File contains an annotated manuscript of handwritten and typed pages and a photocopied newspaper article about a ceremony marking the 68th anniversary of the landing of the Handley-Page in Parrsboro.
File contains a draft of Mary Vingoe and Michael Fuller's first play for Ship’s Company Theatre, which was staged aboard the old and dilapidated ferry vessel.
File contains a play script written by Mary Vingoe for Nightwood Theatre's 1980-1981 season; she also played the role of Catherine. File also contains two copies of a press release about the production.
File contains Mary Vingoe's annotated director's script, production notes, lighting cue sheets, production and rehearsal schedules, contact lists, memos, costume designs and a program.
File contains two manuscripts, a synopsis marked "old," handwritten notes, and a copy of a gallery map for Maria Loboda's 15 October 2016 - 2 January 2017 art exhibit "Some weep, some blow flutes."
Subseries contains records created and collected by Mary Vingoe in the course of directing Forerunner Playwrights Theatre's production of Bev Brett's play Out the Meadow, performed at Bus Stop Theatre in Halifax.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.
This fonds consists of records regarding the administration, membership, and productions of the Upstart Theatre Company. Types of records include press releases, press clippings, and other promotional materials, photographs, financial material, meeting minutes, reports, scripts, among others.
Item is a heavily annotated copy of The Wooden World, by Gavin Douglas, which was produced by Neptune Theatre in its fourth (1967) season. The script is missing a title page and begins on page 2.
Item is a copy of The Wooden World, by Gavin Douglas, which was produced by Neptune Theatre in its fourth (1967) season. The script is heavily annotated with its pages reordered.
File contains four manuscripts, notes and a chronology outlining the evolution of the play script, which was originally written for radio as "The One Hundred Year Old Man." The stage version was never produced, although it was used in workshops with high school students.
File contains seven manuscript drafts; a printed copy published by the Nova Scotia Dramatists Co-op notes; readers' reports; outlines; notes; and a chronology outlining the evolution of the script, which was never produced.
Item is a manuscript copy of The Promised Land, first produced in the spring of 1988 by the Mulgrave Road Co-op Theatre, which included a three-week tour with one week at Toronto's Theatre Passe Muraille as part of the From the Ground Up Theatre Festival.
File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.
File includes a page of notes from a June meeting with Rose (13/6/82); a page of distilled notes from the workshop; 10 pages of notes written by audience members on the reverse side of Christopher Heide's printed introduction to the workshopped performance; and an annotated copy of the script.
![What Goes Around : [sound recording]](/images/generic-icons/blank.png){kind=icon}