File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.
File contains drafts of program notes by Anthony Pugh about compositions by Cesar Franck. The file also includes a program for a concert by the Duo Pach (Joseph and Arlene Nimmons Pach), Paul Campbell, Jutta Puchhammer, Paul Pulford, and Heather Toews at the University of New Brunswick, presented by the UNB and Saint Thomas University Creative Arts committee. The program includes program notes by Anthony Pugh.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
File contains drafts of program notes and research research notes by Anthony Pugh on the music of Claude Debussy. The file includes a detailed written analysis of his opera "Pelléas et Mélisande."
File contains drafts of program notes and research collected by Anthony Pugh (including programs) concerning music by the following composers: Ditters von Dittersdorf, Ernst von Dohnanyi, Franco Donatoni, Paul Dukas, Manuel de Falla, Benjamin Frankel, and Vincent d'Indy.
File contains drafts of program notes and research by Anthony Pugh concerning music by Frederic Chopin. The file includes the booklet from a record of Chopin's Waltzes by Arthur Rubenstein, presumably used by Pugh in his research, and a partial program from a concert at the University of New Brunswick as part of the annual Walter Baker concert series.
File contains drafts of program notes by Anthony Pugh concerning music by Anton Bruckner. The file also includes a program from a performance by the Orchestre Philharmonique de Radio France (April 2, 1999) which featured Bruckner's "Te Deum" and Symphonie no. 9 (program notes by Violaine Anger).
File contains research notes, newspaper clippings, and drafts of program notes by Anthony Pugh concerning the music of Benjamin Britten. The file includes programs collected by Pugh for his research and programs that he contributed to. The file also includes the libretto from "Saint Nicholas: A Cantata."
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.
File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.
File contains research and drafts of program notes by Anthony Pugh on Antonin Dvorak. The file includes a translation of the text from The Noon Witch (Polednice), op. 10 by "F." (possibly one of Pugh's students), with a short note addressed to "Prof. Pugh."
File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.
File contains drafts of program notes and research notes for concerts containing concertos by Ludwig van Beethoven. The file also includes two pages of handwritten notes on Hector Berlioz's Symphonie Fantastique, edited by Nicholas Temperley.
File contains program notes and programs for concerts containing music by Ludwig van Beethoven, including piano trios, piano quartets, piano sonatas, violin sonatas, string quartets, and symphonies. The file includes programs for performances by the Brunswick String Quartet and Vladimir Levtov (piano), which were presented by the University of New Brunswick and Saint Thomas University Creative Arts Committee.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University. The file also includes a program for a piano concert by Valerie Tryon (February 19, 1975) at The Fredericton Playhouse, presented by the Creative Arts Committee, which included Beethoven's Sonata in A major, op. 101.
File contains program notes and programs for a series of concerts by the Brunswick String Quartet, resident musicians at the University of New Brunswick. The concerts featured Ludwig van Beethoven's string quartets and were presented by the Creative Arts Committee of UNB and Saint Thomas University.
File contains drafts of program notes and research notes for concerts containing music by Bela Bartok. The file includes excerpts from Bartok's Solo Violin Sonata No. 1 (op. 21) and his String Quartet no. 1 (op. 7), handwritten by Anthony Pugh as part of his research and included in the program notes.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file includes programs for performances at Schade's Restaurant (Fredericton, New Brunswick) and Christ Church Cathedral (Fredericton, organ works performed by Jeffrey Campbell). The file also includes Pugh's ticket to a concert by Quartetto Gelato, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas (March 27, 1994).
File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."
File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including cello sonatas, string trios, piano sonatas, piano quartets, violin sonatas, string quartets, and symphonies. The file also contains programs (with notes by Anthony Pugh) for performances by the Brunswick String Quartet with Douglas McNabney (viola) at Memorial Hall, University of New Brunswick (April 22, 1987); by the Atlantic Symphony Orchestra at The Fredericton Playhouse; and The Duo Pach (Joseph and Arlene Nimmons Pach) at Memorial Hall, UNB (February 1985).
File contains drafts of program notes pertaining to the following composers: Hugo Alfvén, Juan Crisostomo de Arriaga, Benjamin Britten, Bela Bartok, Aaron Copland, Ernest Chausson, Arcangelo Corelli, and Jean Coulthard. The file also includes a copy of a newspaper article on Carl Czerny and a copy of a magazine article on Charles-Valentin Alkan (both used in Pugh's research).
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.
Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.
Subseries contains autographs of musicians, some of which are on concert programs. These concert programs also frequently contain annotations by J.D. Logan about the music performed. Most of the autographs would have been obtained from the musician directly by John Daniel Logan, with the exception of the autograph of the American pianist and composer Louis Morceau Gottschalk (1829-1869) and that of the French operatic soprano Marie Rôze Mapleson (1846-1926).
Subseries contains programs from concerts that John Daniel Logan attended in Nova Scotia, predominantly at venues in Halifax. Many of the programs include annotations by Logan.
Subseries contains programs from concerts that John Daniel Logan attended in Canada, excluding Nova Scotia, predominantly at venues in Toronto and Montreal. Many of the programs include annotations by Logan.
Subseries contains programs from concerts that John Daniel Logan outside of Canada, predominantly at venues in the United States and the United Kingdom. Many of the programs include annotations by Logan.
Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.
Series contains programs, advertisements, and reviews for concerts by the Halifax Camerata Singers, sometimes in collaboration with other musicians and ensembles.
Series contains programs from concerts and theatre productions that John Daniel Logan attended. Most of the programs are from Halifax groups, but others include operatic and orchestral performances in Montreal, Ottawa, Toronto, London, New York, and Boston. Series also includes pamphlets about various performers.
