Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File consists of several newspaper articles collected by Ross Boutilier about Nova Scotia Member of Parliament Roseanne Skoke and her controversial remarks regarding homosexuality. File also contains political cartoons by Bruce Mackinnon for the Chronicle Herald and Theo Moudakis for the Daily News.
File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Item is a glass plate of a drawing of Rev. Thomas McCulloch, D.D. The drawing by Arthur Lismer itself is based on a painting of McCulloch by Daniel Munro. The drawing was commissioned and used for history books on Dalhousie University, like One hundred years of Dalhousie 1818-1918 (1920), and Daniel Cobb Harvey's, An introduction to the history of Dalhousie (1938).
Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.
File contains thank you cards hand drawn and written by students, given to Budge Wilson on her school tours, including those from the Lady Eaton School in Omemee, Ontario.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork relates to her books, including "Manfred the Unmanageable Monster," the Lorinda Dauphinee book series, "The Long Wait," "Mystery Lights at Blue Harbour," "A House far from Home," and "The Worst Christmas Present Ever."
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork includes thank you cards and drawings related to her books, including Mr. John Bertrand Nijinsky and Charlie," and "The Best/Worst Christmas Present Ever." The file also includes thank you letters from elementary school classes, including from the Lady Eaton School in Omemee, Ontario, and a class list for an unidentified class and school.
File consists of students drawings, from Bloomfield Elementary School, Bloomfield, Prince Edward Island, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a letter from Lorne MacDougall.
File consists of students drawings, from Mrs. Ward's Grade 4 class in Sackville, New Brunswick, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a letter by Budge Wilson.
File consists of students drawings, from Sherwood Elementary School, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a thank you note card from Sandi Reddin and a reply from Budge Wilson.
File consists of students drawings, from the Halifax Grammar School, Halifax, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File consists of students drawings, from Lunenburg Academy, Lunenburg, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File contains letters and drawings in response to Budge Wilson's books "The Long Wait," "Cassandra's Driftwood," "Harold and Harold," "John Bertrand Nijinsky and Charlie," and "Going Bananas," written by students at Salem Elementary School.
File contains letters from students in Laurie Hannan's grade 9 English class at Richomd Regional High School after completing an author study on five of Budge Wilson's books: "Sharla," "Oliver's Wars," "Thirteen Never Changes," "Lorinda's Diary," and "Breakdown."
