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Archival Description
North America
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Business correspondence to C. Locke & Co., Lockeport, regarding confirmation to ship goods, and receipt of shipments

File contains business correspondence addressed to Clifford Locke of C. Locke & Co., Lockeport, from late-October 1895 to late-summer 1896, regarding receipt of shipment of goods (or confirmation of goods to be sent overseas). File contains both typed and handwritten correspondence. File contains correspondence from the following receivers and brokers: A.A. Ayer & Co. (Montreal), W.B. Arthur & Co. (Halifax), Acadia Fire Insurance Company (Halifax), Black Bros. & Co. (Halifax), J.A. Chipman & Co. (Halifax), Daniel Clancy (Beech Hill), De Long & Seaman (Boston), Robert Dawson & Sons (Bridgewater), H.W. Freeman (Jordan River), Chas. Freeman (Sable River), A. Gunn & Co. (Halifax), Hamilton & Close (Boston), Halifax Piano & Organ, Joseph Horsfall & Sons (Montreal), William Hounsell & Co. (Bridport), Inness, Hemeon & Co., Lobster Packers (Liverpool, NS), Kenny & Co. (Halifax), Lunenburg Iron Company, Boston Marine Insurance Company, John Millard (Liverpool, NS), Wm. Muir & Son (Halifax), The Dominion Collecting and Detective Agency (Saint John), Manchester, Robertson & Allison (Saint John), A. & W. MacKinlay (Halifax), The MacLean Publishing Co. (Toronto), Frank Powers (Lunenburg), Wm. Robertson (Halifax), A. & W. Smith (Halifax), N. & M. Smith (Halifax), E.K. Spinney (Yarmouth), White & Blanchard, Barristers (Shelburne), and others.

Personal archives of David Renton

  • MS-3-23
  • Collection
  • 1926-2006
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.

Renton, David, 1934-2006

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2020
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Janet Leffeck fonds

  • MS-5-13
  • Fonds
  • 1962-1995
Fonds is primarily comprised of artistic programs from musical and theatrical events held predominantly in Nova Scotia, specifically in the Halifax area. Fonds also includes some music school syllabi, event competition forms and regulations, newspaper clippings, and correspondence.

Leffek, Janet

La Have Outfitting Company fonds

  • MS-4-88
  • Fonds
  • 1905-1973
The La Have Outfitting Company fonds contains mainly financial records related to their business of outfitting and supplying vessels, as well as sales of fish, coal and salt between the years of 1905-1976. These records include invoices cash books, fish sales, journals, ledgers, vessel supply lists, accounts and lists of vessels that were insured by La Have Outfitting, as well as loans they had given out. The fonds also contains some general business correspondence, legal documents regarding insurance policies and shareholders information as well as documents relating to vessels, such as charter contracts, log books and register of vessels.

La Have Outfitting Company.

Cooley Jewelers fonds

  • MS-4-91
  • Fonds
  • 1948 - 1951
Fonds includes correspondence and the minute book of the Halifax Jewellers Association, 1948-1951.

Cooley Jewelers

J.E. Morse fonds

  • MS-4-7
  • Fonds
  • 1846 - 1939; 1957
This fonds contains correspondence, agreements, price lists, financial records and photographs relating to the J.E. Morse Tea company. Also contains a picture of the Studley Quoit Club plus a key to the group picture.

Morse, J.E.

Press release for the long-term loan acquisition of Labrador duck specimens by the National Museum of Natural History

Item consists of a press release issued by the National Museum of Canada regarding the long-term loan acquisition of extinct Labrador duck specimens from the Thomas McCulloch Museum at Dalhousie University to the National Museum of Natural History in Ottawa. Also includes correspondence between A.W.F. Banfield and Eric Mercer.

Administrative records

This series contains documents pertaining to the administrative aspects of the Associated Alumni. Documents include correspondence and questionnaires pertaining to the association's founding as well as drafts of the association's constitution, by-laws, and list of executive committee members.

Peter B. Waite fonds

  • MS-2-718
  • Fonds
Fonds consists of: the correspondence and comments relating to Peter B. Waite's books "The Lives of Dalhousie University, Vol. 1 & 2", includes financial information relating to the publication; the interviews, analogues and correspondence relating to Peter B. Waite's book "The Lives of Dalhousie University, Vol.2" ; the research material for Peter B. Waite's "Lives of Dalhousie University, Vol.1.", including notes from the Dalhousie Gazette, President's reports, yearbooks, President's Office and departmental files and the private manuscripts of professors and administrators; photographs relating to Peter B. Waite's books "The Lives of Dalhousie University, Vols. 1 & 2"; the manuscripts of Peter B. Waite's "Lives of Dalhousie University, Volume Two, 1925-1980" , including the table of contents, preface and introduction; Chapters 1-12; and the appendices; general correspondence of Peter B. Waite, covering the period 1949 to 1980. Includes a few clippings; academic files of Peter B. Waite, including correspondence; reports; examination questions; Dalhousie University Faculty Council meeting documents and various committee documents.; Peter B. Waite's book manuscript for "CANADA 1874-1896: ARDUOUS DISTINY"; photographs of Dalhousie University; and a personal diaries collection for the period 1925-1963, thought to be his mothers.

Waite, Peter B.

International graduate education and international development : the role of Canadian universities : [speech]

Item consists of a draft of an address delivered by Barry Lesser at the ANnual General Meeting of the Canadian Association of Graduate Schools, in Winnipeg, November 3, 1989, that was collected by Howard Clark. Also includes a note of appreciation from Clark to Lesser, dated January 9, 1990.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Exhibitions 1963-64

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

Exhibitions 1965-66

File consists of exhibition records for the period of 1965-1966.

Records consist of correspondence from Dr. Usmiami, exhibition schedules, a catalogue for 'Canadian Artist Series VIII: Cowley Bobak', organized by the National Gallery of Canada, and handwritten notes for exhibition plans for the Dalhousie Art Gallery.

Carole Fraser exhibition

File consists of records related to the planning of a solo exhibition at the Dalhousie Art Gallery of Carole Fraser’s drawings and paintings. Arranged by the Dalhousie Art Gallery for the 1965 rotation, this exhibition travelled with the Atlantic Provinces Art Circuit (APAC) from 1966 to 1968.

Records include a pamphlet for the cancelled 1964 exhibition ‘Works by Sarah Jackson, Carol Fraser and Aileen Meagher’; newspaper clippings discussing Fraser’s work and solo exhibition; box and artwork lists; correspondence with Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery, regarding Fraser’s works; two Dalhousie newsletters; and exhibition pamphlets from APAC member galleries.

Exhibition of paintings by Ruth Wainwright exhibition

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

Exhibition correspondence of Evelyn Holmes

File consists of correspondence records of Evelyn Holmes, Acting Curator of the Dalhousie Art Gallery. Records relate to the planning and presenting of various exhibitions between 1965-1967. In some cases, correspondence are addressed to former Dalhousie art gallery Curator, Mirko Usmiami.

Arts for the home exhibition

File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.

Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.

Exhibitions 1967-68

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1967-1968.

Records consist of notes and drafts for exhibitions schedules, lists of circulating exhibitions available through the National Gallery of Canada and the Maritime Arts Association, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), loan agreements, Dalhousie newsletters, and a programme brochure draft,

B.C. paintings 1966

File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.

Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.

Fathers of confederation-miniature portraits exhibition

File consists of records related to the travelling exhibition 'Miniature Portraits of the Fathers of Confederation' presented at Dalhousie Art Gallery from October 11-21, 1967, through the Centennial Commission. The portraits were created by Juliette de Lavoys and commissioned by Samuel L. Bronfman, who donated the collection to Canada.

Records consist of an exhibition itinerary, a Dalhousie newsletter, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the Centennial Commission, and Roy King (Manager, New Bureau; representative of Mr. Bronfman), a shipping invoice, and exhibition instructions.

Toni Onley

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

Tom Forrestall

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

Pop artists exhibition

File consists of records related to the exhibition '11 Pop artists: The New Image' organized by the Confederation Art Gallery for the Atlantic Provinces art Circuit (APAC), and sponsored by Benson & Hedges (Canada) Ltd. The exhibition was presented at Dalhousie Art Gallery in December 1968.

Records consist of an exhibition statement written by Antonio Toledo (Executive Vice-President, Benson & Hedges), a list of artworks, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, and a condition report.

Exhibitions - general - 1969-1970

File consists of records related to the planning, organizing, and lending of exhibitions at the Dalhousie Art Gallery for the 1969-1970 period.

Records consist mainly of correspondence of Evelyn Holmes. Records also consist of memorandum to APAC members, and descriptive text for exhibitions available for loan from the George Eastman House, Atlantic Provinces Art Circuit, and the National Gallery of Canada.

French painting 1863-1955 exhibition

File consists of records relating to the exhibition 'French Painting 1863-1955', organized by the National Gallery of Canada.

Records consist of exhibition texts and publicity material created by the National Gallery, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a condition report, itinerary, memo from the Maritime Art Association, and a newspaper clipping titled 'Exhibition of 50 French Paintings Open at MSVC'.

16th annual Dalhousie student, staff and alumni exhibition

File consists of records related to the planning of the 16th Annual Dalhousie Student, Staff and Alumni Exhibition, presented in March 1969.

Records consist of artwork and price lists, a list of prize winners, and correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

Joseph Kashetsky

File consists of records related to 'Paintings and Drawings by Joseph Kashetsky' organized by the Department of Art of the New Brunswick Museum for the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in January 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, a condition report, and a list of sold artworks.

William Blake 1757-1827 exhibition

File consists of records relating to the planning, and organizing of the exhibition 'William Blake 1757-1827', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1970.

Records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a photocopy of two newspaper clippings regarding the exhibition, and exhibition materials including a list of artworks, bibliography, exhibition description, biography of Blake, packing lists, an exhibition contract, a condition report, and a publicity draft.

Man and his environment

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

Plasket[t] pastels

File consists of records related to the exhibition 'Plaskett', a collection of pastel drawings by Joseph Plaskett organized by the Art Center of the University of New Brunswick for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in May 1970.

Records consist of two condition reports and an accompanying drawing depicting areas of damage, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of other APAC member galleries .

Canadian watercolours of the 19th century exhibition

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

March 11, 1971 inaugural exhibition Dalhousie art gallery - arts center

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

Bruno Bobak - 'humanism' exhib[ition]

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

Walter Richard Sickert exhibition

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

Walter Ostrom (NSCAD) exhibition

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.

Vera Frenkel - printmaking plus exhibition

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

Prints by Dongkuk Ahn

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

Drawings by Carol Fraser exhibition

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

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