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Fonds contains records created and collected primarily by Alexander H. Leighton, with some by Jane Leighton Murphy. Documents span from Leighton's studies at Princeton, Cambridge, and Johns Hopkins univerities, through his government employment in World War II, and his teaching career at Cornell, Dalhousie, and Harvard. The majority of records are related to the 1961 Cornell-Aro Mental Health Research Project and the 1963 Study on the Role of Women, both based in Nigeria, and the Stirling County Study, based in Nova Scotia. Record types include correspondence, manuscripts, grant applications, reports, photographs and slides, medical and academic records, method and guidebooks, reviews, offprints and publications, teaching and course materials, and surveys and interview transcripts.

A sous-fonds contains records documenting the migration of Alexander Leighton's parents from Ireland to the United States and their subsequent life in Philadelphia. The sous-fonds contains extensive correspondence between extended family members over the course of a century, as well as photographs, diaries, wills, family trees, memoirs, and Alexander Leighton's personal correspondence.

File contains press releases and correspondence related to Wendy Lill's career as Dartmouth Member of Parliament.

File also contains a copy of the Fall 1998 issue of the Dartmouth Community Bulletin titled, "Keeping in Touch."

File consists of records pertaining to the 'Art Film' series of screenings presented by the Dalhousie Art Gallery between 1964-1966.

Records consist of program schedules for art films and exhibitions and correspondence between Evelyn Holmes (Acting Curator) and Eric Wessman regarding projection costs.

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.

Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

File consists of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1965-1966 academic period.

Records consist of handwritten scheduling notes, copy of a correspondence between Moncrieff Williamson (Director, Confederation Art Gallery) and Jean-Rene Ostiguy (Director, Exhibition Services, National Gallery of Canada) regarding Atlantic Provinces Art Circuit programming, copy of a notice of the availability of booking Archie F. Key (Field Director, Canadian Museums Association) for a lecture, and a copy of 'The Canadian Art Fraud Case' by Nathan Stolow, reprinted from Canadian Art issue No, 64.

File consists of records related to the planning of lectures connected to the Dalhousie Art Gallery for the 1964-1965 academic year.

Records consist of correspondence of Dr. Mirko Usmiami (Curaotr, Dalhousie art Gallery), press for lectures by Francis Haskell and Helmut Becker, and biographical information and lecture summaries for John Steegman.

File consists of records related to the planning of guest lectures for the 1963-1964 academic period connected to the Dalhousie art Gallery.

Records consist of correspondence between Dr. Mirko Usmiani (Curator, Dalhousie Art Gallery) and Jean-Paul Morriset (Eastern Representative, National Gallery of Canada) regarding having Morisset give a lecture at the gallery, a memo from the Maritime Art Association to all member groups regarding a lecture tour by Morisset, an itinerary for Mr. Lee Johnson, and a letter from A.S Mowat (Professor of Education, Dalhousie University; prior Chairman of the Dalhousie arts Committee) to Usmiami regarding a lecture series presented by Mowat.

File consists of records related tot he planning of guest lectures under the auspice of the National Gallery of Canada by the Dalhousie Art Committee and Gallery.

Records consist mainly of correspondence between Dr. Mirko Usmiami (Curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada. Additional records consist of publicity materials for a lecture by Professor George Swinton (School of Art, University of Manitoba).

File consists of records relating to the organizing of guest lectures presented under the auspice of the National Gallery of Canada by the Dalhousie Arts Committee for the 1961-1962 academic period.

Records consist of publicity materials for a lecture by Mr. John Woodward (Keeper, Birmingham City Museum and Art Gallery), a letter and illustrated instructions for preparation of a lecture given by Professor W. O. Judkins (Chairman, Fine Arts, McGill University), and correspondence between Mirko Usmiami (Chairman, Arts Committee) and staff of the National Gallery of Canada.

File consists of records relating to guest lecture evens planned for the 1960-1961 academic year by the Dalhousie Arts Committee.

Records consist of handwritten notes, accompanying text for a lecture by Robert Rowe, M. A. (Director, Leeds City Art Gallery) including a biography, news release, and public notice. Additional records consist of correspondence between dr. Mirko Usmiami (Chairman, Art Committee, Dalhousie University) and National Gallery of Canada staff, contract agreements, and accompanying texts for a lecture from Professor G. Stephen Vickers, which was cancelled due to poor weather affecting travel.

File consists of records pertaining to the arrangement of guest lectures to be held at Dalhousie under the auspice of the National Gallery of Canada in 1959-1960.

Records consist mainly of correspondence between Mirko Usmiami and representatives of the National Gallery of Canada, including one telegraph. Additional records consist of a receipt, newspaper mat, and unsigned lecture report.