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Reviews of Glace Bay miner's museum

File contains two reviews of the 2013 Neptune Theatre production of Glace Bay Miner's Museum. The reviews are printed versions of online reviews published by The Chronicle Herald on March 2, 2013 and by The Coast on March 7, 2013.

Costume and prop sketches for Glace Bay miner's museum

File contains costume and prop sketches drawn by Sue LePage for the 2012 National Arts Centre production of Glace Bay Miner's Museum. File also includes accompanying handwritten notes from Sue LePage to Mary Vingoe.

Director's notebooks

File contains two director's notebooks with handwritten notes by Mary Vingoe. File also includes three thank you cards from the cast and crew of the 2012 National Arts Centre / 2013 Neptune Theatre production, and a ticket to the March 1, 2013 performance at Neptune Theatre.

Sketches of Margaret and Ian's costumes

File contains two sketches and two handwritten cards by Sue LePage. The sketches depict the costumes of characters Margaret (played by Francine Deschapper) and Ian (played by Jeff Schwager). The sketches were gifts from Sue to Mary Vingoe and Paul Cram.

Brock University : The Rover

Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Botanical drawings

File contains original botanical drawings by Gary Hicks. These drawings are also present in Gary Hicks' textbooks, "Land Plants : A Survey" and "Plant Development".

Goodnight Desdemona (Good morning, Juliet)

File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).

Osler, Stephen

Newspaper cartoons regarding the LGBT community

File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.

Robert Doyle fonds

  • MS-3-18
  • Fonds
  • 1964 - 2019
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.

Doyle, Robert

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

The Impossible Museum fonds

  • Fonds
  • 2018-2020

Fonds contains a selection of documents, drawings, material samples, and images collected by D'Arcy Wilson and Lisa Bouraly during a two-year research project focused on Thomas McCulloch and Andrew Downs. The fonds is part of an exhibition, the "Impossible Museum," curated by Lisa Bouraly and featuring works by D'Arcy Wilson and Amy Malbeuf. The exhibition is presented by Eyelevel Gallery in the Thomas McCulloch Museum in the Dalhousie University Life Sciences Centre from March 5 to April 30, 2020.

Material includes a selection of texts and notes tracing Bouraly's research while preparing the exhibition. These documents were selected by Wilson from Bouraly's collection. Fonds also includes an encapsulated drawing of Thomas McCulloch, material swatches linked to one of the works in the exhibition, scraps and drawings left over from a collage, photographs of works in progress, a copy of the exhibition essay, and other material related to the exhibition. Fonds also includes photocopies of several nineteenth century texts reviewed by Bouraly during her research.

The file box includes a pair of white gloves and a list of materials in the box.

Wilson, D'Arcy

Ellen Ballon fonds

  • MS-5-2
  • Fonds
  • 1725-1972, predominantly 1898-1972
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.

Ballon, Ellen

Henry Orenstein's sketches

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.

Alan Andrews fonds

  • MS-2-710
  • Fonds
  • 1966 - 1997
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.

Andrews, Alan Richard

The Right Honourable George Ramsay. Ninth Earl of Dalhousie. Founder of Dalhousie College : [drawing]

Item is a portrait of Lord Dalhousie copied from an earlier painting; the decorative border framing the drawing is partially rendered on paper and affixed to the illustration board. The drawing was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920), and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).

Photograph of a drawing of Reverend Thomas McCulloch

Item is a glass plate of a drawing of Rev. Thomas McCulloch, D.D. The drawing by Arthur Lismer itself is based on a painting of McCulloch by Daniel Munro. The drawing was commissioned and used for history books on Dalhousie University, like One hundred years of Dalhousie 1818-1918 (1920), and Daniel Cobb Harvey's, An introduction to the history of Dalhousie (1938).

Books and short story anthologies by Budge Wilson

Series consists of research, manuscripts, and drafts of books and short story anthologies written by Budge Wilson. Series also contains some draft illustrations by Budge Wilson and artists with whom she collaborated, including Terry Roscoe, and signed, published copies of her books.

Personal material

Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.

Budge Wilson fonds

  • MS-2-650
  • Fonds
  • 1948-2018
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.

School visits

Series consists of cards, letters, artwork, and stories given to Budge Wilson by children in schools that she visited in her capacity as an author.

The long wait

Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Long Wait," previously titled "The Incredible Wait." Subseries includes Budge Wilson's ideas for illustrations for the book and a typescript of its French translation, "Une Incroyable Attente," translated by Florence Treadwell.

The cat that barked

Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Cat that Barked." Subseries also contains illustrations for the book by Terry Roscoe.

The best/worst Christmas present ever

Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Best/Worst Christmas Present Ever." The book was previously titled "The Gift." Subseries also contains a sketch for an illustration by Terry Roscoe.

Mr. John Bertrand Nijinsky and Charlie

Subseries contains handwritten and typescript drafts of Budge Wilson's children's book "Mr. John Bertrand Nijinsky and Charlie." Subseries also contains a sketch of Mr. John Bertrand Nijinsky by Wilson, which was not used in the published version of the book.
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