File contains correspondence. Correspondents include the Permanent Ambassador of Jamaica to the United Nations Lucille Mair (attached is a copy of the G-77 Draft Paper); Ambassador Don Mills; Claude Morel (Ministry of the Environment, Economic Planning and External Relations for Seychelles) ; Satya Nandan (attached is a statement by Elisabeth Mann Borgese to the United Nation's Commission for Sustainable Development), Professor Kaldone Nweihed (sent with a list of countries that have ratified the United Nations Convention on the Law of the Sea); Chinese Premier Li Peng; M.C.W. (Chris) Pinto; Steve Polansky; Senator Claiborne Pell (sent with the non-paper: "Agreement on the Implementation of Part XI and Annexes III and IV of the United Nations Convention on the Law of the Sea"); and Jan Pronk.
File contains set designs for Neptune Theatre's production of "Man of La Mancha," directed by Tom Kerr and designed by Ted Roberts. File also contains copies of the costume and prop designs for this production.
File includes correspondence between Marjorie Boyd and Garry Conway, a price list, two versions of the exhibition flyer, and a brochure with information about Boyd and her previous exhibitions.
File contains two copies of "Mater Coronata," a poem written by John Daniel Logan "commemorating the founder, preceptors, scholars, and heroes of the University of Dalhousie College." It was recited at the reunion of the alumni on August 21, 1924 and published by the Alumni Association. One of the copies is inscribed to "Captain John S. Roper, B.A., M.A., LL.B., M.C." with a poem from Logan.
File contains set and light designs for Neptune Theatre's production of "Memoir," directed by Linda Moore and designed by Yvonne Sauriol (set) and Nigel Scott (lights). The file includes Scott's original drawing for the light design, master copies of Sauriol' set design, and annotated copies of the set designs used by stage management.
File contains set and light designs for Neptune Theatre's production of "Memories of You," directed by Linda Moore with designs by Stephen Osler (set) and Bonnie Beecher (light).
File contains original set design drawings and a copy of the light plot design for Neptune Theatre's production of "Mesa," directed by Charlie Rhindress and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains correspondence with Fred Warner Neal, Patti Hagan, and Rosemarie Noris, some of which concerns the death of Elisabeth Mann Borgese's mother.
File contains the original set designs for Neptune Theatre's production of "Much Ado about Nothing," directed by Denise Coffey with set designs by Robert Doyle.
File contains the original set designs for Neptune Theatre's production of "Narnia," directed by Jennette White and designed by D'Arcy Poultney. The file also includes the light plot design by Philip Cygan.
File contains an amendment to chapter 214 news release; clippings; memos; press release in support of including LGBT individuals in the Human Rights Legislation; pink triangle armband; correspondence; calls for donations; a list of individuals and organizations who wrote to MLA's with sending a copy to LGRNS; draft copy of an opinion article for the Halifax Herald; transcripts of an assembly debate; and a submission in respect of the Human Rights Act Bill 136.
File contains one brochure for International Women's Day 1991, various newspaper clippings about Take Back the Night March, opening of a women's centre, and letters to the editor.
File contains the set designs for Neptune Theatre's production of "Night of the Iguana," directed by John Neville with drawings by Phillip Silver and S. LePage.
File contains set designs and the light plot for Neptune Theatre's production of "No Great Mischief," directed by Richard Rose and designed by Charlotte Dean (set) and Graeme Thomson (lights).
File contains original set designs for Neptune Theatre's production of "Nunsense," directed by Cliff LeJeune and designed by Brock Lumsden. Scott Miller was the technical director. The file also includes original and copies of prop designs by Lumsden for the production.
File contains correspondence with Department of Finance and Treasury Board of Canada, Government of Canada Privy Council Office, and the Canadian International Development Agency. Correspondents include Karen O'Brien; Douglas Patriquin (attached are government documents); C.G. Penney; Nicholas Polunin (attached are EMB's comments on an editorial); George Post (attached are government documents); Francois Pouliot; Victor Prescott; Sharon Proctor.
File contains set designs for Neptune Theatre's production of "Olde Charlie Farquharson's Son," directed by Frank Peppiatt and designed by Mark Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains the original set design for Neptune Theatre's school tour productions of "Once upon a time" and "Windigo." The productions were directed by B. Carr and J. Neville and designed by L. Preston.
File contains set and light designs for Neptune Theatre's production of "Our Country's Good," directed by Joe Dowling and designed by Pat Flood (set) and L. Guinard (lights).
File contains original set and prop designs for Neptune Theatre's production of "Our Town," directed by Linda Moore and designed by Brian Perchaluk. The file also contains annotated copies of the light plot designs by Paul Mathieson.
File contains correspondence with A. Papadopoulos, Renate Platzoder, and Ambassador Arpad Prandler of Hungary. Correspondence concerns the International Ocean Institute (IOI)'s training programme, Pacem in Maribus, and other topics.
File includes press release, correspondence, postcard invitation to Peggy's Cove, the first group exhibition held at Eye Level Gallery from November 30 - December 18, 1974.
Item is a photograph of someone in the control room at CKDU Radio in Halifax, Nova Scotia. The photograph was taken by Tom Mooney for the Dalhousie University Photography Department. The photograph appeared in University News, Volume 6, Number 5, published on October 31, 1975. File also contains an index card with information about the photograph.
File contains original set designs for Neptune Theatre's production of "Plaid Tidings," directed by David Connolly and designed by D'Arcy Morris-Poultney.
File contains 3 pages of blueline prints of floor plans for a library at Dalhousie University, drawn by C.D. Davison & Company, the architectural firm that designed Dalhousie's Student Union Building in 1967. Undated and stamped "preliminary," the plans indicate a library with three floors. The drawings for floors 2 and 3 are annotated with potential seating and/or stack capacity for social sciences, humanities, rare books, graduate students, research and audio visual users, as well as conceptual drawings of study carrels and audio visual booths.
File contains set designs for Neptune Theatre's production of "Present Laughter," directed by Tom Kerr with designs by Jim Guedo. The file includes Guedo's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Private Lives," directed by John Neville and Don Allison with set designs by Art Penson. The file includes original drawings and annotated copies of the originals.
File contains two copies of the program from the formal opening and naming ceremony of Eliza Ritchie Hall at Dalhousie University. The program contains a biography of Eliza Ritchie and a program for the ceremony.
File comprises a set of plans for the second, third, fourth and fifth floors of the Killam Library, mounted on presentation board with acetate overlays indicating space usages by reference to an unknown key-plan that includes numbers 1-11.
File contains correspondence with the "Quarterly Review of Biology," Joyce Rosner, Mr. Ronning, and Plenum Publishing Corporation (the latter referring to pictures for inclusion in "The Mines of Neptune").
File contains documents related to questions about federal funding for higher education asked by Samuel Balcom in the Canadian House of Parliament in 1955 when Balcom was a member of Parliament. Balcom asked a series of questions about educational grants to Nova Scotia institutions and received information about the distribution of funding across Canada. The file contains published accounts of parliamentary proceedings in March 1955 and associated correspondence between Balcom and other persons, such as J.D., McLean, Dean of the Dalhousie Faculty of Dentistry, and Watson Kirkconnell, President of Acadia University in Wolfville, Nova Scotia.
Correspondence concerns the IWCO Study Group on the Economic Uses of the Ocean, of which Elisabeth Mann Borgese was a member. Correspondents include Mario Ruivo, and Mario Soares.
File includes correspondence with: Kenneth Rattray (Ministry of Foreign Affairs, Jamaica); Ivo Sanander (Deputy Foreign Minister, Croatia); Alfred Sereki (Minister of Foreign Affairs, Albania); Indian Ambassador Bhagwat Singh; Indian Minister Manmohan Singh; Ambassador to the United Nations Danielle de St. Jorre; John R. Stevenson; and Keith Suter. Mainly discussed is the "Boat Paper" and the responding Koroma non-paper (written in part by Judge Koroma and Mann Borgese).
File contains correspondence with Zaleena Ramnoth; Danielle de St. Jorre; Paul Sutherland; and A.D. Tillett. Topics of discussion include United Nations Convention on the Law of the Sea (UNCLoS) ratifications, scholarships, and Allan Farmer's appointment at President of the International Centre for Ocean Development (ICOD).
File contains correspondence with Dimitri Rebekoff, John Schaffner, University of Chicago Press, Phie van Ettinger. Also includes a Rebekoff Institute notice, advertising courses at the Institute.
File contains correspondence with Jeremy Rifkin (Peoples Business Commission), Dale Riehli (on the television adaption of "The Drama of the Oceans"), and W. Riphagen.
File contains correspondence with Berudt Richter, Jacques Rougeru (of the Centre d'Architecture de la Mer et de l'Espace), Don Reed, Ruder and Finn, and Ruth Ross. Topics of discussion include Borgese's "The Drama of the Oceans," the International Ocean Institute (IOI), and a speech Borgese gave at the Henry Salvator Center (which includes a transcript, with handwritten annotations and corrections by Borgese).
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
