I Ain't Dead Yet — Great Canadian Theatre Company
- MS-2-838, Box 17, Folder 9
- File
- 1988
Part of Christopher Heide fonds
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I Ain't Dead Yet — Great Canadian Theatre Company
Part of Christopher Heide fonds
I Ain't Dead Yet — Grand Theatre production
Part of Christopher Heide fonds
Part of Christopher Heide fonds
Correspondence regarding Christopher Heide's On the Lee Shore
Part of Christopher Heide fonds
Part of Marq de Villiers fonds
Correspondence and itineraries for White Tribe Dreaming launch
Part of Marq de Villiers fonds
2008 Governor General's Literary Award for Bone Cage award letter and related materials
Part of Catherine Banks fonds
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Contact list for Nightwood Theatre's production of The Herring Gull's Egg
Part of Mary Vingoe fonds
Letters and cards of congratulations to Mary Vingoe on her production of The Herring Gull's Egg
Part of Mary Vingoe fonds
Acadia Coal Company.
Vingoe, Mary
Creelman Family
Joan Orenstein's correspondence regarding her professional activities
Part of Joan and Henry Orenstein fonds
Henry Orenstein's correspondence regarding the Sudbury industrial landscape mural project
Part of Joan and Henry Orenstein fonds
Joan and Henry Orenstein fonds
Orenstein, Henry, 1918-2008
Press releases and correspondence related to Wendy Lill
Part of Wendy Lill fonds
File contains press releases and correspondence related to Wendy Lill's career as Dartmouth Member of Parliament.
File also contains a copy of the Fall 1998 issue of the Dartmouth Community Bulletin titled, "Keeping in Touch."
Robert (Bob) William Maclellan's correspondence with his parents and sister
Helen Stewart (Mackay) Maclellan's correspondence with Edward Kirkpatrick Maclellan
William Edward Maclellan and family fonds
Maclellan, William Edward
Leslie E. Haley's correspondence with the Canadian Society for the Study of Education
Part of Leslie E. Haley fonds
Leslie E. Haley's correspondence with the Social Science Federation of Canada
Part of Leslie E. Haley fonds
Leslie E. Haley's correspondence regarding the Science Council of Canada
Part of Leslie E. Haley fonds
Haley, Les
Part of Thomas Cantley fonds
Thomas Cantley's correspondence with the Canadian War Trade Board regarding manganese ore mining
Part of Thomas Cantley fonds
Thomas Cantley's correspondence regarding his political and professional activities
Part of Thomas Cantley fonds
Thomas Cantley's correspondence with Judge Robert Harries
Part of Thomas Cantley fonds
Thomas Cantley's correspondence with his son, Howard Cantley
Part of Thomas Cantley fonds
Permissions correspondence between Patricia Monk and various libraries and archives
Part of Patricia Monk fonds
Part of Patricia Monk fonds
Monk, Patricia
Atlantic Geoscience Society correspondence regarding its activities
Atlantic Geoscience Society fonds
Atlantic Geoscience Society fonds
Part of Marjorie Stone fonds
Stone, Marjorie
Reviews of Terrence Gordon's manuscript on Marshall McLuhan
Part of W. Terrence Gordon fonds
Harbourfront Reading Series : Marshall McLuhan / W. Terrence Gordon
Part of W. Terrence Gordon fonds
Part of Robert Grant Dexter fonds
Part of Robert Grant Dexter fonds
Part of Robert Grant Dexter fonds
Part of Robert Grant Dexter fonds
Dexter, Robert Grant
Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.
Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.
Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.
Creighton, Alan
Part of Janet M. Eaton fonds
Eaton, Janet