Music

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2227 Archival Description results for Music

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Dalhousie Student Union - CKDU Publication - 'Earcandy' - Vol. 3, No. 4

Dalhousie Student Union - CKDU Publication - 'Earcandy' - Vol. 3, No. 4

Item consists of the fourth issue of the third volume (likely from May 1993) of Earcandy, a semi-regular publication of CKDU Radio. This issue includes articles on the upcoming Scotia Festival, the wild growth of hip-hop music in Halifax, a profile of R. Murray Schafer, and classical programming at CKDU. Includes articles by Suzanne Brown, Chris Trowbridge, Michael Wile, Steven Slater, Spike Taylor, Laura Borealis, and Deborah Odhiambo.
Dal magazine / spring 2022

Dal magazine / spring 2022

  • MS-1-Ref, Box 158, Folder 3
  • Item
  • 2022

    • Part of Dal Magazine

Item is a copy of Dal Magazine (Spring 2022), which features spotlight interviews with Dal alumni Brice Scheschuk (BCOMM '94), Jeremy Dutcher (BA '12), partners David Hodgson and Sara Fedullo (BENG '21), William (Bill) Stanish (MD '70), and Marriam Abou-El-Haj; an article about the research project "Home Food Gardening in Response to the COVID-19 Pandemic: Lessons for Food Security Considerations"; and a story about research in music, medicine and neuroscience.

Cut and paste scores for strings

File contains scores for violin, viola and cello composed of photocopied staves pasted onto sheets of paper, with brief notes written in ink.

Cukeoo : [score]

Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"
Csárdás no. 2

Csárdás no. 2

Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.

Joseffy, Rafael

Crimson stain : [poster]

Crimson stain : [poster]

File contains three copies of a poster for two concerts by the Halifax Camerata Singers in collaboration with Nova Voce, Nova Scotia's provincial men's choir, and Shimon Walt on cello. The concerts featured the world premiere of "Crimson Stain" by Larry Nickel and took place at the Knox United Church in Lower Sackville, Nova Scotia and the First Baptist Church in Halifax, Nova Scotia.

Cram: Upstream

  • MS-5-21, Box 7, Cassette 13
  • Item
  • November 18, 1990

    • Part of Paul Cram fonds

Item is an audio cassette with a recording of a performance by Upstream Ensemble. Listed on the container label are the works "The Staten Island [Ferry] is Orange". 1. Rehearsal; 2. Concert- "Soft Walls"; 1. Concert; 2. Rehearsal.

Cram music

  • MS-5-21, Box 1, Folder 26
  • File
  • [between 1992 and 2009]

    • Part of Paul Cram fonds

File contains the score for "Mail-Order Mantis"; concert, Bb tenor and Eb saxophone parts for John Coltrane's "A Love Upstream/Resolution"; Eb part for "Monk on Time"; Bb score for "Beyond Benghazi"; Bb instrument parts for "Bb Restaurant Redux"; "Free Delivery"; "Silent Movies"; "Telescope"; "Monk on Time"; "Long Distance"; and tenor sax part for "Back of the House."

Counterpoint exercises

File contains miscellaneous counter point exercises composed by Stephen Pedersen, including "Canon for Rosie & Gail with a friend of their Choice."

Corridors of power / Paul Cram

Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.

Corridors of power : [scores]

File contains two spiral-bound scores; one is marked "old" and the other is annotated and marked "new score." The work was commissioned by Canada Council and written for Upstream Orchestra, which premiered it in the fall of 2000. The score is written for voice; flute 1; oboe 1; clarinet; bassoon; trumpet; alto sax; tenor sax; baritone sax; bass clarinet; accordion; piano 1; guitar; electric bass; drums; marimba; timpani; violin 1; violin 2; viola; cello; and contrabass.

Corridors of power : [parts]

File contains parts for Paul Cram's "Corridors of Power," which was commissioned by Canada Council and written for Upstream Orchestra, who premiered it in the fall of 2000. File includes parts for flute; clarinet; bass clarinet; oboe; bassoon; alto sax; viola; cello; piano; and guitar. The composition is written in both traditional musical and graphic notation.

Correspondence with Mark Altman regarding Song for the Mira

File contains correspondence between Budge Wilson and Mark Altman of Morning Music regarding rights to reference "Song for the Mira" in "A Fiddle for Angus." The file also contains a copy of the song, for piano and voice, by Allister MacGillivray.

Correspondence sent to John Daniel Logan

File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.

Correspondence regarding Pit Pony audio book

File contains correspondence with Janet and Joyce Barkhouse about making an audio book version of Pit Pony. The file includes pricing for the book, sales, an agreement, and a photograph of Joyce Barkhouse with the book, and a newspaper clipping. The file also includes correspondence relating to a song by Rosalee Peppard written for Joyce Barkhouse.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

Correspondence from W.H. Greenwood

File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.

Correspondence from R.S. Pigott

File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Correspondence from Minnie Parlow

File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.

Correspondence from Marian MacDowell

File contains three letters from Marian MacDowell to John Daniel Logan. The letters concern her husband's death and work (the American composer and pianist Edward MacDowell) and Logan's poetry. The file also includes a compilation of press notices about a series of lectures that Marian MacDowell gave in 1910 on Edward MacDowell's music.

Correspondence from Kathleen Parlow

File contains two letters from the Canadian violinist Kathleen Parlow concerning reviews of her performances by John Daniel Logan and Logan's poetry. One of the letters (dated April 19, 1912), mentions the sinking of the Titanic in passing. One of the letters originally contained two photographs of Parlow, one for the press and one for Logan.

Parlow, Kathleen

Correspondence from John Burgoyne

File contains a letter from John Burgoyne. The letter includes "A Musical Reminiscence" for consideration for inclusion in John Daniel Logan's column in the Evening Echo (a Halifax newspaper). The reminiscence is about a harp owned by the artist A.T. Barrett.

Correspondence from Hilda Roberts

File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.

Correspondence from Frank S. Welsman

File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.

Welsman, Frank

Correspondence from Edward Broome

File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.

Broome, Edward

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Edna F. Anderson

File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.

Correspondence from Daniel O'Connell

File contains two letters from Daniel O'Connell, the secretary of the Halifax Musicians' Protective Association (American Federation of Musicians, Local 470). The letters concern Logan's invitation and acceptance into the association.

Correspondence from Daniel G. Mason

File contains a letter from Daniel G. Mason of Columbia University concerning a poem that John Daniel Logan submitted for publication in the "New Music Review." The file includes the copy of the poem that Logan submitted, which is on the work of the composer Lowell Mason (1792-1872), Daniel G. Mason's grandfather. The file also includes a manuscript copy of a poem, possibly by Jean Grey, dated June 15, 1913.

Correspondence from Clarence Lucas

File contains five letters from the Canadian composer Clarence Lucas of the Musical Courier Company concerning his and John Daniel Logan's respective writing, music, and research on Canadian music. Two of the letters thank Logan for sending Lucas poems, and one letter mentions their mutual acquaintance W.O. Forsyth.

Lucas, Clarence

Correspondence from Christie MacDonald

File contains one letter and a Christmas card from Christie MacDonald. The letter apologizes for missing John Daniel Logan and his wife when she was in Toronto.

McDonald, Christie

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

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