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Archival Description
Nova Scotia Art--Exhibitions
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Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Orenstein, Henry

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry

D.C. MacKay fonds

  • MS-2-280
  • Fonds
  • 1891-1979
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.

Mackay, D.C.

Henry Orenstein's sketches

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1965-2000
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery.

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2009
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Exclusive memory 7-11-12

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory : Sleeping robot variations

Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 4-9-19

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 5-8-16

Item consists of a video recording that is based on excerpts of a six hour monologue by Sherman with a computer-based video sensing robot, created by the artist for an exhibition.

Sherman, Tom, 1947-

Poster for A Little Taste group exhibition

File contains a poster for an exhibition featuring works by Ryan Arnott, Gary Conway, Michael Fernandes, John Greer, Donald Lindblad, Susanne Paquette, Felicity Redgrave, Roger Savage, and Julia Schmitt-Healy. The exhibition opened Eye Level Gallery's 1977/78 season of exhibitions, performances, and events.

Poster for David MacKenzie's Quick Change exhibition

File contains a poster for Quick Change, an exhibition of photography by David MacKenzie presented at Eye Level Gallery from December 8, 1977 to January 7, 1978. The exhibition featured black and white photographs, sound and a slide show of colour images of people at Peggy's Cove, Nova Scotia.

Exhibition invitations and photographs

File includes photograph of Garry Kennedy exhibition, 'Locating', Ted Ross' 'A Nova Scotia Landscape', and invitations for exhibitions by Stephen Horne, Elizabeth Mackenzie, James MacSwain, W.C. Woods, and Douglas Sharpe
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