Item consists of an engraving of the interior of the Nova Scotia College of Art on Coburg Road, drawn in 1934 by J. Macintyre, and collected by D.C. Mackay.
File comprises unrealized aerial perspective and site plan drawings for a future medical school at Dalhousie. There are also two plans of Studley campus showing the potential site for the new King's College buildings.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and construction of the Public Health Clinic, variously called the Public Health Centre and the Dalhousie Medical Clinic. The building was designed by Halifax architect Andrew Randall Cobb, built between 1922 and 1924. and renamed the Clinical Research Centre ca. 1967.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to the Science Building, now the Chemistry Building, the first building constructed on Studley Campus, started in 1912 and completed in 1915.
File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to an arts building at Dalhousie, which the administration called the Law (Temporarily Arts) Building. It was occupied by arts faculty until 1952, when it did briefly house the law school; in 1967 it became the Faculty Club, which is now known as the University Club. The third building on Studley Campus, it was a part of the original campus plan drawn up by Toronto architect Frank Darling in collaboration with Halifax-based architect Andrew R. Cobb and Dalhousie's governors. The subseries also includes drawings for a later building planned as an Arts Building, which was never constructed.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to the Macdonald Memorial Library, now known as the Macdonald Building.
Item consists of a pencil and charcoal drawing by D.C. Mackay dated December 15, 1943, showing a Canadian sailor performing sentry duty on Jetty #4 on the Halifax waterfront.
Item consists of a pencil and ink drawing by D.C. Mackay on November 3, 1943, showing the destroyer HMCS Iroquois docked at the Dartmouth Marine Slips. Drawing shows the ship's port side.
Item consists of a pencil and ink drawing by D.C. Mackay on November 3, 1943, of the destroyer HMCS Iroquois, docked at the Dartmouth Marine Slips. This drawing shows the ship's starboard side.
Item consists of a facsimile of a pencil sketch by D.C. Mackay from the early 1940s of an officer dressing down an insubordinate sailor. The perspective appears to be from the corner of George Street and Brunswick Street in Halifax. An accompanying caption reads: "Like he said -- / 'Never salute an officer / with a cig in your mouth"
Item consists of a charcoal and pencil drawing by D.C. Mackay in the early 1940s depicting a downtown Halifax street scene. Possibly looking from near Province House, corner of Prince and Granville Streets.
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Item is a glass plate of a drawing of Rev. Thomas McCulloch, D.D. The drawing by Arthur Lismer itself is based on a painting of McCulloch by Daniel Munro. The drawing was commissioned and used for history books on Dalhousie University, like One hundred years of Dalhousie 1818-1918 (1920), and Daniel Cobb Harvey's, An introduction to the history of Dalhousie (1938).
Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.
File consists of students drawings, from the Halifax Grammar School, Halifax, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
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