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Documentary films English
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Sylvia Hamilton fonds

  • MS-2-833
  • Fonds
  • 2002-2019

Fonds consists of textual records related to Sylvia Hamilton and her academic career as an instructor at Mount Saint Vincent University, Acadia University, and the University of King’s College.

Textual records include correspondence and records related to her service and committee work, and educational material related to “The Journalist as Documentarian,” “Canadian History on Film,” "Through Her Eyes: Women and Documentary Filmmaking,” “Through Her Eyes: Women and the Documentary Tradition,” “Crossing Boundaries: An Interdisciplinary Cross-Cultural Approach to Telling Women’s Lives,” and “Advanced Television Workshop" courses.

Hamilton, Sylvia D.

Educational material related to class eight

File contains documents related to the eighth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.

Documents include notes and presentation slides related to documentary filmmaker, Donald Brittain.

Educational material related to class twelve

File contains documents related to the twelfth class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.

Documents include printed articles from the Centre for Media and Social Impact, lecture notes, presentation slides, class schedules, and handouts for the "Advanced Television Workshop."

Background material on films

File contains documents related to "The Journalist as Documentarian" course taught by Sylvia Hamilton at the University of King's College.

Documents include handwritten course notes, background information on documentary films, and a Toronto Star newspaper clipping.

Preparation material

File contains preparation material related to "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.

Documents include class announcements, a documentary list for the case study analysis assignment, a copy of the course syllabus, and a calendar of events.

Class eight

File contains educational material related to class eight of the course, "Through Her Eyes: Women and Documentary Filmmaking," taught by Sylvia Hamilton at Mount Saint Vincent University.

Documents include printed Novanet records for class materials, a copy of the article, "The Political Aesthetics of the Feminist Documentary Film" by Julia Lesage, and material related to filmmakers, Linda O'Hama and Catherine Martin.

Course syllabus and correspondence

File contains educational material related to the course, "Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Documents include copies of the course syllabus and email correspondence.

Class four

File contains documents related to class four of the course, "Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Documents include a class agenda and notes on Beryl Fox and Barbara Trent.

Class nine

File contains documents related to class nine of the course, "Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Documents include a class schedule and notes on the documentary film, "Richard Cardinal: Cry from a Diary of a Metis Child," directed by Alanis Obomsawin.

Class eleven

Item is a schedule related to class eleven of the course, "Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Course outline and screening schedule

File contains educational material related to the course, "Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Educational material includes course outlines, a documentary film screening schedule, and discussion questions for the documentary film, "Harlan County, USA."

Educational material related to Women and the Documentary Tradition course

File contains educational material related to the course, "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton at the University of King's College.

Educational material includes a course syllabus, annotated course outlines, lecture and presentation notes, and tips on shooting with a camera.

Course reader

File contains the course reader for "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton at the University of King's College.

File also contains a copy of Elizabeth Anderson's article, "Studio D's Imagined Community: From Development (1974) to Realignment (1986-1990)."

Educational material related to Women and the Documentary Tradition course

File contains educational material related to class three of the course, "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton in 2010 and 2011.

Educational material includes lecture notes, annotated presentation slides, notes on the documentary film "Harlan County, USA," and class plans.

Educational material related to Women and the Documentary Tradition course

File contains educational material related to the course, "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton at Mount Saint Vincent University.

Educational material includes a course syllabus and lecture notes for class one, class three, and class four. File also includes presentation slides on the documentary film "Union Maids" and Novanet records.

Course feedback

File contains feedback forms for the course, "Through Her Eyes: Women and the Documentary Tradition," taught by Sylvia Hamilton in 2013.

Neal Livingston

Item is a poster for film screening of interim sketches of a year of posterity, budworks, the beach of the ditch and Aura-gone, held on May 10, 1979, at Eye Level Gallery.

imX Communications Inc. fonds

  • MS-3-40
  • Fonds
  • 1985-2009

Fonds consists of records regarding imX’s corporate operations, productions, and other projects between 1985 and 2008. Corporate operations include imX Communications and its subsidiary companies: ImageX, Helix Animation, and North/Northeast Ventures. Film productions include theatrical full-length or short films, including documentaries. Television productions include made-for-television movies and documentaries, stand-alone productions, and series. Animated productions include feature length, television series, and shorts.

This fonds comprises ninety-four series which are arranged alphabetically by the name of the corporate entity, production, and project. Textual files contain a wide range of documents including scripts, call sheets and daily production reports, funding applications, cast and crew employment contracts, notes on location scouting, co-production agreements, marketing plans, budgets, music cue sheets, insurance coverage, and correspondence. Electronic mail (4.57 GB) downloaded from the e-mail server at imX corporate headquarters in Halifax contains 32,134 individual messages in 1,054 folders covering all aspects of corporate operations and business transactions. There are also 23,368 electronic files (15.6GB) that support the activities of imX, imageX, and Helix Animation documents in use between 1990 and 2008. Together with the text files, they represent a complete record of the activities of imX Communications and its affiliates.

Most corporate records have been retained in order to provide a full picture of what it is like to run a film production company in Nova Scotia. In addition, the records for three feature film productions, The Divine Ryans, Margaret’s Museum, and Love and Death on Long Island, have also been fully retained. 134 linear feet of textual material was not retained.

imX Communications.

Explaining art

Item is a set of two videos that documents a multi-media performance. In the performance, Clive Robertson dresses as Joseph Beuys while reading the news.

Robertson, Clive, 1946-

Halifax Independent Producers series (4 of 5)

Item consist of two video works created in 1984 : Tall Ships by Dan Lander; Drift by David Clark. Video was produced through the Centre for Art Tapes. Videos part of Halifax Independent Producers series (4 of 5). Tall Ships investigates the role of TV media on the way we perceive everyday occurrences. Drift is an experimental tape full of cliches.

Lander, Dan

Cabaret up front

Item is a video work created in 1984 of a night performance at Dartmouth’s Treasure Cove Lounge. Camera by Liz MacDougall, sound David Barteaux and editing by Dan Lander. Documented with a single shot, not always the most ideal conditions, and roughly edited, the overall look of the event is nonetheless quite good.

Lander, Dan

Dinner

Item is a video work created by Dean Brousseau in 1984. Dinner is an experimental documentary using a universal family event as its focus.Framed in snap-shot style, the video seems to arbitrarily “crop off” the participants, saving anonymity. This tape allows the viewer to concentrate on details of inpromptu etiquette and casual conversation around the dinner table, until, in the end, as with any family event, the camera is brought out to take pictures. On the cue “okay, smile!” the photographs taken are tossed one by one into the video frame, revealing at last the dinner participants in fuzzy Polaroids.

Brousseau, Dean

Growing together

Item is a video created by Regent’s Park Sole Mothers Association. The video documents a meeting of the Regent’s Park Sole Mothers Association, a group of largely low income women trying to create a sense of community spirit in their area of Toronto.

The airlift is phase I

Item is a video work created by Liz MacDougall and Brenda Conroy. The videos contents examines the Southern Ethiopian famine caused by drought. The video documents the implementation of an emergency air lift supply program initiated by the World University Services of Canada. Through interviews with individuals we are presented with an overview of Canadian aid to Ethiopia. The tape demonstrates the effectiveness that concerned people can have through organization, and ends with a plea for more help.

MacDougall, Liz

Out of the centre

Item consists of a video recording produced by Halifax Cable, directed by Cathy Busby, edited by Steve O'Keefe and cable produced by Jim McInnis. The video features interviews with Joe Blades, Ann Vayall, Steve O'Keefe, Chris Words and Chris Callaghan.

Busby, Cathy, 1958-

Gunning the economy

Item consists of a video recording by Kathleen Flanagan entitled "Gunning the Economy". The video offers a brief socio-economic analysis of the structure of arms production and consumption as it relates to Nova Scotia and underdeveloped nations.

Untitled

Item consists of a video recording by Michelle Irving that features "1. Performance video 1998, 2. Performance video 1997, 3. 3rd Floor Closet Inst. 1998, 4. Closet Inst. 1997".

Irving, Michelle

Braindamadj’d: Take II

Item consists of a video recording entitled "Braindamadj’d: Take II". The description accompanying the video states: "Paul Nadler, a creative force in the Montreal television industry, suffers a brain injury and is found naked, on the verge of death, on a roadside in Egypt. This film traces the excruciating process of Nadler’s recovery."

Breaking the cycle

Item consists of a video recording by Sobaz Benajmin entitled "Breaking the Cycle". North Preston boasts some of the most gifted singers in Atlantic Canada, if not in Canada. Yet few have been able to capture the international limelight. In this short documentary, it showcases some of the performers from North Preston, the oldest indigenous black community in Canada, who are working to break this cycle. This project was an outreach project organized by Moving Images Group in collaboration with CFAT. The aim was to bring video production to a community. The project was written, shot and directed collectively.

Benjamin, Sobaz

Networking cabaret, tape 1 and 2

Item consists of a video recording by the Centre for Art Tapes of their "Networking Cabaret". The video features the set-up and preparation for the event, the performances of the cabaret, backstage footage and after-party.

Drug warriors

Item consists of a video recording by Connie Littlefield entitled "Drug Warriors". The video is a trailer for a proposed documentary which was eventually funded by the National Film Board, and the trailer was created on a CFAT scholarship.

Littlefield, Connie

Correspondence between Movie Makers magazine and Alexander Leighton

File contains a series of letters between Arthur Gale and Alexander Leighton regarding his film "Porpoise Oil." The correspondence includes an announcement of its inclusion as an Honorable Mention by Movie Makers staff in the selection of the Ten Best Non-theatrical Films of 1937, as well as letters about an article Gale commissioned from Leighton about the making of his film. There is also correspondence from 1941 with James Moore at The Amateur Cinema League regarding Alexander Leighton's possible submission of his film about Navajo life, "Work for your Own," for a contest in the Special Class.

The journalist as documentarian

File contains records related to Sylvia Hamilton's course, "JOUR 3662.01: The Journalist as Documentarian," at the University of King's College in Halifax, Nova Scotia.

Educational material related to class two

File contains records related to the second class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.

Records include presentation notes, lecture materials, printed news articles, handwritten notes, class agendas, and annotated copies of presentation slides.

Educational material related to class three

File contains records related to the third class of Sylvia Hamilton's course, "The Journalist as Documentarian," at the University of King's College.

Documents include discussion questions related to the documentary films, "Harlan County, USA" and "Westray," lecture notes, and copies of presentation slides.

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