File contains programs for the following: a recital by Ernest Leslie Schofield, baritone with Harry Dean, piano (October 6, 1925); "The Nativity of Our Lord Jesus Christ according to the Gospel of St. Luke," conducted by Harry Dean and presented by the Alumni Society (December 18, 1924); a lecture-recital by George M. McDonald, baritone, and Harry Dean, piano (October 4, 1921); and a pianoforte recital by Reginald Stewart, assisted by Luther Dickens Mott, bass-baritone, and Harry Dean, piano.
File contains the program from the First Baptist Church in Halifax, Nova Scotia for an organ recital by Joseph Bonnet (December 17, 1920) and three copies of an advertising pamphlet for the concert.
File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).
File contains a program from the All Saints' Cathedral in Halifax, Nova Scotia for an organ recital given by George F. Austen with violinist Marian Hensley (January 23, 1912).
File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).
Item is a program for a concert for young people by the Boston Symphony Ensemble given under the auspices of the Director of Music, Alexander F. Cleary, and the Chelsea Teachers' Club.
Item is a program for a concert with soprano Anna Case, Metropolitan Opera Company, accompanied by Claude Gotthelf and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a Concord Teachers' Association concert featuring baritone Walter H. Kidder with the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a concert featuring soprano Rosa Raisa, sponsored by the Dramatic Soprano Chicago Opera Association, accompanied by S. Smallens and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a concert program featuring Francesca Peralta, soprano; Julius Theodorowicz , violin; Georges Miquelle, violincello; Theodore Cella, harp; and Alfred De Voto, pianoforte, under the direction of Augusto Vannini.
Item is a program for a concert with soprano May Peterson, Metropolitan Opera Company, accompanied by Stuart Ross and the Boston Symphony Ensemble under the direction of Augusto Vannini.
File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.
File contains a booklet entitled "Tributes to F.H. Torrington," signed by Frederick Herbert Torrington (founder and conductor of various Toronto festivals, orchestras, choruses, and the Toronto College of Music). The booklet contains reprints of newspaper articles written about Torrington, a list of festivals in Toronto directed by Torrington, and a partial list of works performed in Toronto under his direction.
File contains an autographed program by Leopold Stokowski, the conductor of the Philadelphia Orchestra. The program is for a concert given by the Philadelphia Orchestra at the Milwaukee Auditorium. File also contains J.D. Logan's ticket stub from the concert.
File contains an autographed program by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The program is for a concert given by the Chicago Symphony Orchestra at the Pabst Theatre in Milwaukee, Wisconsin, presented by the Milwaukee Orchestral Association. The program contains annotations in pencil by J.D. Logan.
File contains the autograph of the tenor Leo Slezak of the Metropolitan Opera Company, signed on a piece of letterhead from the Toronto Symphony Orchestra.
File contains an autographed program by the tenor John McCormack. The program is from a recital McCormack gave at the Milwaukee Auditorium, accompanied by Lauri Kennedy (cello) and Edwin Schneider (piano). The program is annotated in pencil by J.D. Logan. The file also includes Logan's ticket stub from the concert.
File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.
File contains an autographed program by the soprano Frieda Hempel. The program is for a concert that she gave with the Harvard Glee Club, conducted by Dr. Archibald T. Davison. The program includes pencil annotations by J.D. Logan. File also contains Logan's ticket stub from the concert.
File contains an autographed program by the Hambourg Trio (Geza de Kresz, violin; Reginald Stewart, piano; and Boris Hambourg, cello). The program is from a recital at Pythian Castle, Saint Join, New Brunswick. File also contains J.D. Logan's 1909-1910 season pass for the Massey Music Hall in Toronto, Ontario.
File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.
File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
The records in this series comprise rehearsal scripts, research notes, production notebooks, costume and set sketches, performance programs, media reviews, and related correspondence for theatrical productions directed by Linda Moore between 2000-2010.
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.
This fonds consists of records created and collected by both the Canadian Puppet Festival and the Chester Theatre Council related to the management of the Chester Playhouse, including financial records such as statements, budgets, balance sheets, and invoices; press releases; photocopies of reviews; advertising and marketing records; personnel files; construction and maintenance records; meeting minutes and agendas; reports such as attendance records and box office sales; grant applications and fundraising files; correspondence; and event files, including programmes, tickets, and other promotional materials.
Item consists of a four-page program for the Uptown Festival on Gottingen Street, from August 25 to September 9, 1989 (of which an ad for the "Black Wimmin" exhibition is featured).
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
This fonds consists of records regarding the administration, membership, and productions of the Upstart Theatre Company. Types of records include press releases, press clippings, and other promotional materials, photographs, financial material, meeting minutes, reports, scripts, among others.
Fonds documents the management and theatrical productions of Two Planks and a Passion Theatre Company from 1992-2016. Series include Administrative, Education and outreach, and Production records, the latter being divided into subseries reflecting the types of materials generated by theatrical productions, including prompt books, posters and programs, photographs and reviews. A sousfond, Ross Creek Centre for the Arts, contains records illustrating the development of the Centre , which was founded by Two Planks' artistic directors, Chris O'Neill and Ken Schwartz.
This collection contains materials related to the administration and productions of Theatre 1707 as well as the Bit Players society. The records include administrative documents, reports, programs, posters, proposals, newspaper clippings, reviews, and photographs.
This collection consists of records pertaining to the management and the productions of the Dartmouth Players from 1967-1975. The records include administrative documents, financial statements, correspondence, programs, and newsletters.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
Fonds consists of scripts of the puppet plays as well as correspondence, photographs and slides, newspaper clippings of reviews, programs, videocassettes, and some administrative papers.
File contains three programs collected in the United States by Mary Jones. File include programs from 1968 productions by Boston Ballet, Boston Pops, and Pocket Theatre.
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.
