, and the Nova Scotia Home for Colored Children.

Corridors of power / Paul Cram

Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.

Cosmological series : Graham Cantieni

File consists of two catalogues for the exhibition ' Cosmological Series' of artworks by Graham Cantieni, organized by The New Brunswick Museum and the Dalhousie Art Gallery. The Exhibition was presented at Dalhousie in December 1971.

Catalogues contain a portrait of Cantieni, an illustration of his work, a biography, description of the exhibition, a catalogue list of artworks, and a C.V.

Costume desgin for Mr. and Mrs. Beetle

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costumes are for characters named Mr. and Mrs. Beetle. The sketch shows a male figure and a female figure wearing the costumes.

Costume design : an Apothecary

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The sketch shows an unidentified person who is wearing a cloak and holding a bright light. The sketch's caption says "An Apothecary!" The sketch is mounted on a dark red matboard.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a husband

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a husband and the sketch shows one male figure wearing the costume and smoking.

Costume design for a maid

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a maid. The sketch shows one female figure wearing the costume. There are fabric swatches attached to the sketch.

Costume design for a merchant

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a merchant. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for a Page to January

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for a page to January from "The Merchant's Tale." The sketch shows one male figure wearing the costume.

Costume design for a policeman

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a policeman and the sketch shows one male figure wearing the costume.

Costume design for a priest

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a priest and the sketch shows one male figure wearing the costume.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for a waiter

Item is a watercolour of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character who is a waiter, played by Andrew Boutilier. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume design for Abdullin the shopkeeper

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Abdullin the shopkeeper. The sketch shows a male figure wearing the costume. There are fabric swatches stapled to the sketch.

Costume design for Abram

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1987 production of Romeo and Juliet. The costume is for Abram, a servant to Montague. The sketch shows a male figure wearing the costume. The sketch is mounted on a dark red matboard.

Costume design for Albertine and Charlotte

Item is a pencil sketch of a costume design for Dalhousie Theatre's 1986 production of Bonjour, La, Bonjour. The costumes are for two characters named Albertine and Charlotte. The sketch shows two female figures wearing the costumes and looking at each other.

Costume design for Allison

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's 1982 production of the Canterbury Tales. The costume is for Allison from "The Miller's Tale." The sketch shows one female figure wearing the costume.

Costume design for Althybiades

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1992 production of The Trojan Women. The costume is for Althybiades and the sketch shows one male figure wearing the costume and holding a scroll.
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