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Theatre Arts Guild fonds

  • MS-3-4
  • Fonds
  • 1931-1999
This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.

Theatre Arts Guild.

Dalhousie University bulletin, inauguration number, number 4

Item is a program for the inauguration of Carleton W. Stanley as president of Dalhousie University, which includes addresses from Right Honorable R.B. Bennett, P.C., LL.B., LL.D.; G. Fred Pearson, Esq., LL.B, K.C.; A. Stanley Mackenzie, Ph.D., D.C.L., LL.D., F.R.S.C; and President Carleton W. Stanley, M.A.

Ronald St. John Macdonald’s professional records

Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.

Autograph of Mischa Elman

File contains an autographed program for a concert sponsored by the Halifax Community Concert Association at Capitol Theatre. Mischa Elman was accompanied by Carroll Hollister on the piano.

Ronald St. John Macdonald's research materials on John P. Humphrey's life and work

File includes correspondence with different individuals, annotated typescripts, handwritten notes, newspaper clippings, two photographs of John P. Humphrey, and a photograph of John P. Humphrey with Ronald St. John Macdonald in 1991 at McGill University, transcript of interviews between Ronald St. John Macdonald and John P. Humphrey, and other materials related to the subject.

Ivan Maxwell Gillis fonds

  • MS-5-8
  • Fonds
  • 1934-1951
Fonds contains copies of diplomas and scrapbooks, newspaper articles and clippings, correspondence between Gillis and others, and manuscript drafts of his music.

Gillis, Ivan Maxwell

Anthony Pugh's research materials for program notes

Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Program notes pertaining to Fauré

File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.

Anthony Pugh fonds

  • MS-2-26
  • Fonds
  • 1934 - 2004
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.

Pugh, Anthony

William Bruce Almon fonds

  • MS-3-15
  • Collection
  • [1935?]-1940
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.

Almon, William, Bruce, Lt. Col.

Mary Jones Theatre Program Collection

  • MS-3-20
  • Collection
  • 1937-1941, 1952-1986
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.

Jones, Mary

Documents related to Bucky Adams

File contains documents related to Bucky Adams, a jazz artist from Halifax, Nova Scotia.

Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Amnesty International, the Black Loyalist Heritage Society, CBC Television studios, a copy of Bucky Adams’ birth certificate, a copy of the Diamond Jubilee medal certificate awarded to Bucky Adams in 2012, Black Focus magazine, Halifax Jazz Festival, the Southern Christian Leadership Conference, a copy of the invitation to Bucky Adams and The Basin Street’s album releases and performances, Dartmouth Heritage Museum’s production of “The Phantom of the Opera” in 2011, Bucky Adams’ memorial, and others.

Alan and Blanche Lund fonds

  • MS-5-17
  • Fonds
  • 1940-1990
Fonds consists of sheet music, scripts, and programs from different musical plays that Blanche and Alan Lund performed, directed or choreographed. Also includes audio reel-to-reel and video tapes of some of the performances.

Lund, Alan

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Programs and posters for concerts by Ellen Ballon

File contains a program for The Town Hall concert series in New York where Ellen Ballon performed February 13, 1943; a program from the Columbus Philharmonic Orchestra, conducted by Izler Solomon, with whom Ballon performed March 20, 1944; and a poster advertising Ellen Ballon, by her personal representative, Andrew Schulhof.

Neptune Theatre fonds

  • MS-3-1
  • Fonds
  • 1943-2017
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.

Neptune Theatre

Research and program notes for composers B

File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.
The inauguration of Alexander E. Kerr as President of Dalhousie University : programme of ceremon...

The inauguration of Alexander E. Kerr as President of Dalhousie University : programme of ceremonies, The Gymnasium, Tuesday, November 13, 1945

Item consists of a programme of events celebrating the inauguration of Alexander Enoch Kerr as the new President of Dalhousie University, November 13, 1945. Includes the text of speeches by D.L. Sutherland (President of the Council of the Students), Dean Vincent C. MacDonald (University Senate), George J. Trueman (Chairmain for the Central Advisory Committee on Education in the Maritime Provinces and Newfoundland), Lieutenant-Colonel K.C. Laurie (Chairman of the Board of Governors), and Alexander Kerr's inaugural address. Also includes a list of delegates from other institutions.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes for composers S

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.

Joan Orenstein's records

Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.

Orenstein, Joan, 1923-2009

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Research and program notes pertaining to Bach

File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.

Nova Scotia Opera Association fonds

  • MS-5-4
  • Fonds
  • 1950-1969
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.

Nova Scotia Opera Association.

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