Item is a copy of Dal Magazine (Spring 2022), which features spotlight interviews with Dal alumni Brice Scheschuk (BCOMM '94), Jeremy Dutcher (BA '12), partners David Hodgson and Sara Fedullo (BENG '21), William (Bill) Stanish (MD '70), and Marriam Abou-El-Haj; an article about the research project "Home Food Gardening in Response to the COVID-19 Pandemic: Lessons for Food Security Considerations"; and a story about research in music, medicine and neuroscience.
Item is the graphic notation score used by the rhythm section for part 3 of Nasca Lines. The score was used by the drummer for the premiere performance. As the drums are tacet for the first page, this page is not included.
Item consists of the fourth issue of the third volume (likely from May 1993) of Earcandy, a semi-regular publication of CKDU Radio. This issue includes articles on the upcoming Scotia Festival, the wild growth of hip-hop music in Halifax, a profile of R. Murray Schafer, and classical programming at CKDU. Includes articles by Suzanne Brown, Chris Trowbridge, Michael Wile, Steven Slater, Spike Taylor, Laura Borealis, and Deborah Odhiambo.
Item consists of the second issue of the CKDU programming guide/newsletter "Agenda", printed in April 1985. Includes an interview with Steve Scales (ex-Talking Heads), and pieces on Cabaret Voltaire, a mimeo exhibition, and reviews of The Smiths, Van Morrison, and three reggae records.
File contains a transcription of ballads. Includes: "The Frozen Girl," "On the Banks of Newfoundland," "The Worn-Out Sailor," "The Rose of Britons Isle," "The Banks of Brandywine," "The Pride of Glenco," "Sweet Jinny on the Moor," [Untitled], "The Blind Sailor," "The Ship Lady Sherbrooke," "The Cabin Boy," "The Braes of Balquhidder," "The Ramblin' Irishman," "The Desolate Widow," "The Bounty Jumper," "Our Fifer Boy," "The Ghostly Sailors," "The Cumberland," and "Bold Jack Donahue." Includes handwritten annotations by Raddall
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
Item is a transcription to English of the twenty-eighth paragraph in a letter that Richard Wagner wrote to his publisher in 1872. This transcription was presumably sent by William Somerset Maugham to Ellen Ballon with a letter.
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
File contains handwritten copies of various sea chanties collected by Frank Parker Day. Includes "Yankee Ship," "A la Claire Fontaine" (accompanied by musical notation), "Storm Along," "Shenandoah," and other untitled chanties.
Item consists of a five-page, 479-word handwritten manuscript written by David Murray. Item consists of an introductory piece about the career and influences of Frédéric Chopin, written for a radio broadcast introducing the playing of Chopin's Nocturne No. 13 (about "the march of fate crushing a life") and its "direct opposite", Waltz Op. 70, No. 1, "the very essence of gaity [sic] and sprightfulness."
File includes liner notes, recording timing notes, and notes for corrections to the score, all for the recording of Heitor Villa-Lobos' first piano concerto. The liner notes were written by Ralph Gustafson, a friend of Villa-Lobos and Ellen Ballon, to whom the concerto is dedicated and who performed the concerto for its recording in 1948. The concerto was written in Rio de Janeiro in 1945. The file includes directions for transcribing Villa-Lobos' piano concerto from the records of its American premiere in Dallas, Texas with the Dallas Symphony Orchestra, conducted by Antal Dorati.
Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.
Item is an autographed manuscript of the piano part for Heitor Villa Lobos's first piano concerto. File also contains a copy of the autographed manuscript.
Item is one of two copies of the first and second French horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second French horn players.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the fourth French horn players.
Item is the celesta part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The part was copied by Fran Averede. The instrumentation has been crossed out in pencil and re-labelled "harpa" (harp).
Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the first flautists. The parts were copied by Fran Averede.
Item is one of two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second clarinets.
File contains one of two copies of the first and second trumpet parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trumpet players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trombone players.
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