File contains set designs for Neptune Theatre's production of "The Stone Angel," directed by James Roy and designed by Brian Perchaluk. The file includes Perchaluk's original drawings, annotated copies of pages 1 and 2, and a copy of the light design plot by John Munro.
File contains an amendment to chapter 214 news release; clippings; memos; press release in support of including LGBT individuals in the Human Rights Legislation; pink triangle armband; correspondence; calls for donations; a list of individuals and organizations who wrote to MLA's with sending a copy to LGRNS; draft copy of an opinion article for the Halifax Herald; transcripts of an assembly debate; and a submission in respect of the Human Rights Act Bill 136.
File contains one brochure for International Women's Day 1991, various newspaper clippings about Take Back the Night March, opening of a women's centre, and letters to the editor.
File contains set and light designs for Neptune Theatre's production of David French's "1949," directed by A. MacInnes and designed by M. Eagan (set) and J. Stewart (lights).
File contains correspondence and conference materials from the Regional Women's Conference run by the Public Service Alliance of Canada at which Anne Bishop was invited to be a speaker.
File contains set and light rigging designs for Neptune Theatre's production of "Fiddler on the Roof," directed by Linda Moore and designed by J. Cameron.
File contains set designs for Neptune Theatre's production of "Lend me a Tenor," designed by B. Lumsden. File includes a second, annotated copy of the Groundplan.
File contains materials related to A Time for Quiet and Healing, the weekly service and vigil hosted by CARAS for people living with AIDS, their friends, family, and supporters. materials include posters, flyers, programs, sheet music, clippings, and notes.
File contains materials regarding a CARAS survey of churches and religious groups to identify attitudes towards individuals with HIV/AIDS and faith groups' involvement with CARAS or other HIV/AIDS support programs. Materials include the survey report, correspondence, memos, minutes, and notes.
File contains set designs for Neptune Theatre's production of "Cat on a Hot Tin Roof, directed by Brydon MacDonald and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and copies of Bonnie Beecher's lighting plot for the play. The file also contains an annotated copies of pages 1 and 2 of Perchaluk's set design.
File includes correspondence relating to ICOD audits, comments about course descriptions, and information about scholarships to the summer programme, as well as correspondence with the University of Newfoundland, Dalhousie, and the Office of the Minister of External Relations and the Canadian International Development Agency. Correspondents include Carol Amaratunga; Kim N.I. Bell; Linda Brown; Trevor Chandler; Aldo Chircop; Garry Comber; and Gilles Dery. File contains a CV that has not been digitized.
File contains correspondence with Zaleena Ramnoth; Danielle de St. Jorre; Paul Sutherland; and A.D. Tillett. Topics of discussion include United Nations Convention on the Law of the Sea (UNCLoS) ratifications, scholarships, and Allan Farmer's appointment at President of the International Centre for Ocean Development (ICOD).
File contains correspondence with organizations and publications. Correspondents include Sea Technology magazine (and attached is a letter to the editor by Mann Borgese); University of Hawaii at Manoa (regarding the "Staus of Freedom for the Seas" manuscript); W.W. Norton and Company; World Scientific Publishing Company; and the Yolla Bolly Press (regarding "Chairworm and Supershark").
File contains set and light designs for Neptune Theatre's production of "Yankee Notions," directed by James Roy and designed by Pat Flood (set) and Brian Pincott (lights).
File contains set and light designs for Neptune Theatre's production of "Memoir," directed by Linda Moore and designed by Yvonne Sauriol (set) and Nigel Scott (lights). The file includes Scott's original drawing for the light design, master copies of Sauriol' set design, and annotated copies of the set designs used by stage management.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File contains original and annotated copies of set and light plot designs for Neptune Theatre's studio production of "Anger in Ernest and Ernestine," directed by Leah Cherniak and designed by Nigel Scott.
File contains set designs for Neptune Theatre's 1992 production of "A Christmas Carol," directed by Paula Dankert and designed by J. Cameron. The file includes Cameron's original drawings and some annotated copies. *Note: Pages 28 & 29 are not scanned.
File contains set designs for Neptune Theatre's production of "The Winslow Boy," directed by Linda Moore and designed by Nigel Scott. The file includes Scott's original drawings and a copy of the lighting plot, also by Scott.
File contains correspondence. Correspondents include the Permanent Ambassador of Jamaica to the United Nations Lucille Mair (attached is a copy of the G-77 Draft Paper); Ambassador Don Mills; Claude Morel (Ministry of the Environment, Economic Planning and External Relations for Seychelles) ; Satya Nandan (attached is a statement by Elisabeth Mann Borgese to the United Nation's Commission for Sustainable Development), Professor Kaldone Nweihed (sent with a list of countries that have ratified the United Nations Convention on the Law of the Sea); Chinese Premier Li Peng; M.C.W. (Chris) Pinto; Steve Polansky; Senator Claiborne Pell (sent with the non-paper: "Agreement on the Implementation of Part XI and Annexes III and IV of the United Nations Convention on the Law of the Sea"); and Jan Pronk.
File contains correspondence, notes, and associated reports regarding the United Nations Coference on Environment and Development (UNCED) and the Preparatory Committee of UNCED (PrepCom), Pacem in Maribus XIX (19), and the 1992 Rio Conference.
File contains correspondence. Correspondents include Lithuanian Deputy Minister A. Kisonas, and Presidential Adviser Saulius Kolyta, on a possible visit of Elisabeth Mann Borgese to Lithuania to disucss ratification of the United Nations Convention on the Law of the Sea; University of Zagreb law professor Budislav Vukas; and Judge Abdul Koroma (attached is a copy of the G-77 Draft Paper, on an interim regime for seabed mining). File contains a duplicate copy of a letter, which has not been digitized.
File contains set designs for Neptune Theatre's production of "Dancing at Loughnasa," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and copies of the lighting plot by Bonnie Beecher. The file also contains an annotated copy of the first page of Perchaluk's set design.
File contains set and light designs for Neptune Theatre's production of "Alice" (i.e., "Alice in Wonderland," by Lewis Carroll), directed by P. Dankert and designed by B. Lumsden.
File contains correspondence. Correspondents include Dr. T. Eitel, Member of Parliament Charles Caccia (includes a press release from his office), Richard C. Caruana (on ratification of the United Nations Convention on the Law of the Sea), The Right Honourable Joe Clark (Secretary of State for External Affairs), Harlan Cleveland (on the boat paper, and the reasons it must be resisted), law professor Thomas A. Clingan, Professor Umberto Columbo, Guido De Marco (Maltese Deputy Prime Minister and Minister of Foreign Affairs), Indonesian Ambassador Hasjim Djalal (on the non-paper, and the need to establish a sea-bed mining authority immediately), and Akiko Domoto. Also includes a draft paper by the Group of 77 ("Agreement on the Establishment of an Interim Regime from the Coming into Force of the Convention to the Time when Commerical Seabed Mining Becomes Economically and Ecologically Feasible").
File contains correspondence. Correspondents include Valerie Facey; Carl-August Fleischhauer, Legal Counsel to the United Nations Secretariat (and address Part XI of the Convention,); Patrik Garnier (attached is an editorial Elisabeth Mann Borgese wrote for the "New York Times" on the Convention); Mate Granić (Croatian Minister of Foreign Affairs), which deal with the reasons for Croatia to ratify the Convention; Tom Harris; Bohdan Hawrylyshyn; Louis Henkin; and Charles Higginson of the Council on Ocean Law. See MS-2-744, Box 274, Folder 3 and MS-2-744, Box 279, Folder 8 for additional correspondence with the Council on Ocean Law.
File contains set designs for Neptune Theatre's production of "The Little Shop of Horrors," directed by Alan MacGuinnes and designed by Patrick Clark. The file includes Clark's original drawings, a coloured annotated copy of the ground plan and an annotated copy of the Masking Elevators.
File contains set designs for Neptune Theatre's production of "Fire," directed by Bryden MacDonald and designed by Stephen Osler (set) and Brian Pincott (lights). The file includes original drawings and annotated copies.
File contains correspondence with various individuals. Correspondents include Najeeb Al Nuimi (Legal Advisor to the Crown Prince on Qatar), which discuss Pacem in Maribus XXI, and the Secretary-General's consultations on the Law of the Sea, and attached is a paper by Mann Borgese: "Making the Convention 'Universally Accepatble';" Lennox Ballah of the Institute of Marine Affairs (attached is a copy of the Nonpaper); W. Balzan (personal assistant to Guido De Marco); Paul Berenger, Minister of Foreign Affairs for Mauritius; Martin Blakeway (who wrote to the Prince of Tonga about raitification of the United Nations Convention on the Law of the Sea); United Nations Secretary General Boutros Boutros-Ghali, which advocate turing the Preparatory Commission into an Interim Authority, in light of the "boat paper; and Salvino Busuttil on Malta's failure to announce ratification of the convention.
File includes correspondence with: Kenneth Rattray (Ministry of Foreign Affairs, Jamaica); Ivo Sanander (Deputy Foreign Minister, Croatia); Alfred Sereki (Minister of Foreign Affairs, Albania); Indian Ambassador Bhagwat Singh; Indian Minister Manmohan Singh; Ambassador to the United Nations Danielle de St. Jorre; John R. Stevenson; and Keith Suter. Mainly discussed is the "Boat Paper" and the responding Koroma non-paper (written in part by Judge Koroma and Mann Borgese).
File contains correspondence with: Anton Vratusa of the ICPE (International Center for Public Enterprise in Developing Countries) on adovating for ratification of the United Nations Convention on the Law of the Sea (UNCLoS); Lojze Peterle (Slovenian Deputy Minister and Minister of Foreign Affairs, letter contains an appeal from Mann Borgese on why UNCLoS is important to Slovenia); Mark Wood (a journalist at "The Malta Independent"); Layachi Yaker (mainly on the Secreatary General Consultations, the boat paper, and the non-paper); and Günther Zade of the World Maritime University (the International Ocean Institute held a training programme with them in 1992).
File contains a copy of Brian Pincott's light design for the Neptune Theatre studio production of "Caveman Rainbow and House," which opened October 19, 1993 at the Sir James Dunn Theatre.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Charlotte's Web," directed by J. White and designed by D. Poultney. The file include Stage Management's annotated copy and a copy of the light plot design by Brian Pincott.
File contains correspondence with Dr. Umberto Colombo, an Italian scientist and politician. Main topic of discussion was Professor Colombo joining the Independent World Commission on the Oceans (IWCO).
File contains correspondence with Nobuhiro Habuto, the Deputy Director of the Foreign News Department, NHK (on Part XI of the United Nations Convention on the Law of the Sea, and ocean-mining), correspondence with and Guyana Ambassador to the United Nations Samuel R. Insanally (also on Part XI). All correspondence is outgoing only.
File contains correspondence with Japanese Member of Parliament Yuzuru Shimazaki (on the implementation of Part XI of the United Nations Convention of the Law on the Law of the Sea), Keith Suter, Danielle de St. Jorre (on problems with the Secretary-General's Consultations on the Law of the Sea), Margaret Wood of the International Ocean Institute (IOI), and Layachi Yaker (the letter to Yaker is missing a page).
File also contains a brochure for the 1991 Women's Health Education Network (WHEN) conference and an information sheet for the ninth annual Wild Womyn's Weekend (1991).
File contains original set designs and a copy of the light plot design for Neptune Theatre's studio production of "Young Triffie's Been Made Away With," directed by Mary Walsh and designed by Stephen Osler (set) and Michael Fuller (lights).
File contains correspondence with Elizabeth Dowdeswell, the Executive Director of UNEP (United Nations Environment Programme). Topics of discussion include an invitation to join the Independent World Commission on the Oceans (IWCO), which Dowdeswell declined.
File contains correspondence with the following: Judge Abdul Koroma (on the boat paper, and attachments: A speech on that paper, the "Anderson Paper," a "Draft Resolution for Adoption by the General Assembly," an "Agreement Relating to the Implementation of Part XI of the 1982 United Nations Convention on the Law of the Sea"); Ambassador Ramtane Lamamara (outgoing only, on the need to rally Group 77 countries on ratifying the United Nations Convention on the Law of the Sea); Patricia Lewis; and Dr. Luis Preval (on Part XI of the United Nations Convention on the Law of the Sea).
