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Archival Description
North America Subseries
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Ronald St. John Macdonald’s correspondence by decades

Subseries contains Ronald St. John Macdonald's correspondence with different individuals, including John Holmes, Paul Martin, Maxwell Cohen, Roland Michener, D.W. Fulford, Donald S. Macdonald, Charles B. Bourne. Christine Boyle, Donald E. Buckingham, David R. Chipman, Innis Christie, H.C. Charles, George F. Curtis, Audrey Davis, L.C. Green, and others, regarding a wide range of subjects.

Women's Health Educational Network

Sub-series consists of materials from the Women's Health Education Network Conference [WHEN] 1989, 1992, 1993, and materials from the WHEN 11th annual conference.

Republic of Cyprus

Subseries consists of Ronald St. John Macdonald's records regarding his consultation work for the Republic of Cyprus. Subseries contains a draft constitution for the Federal Republic of Cyprus, bulletins, newspaper clippings, reports, and other materials.

Morton House property deeds and operating documents

Subseries contains documents relating to the operation of Morton House, a residence and hospice in Halifax operated by CARAS for persons living with HIV/AIDS. Morton House was established in 1988 and closed in the early 2000s.

Macdonald Royal Commission on the Economic Union and Development Prospects for Canada

Subseries contains records created and collected by Gil Winham during his service on the Macdonald Royal Commission, which resulted in a recommendation that Canada enter into a free trade agreement with the United States. Record types include symposium and meeting agendas, minutes and notes; discussion papers; correspondence and memoranda; media releases and bulletins. Of note is a study on Canada-US sectoral trade written by Gil Winham, along with related records.

AIDS Coalition of Nova Scotia [ACNS]

Series contains materials relating to the formation and operations of the AIDS Coalition of Nova Scotia [ACNS], a non-profit advocacy organization for persons living with HIV/AIDS based in Halifax. ACNS was formed in 1996 via the merger of two pre-existing organizations, the Nova Scotia Persons With AIDS Coalition and AIDS Nova Scotia, and still operates today. Materials in subseries include administrative records such as meeting notices, minutes, and agendas; memos and correspondence; planning materials for ACNS events; proposals, research materials, and reference materials; and notes.

AIDS Coalition of Nova Scotia

Nova Scotia Agricultural College development of a 'Training Program in Sustainable Agriculture' at the Universidad Francisco de Paula Santander (Columbia) project records

Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.

Ron O'Dor's student records

Subseries contains records created by Ron O'Dor primarily during his undergraduate studies at the University of California, Berkeley.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.

Brock University : The Rover

Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.
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