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Printed email correspondence between Jessica Kerrin and Sheila Barry regarding The Spotted Dog Last Seen

File contains primarily editorial feedback and personal correspondence with Sheila Barry, who left Kids Can Press in 2012 to join Groundwood Books as co-publisher. There is also production correspondence with various staff at Groundwood Books regarding promotional ideas, design, and copyedits, including Nan Froman, Kate McQuaid, Fred Horler, and Laura Meyer.
Earth songs : [poster]

Earth songs : [poster]

File contains a copy of a poster for a concert by the Halifax Camerata Singers, which took place at St. Patrick's Church in Halifax, Nova Scotia.

Records of the Symphony Nova Scotia

  • MS-5-14.2014.052
  • Accession
  • 2005-2013
This accession consists primarily of meeting minutes and agendas from the Symphony's Board of Directors and its Executive. There are also concert programs, rehearsal schedules, programming records for special events, annual reports and grant applications.

Symphony Nova Scotia

Maritime Telegraph and Telephone Company fonds

  • MS-4-180
  • Fonds
  • 1880 - 2013, predominant 1900 - 2013
Fonds contains records documenting the history and functions of Maritime Telegraph and Telephone Limited. Materials include administrative, financial and personnel records, as well as directories, blueprints, manuals, public relations and advertising materials and photographs.

Maritime Telegraph and Telephone Company Limited

Photographs of the Nova Scotia Mass Choir's Martin Luther King concert

File contains photographs of the Nova Scotia Mass Choir's annual Martin Luther King concert, "Ten Years of Sharing the Dream," on January 19, 2013 in Halifax, Nova Scotia.

Photographs feature choir director Marko Simmonds, Shauntay Grant, Cyndi Cain, Charlie A'Court, Mary Glasgow, Loretta Parsons, Avis Oliver, Jean Vemb, Anthony Adams, Carey Adams, and others.

Educational material related to Advanced Television Workshop

File contains educational material related to the Advanced Television Workshop, a course taught by Sylvia Hamilton at the University of King's College.

Educational material includes a rubric for the case study proposal, lecture notes and class schedules, and calendar pages.

Course reader

File contains the course reader for "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton at the University of King's College.

File also contains a copy of Elizabeth Anderson's article, "Studio D's Imagined Community: From Development (1974) to Realignment (1986-1990)."

Course feedback

File contains feedback forms for the course, "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton in 2013.

Professional correspondence

Series consists of professional correspondence (including letters, telegrams, emails, memoranda, etc) between Alexander Leighton, Dorothea Leighton, and Jane Leighton Murphy and various contacts regarding studies, academic placements, publications, and research.

Photographs of Linda Carvery as a citizenship judge

File contains photographs of Linda Carvery as a citizenship judge on the Canada Day citizenship ceremony in 2013 at the Canadian Museum of Immigration at Pier 21. Photographs also note the birthday of Linda Carvery's mother, Margaret Gordon.

Photographs of Lela Coles performances

File contains photographs of Lela Coles with Wendy Shea and Corey Adams at the "Feel the Love" concert. The concert took place at The Music Room in Halifax, Nova Scotia on June 28, 2013.

The magic order : [score]

Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.

The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.

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