Dalhousie Theatre : The Birthday Party
- Subseries
- 1981
Part of Robert Doyle fonds
Dalhousie Theatre : The Birthday Party
Part of Robert Doyle fonds
Dalhousie Theatre : Thieves' Carnival
Part of Robert Doyle fonds
Dalhousie Theatre : The Trojan Women
Part of Robert Doyle fonds
Maritime Marionettes : Molly and the Oak Island Treasure
Part of Robert Doyle fonds
Neptune Theatre : Anything Goes
Part of Robert Doyle fonds
Neptune Theatre : The Black Bonspiel of Wullie McCrimmon
Part of Robert Doyle fonds
Neptune Theatre : A Doll's House
Part of Robert Doyle fonds
Neptune Theatre : Guys and Dolls
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Party of the Century
Part of Robert Doyle fonds
Neptune Theatre : Romeo and Juliet
Part of Robert Doyle fonds
Neptune Theatre : The Taming of the Shrew 1980
Part of Robert Doyle fonds
Neptune Theatre : William Schenk and Arthur Who?
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1980
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1984
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1985
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1998
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 2001
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo : n.d.
Part of Robert Doyle fonds
Ship's Company Theatre : Tiger's Heart
Part of Robert Doyle fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Part of Upstream Music Association fonds
Nova Scotia Adjustment Advisory Council
Part of Gilbert R. Winham fonds
Halifax Rainbow Health Project
Part of Bob Fougere fonds
Scores catalogued by the Canadian Music Centre (CMC)
Part of Paul Cram fonds
Part of Facilities Management
Dalhousie University Book Club
Dalhousie University Library ledgers, inventories and catalogues
Records from the Africville relocation project
Dalhousie Theatre : Bonjour, la, Bonjour
Part of Robert Doyle fonds
Dalhousie Theatre : Canterbury Tales
Part of Robert Doyle fonds
Part of Rock Meets Bone fonds
Dalhousie Theatre : The Good Woman of Setzuan
Part of Robert Doyle fonds
Dalhousie Theatre : Love for Love
Part of Robert Doyle fonds
Dalhousie Theatre : Mandragola
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : Romeo and Juliet
Part of Robert Doyle fonds
Dalhousie Theatre : The Sea Gull
Part of Robert Doyle fonds
Gilbert and Sullivan Society : The Pirates of Penzance
Part of Robert Doyle fonds
Neptune Theatre : Angels in America
Part of Robert Doyle fonds
Neptune Theatre : Arms and the Man
Part of Robert Doyle fonds
Neptune Theatre : Colour the Flesh the Colour of Dust
Part of Robert Doyle fonds
Neptune Theatre : Debut/Encore
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : The Mousetrap
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : The Sea Gull
Part of Robert Doyle fonds
Neptune Theatre : Servant of Two Masters
Part of Robert Doyle fonds