File contains set designs for Neptune Theatre's production of "The Four Poster," directed by John Neville with designs by Arturo Penson. File also contains templates for the construction of a cupboard and bureau as part of the set.
Files contains Frank McMahon's registration tickets for the Halifax Medical College (Dalhousie College and University Medical Faculty) and his attendance/examination cards for Anatomy, Materia Medica, Practical Anatomy, Histology, Physiology, Botany, and Chemistry. The cards are printed on coloured heavy card and are held in a small black leather-bound folder. Cards are variously signed by John Forrest, A.W.H. Lindsay, D.A. Campbell, Arthur Morrow, John Somers, George L. Sinclair, and others. The back of one card contains a note from A.W.H. Lindsay about dissections.
File contains correspondence with Frederick Grassli (Woods Hole Oceanographic Institution), Maria Eduarda Gonçalves, Henrietta Gilpin, Global Education Associates, John F Godfrey (of the University of King's College), Anil Gayan, and GEO magazine.
File contains "Synopsis of Objective" for talks on the Law of the Sea, as well as correspondence with H. Gajentaan, A. Gacia Robles, F. Galindo, G.H. Gottlieb, and M.E. Galey.
File contains original and annotated copies of set designs for Neptune Theatre's Studio production of "Gideon's Blues," directed by Richard Donat and designed by Stephen Osler. The file also contains a copy of the light plot design for this production, drawn by Leigh Ann Vardy.
File includes documents related to the TransMit Dartmouth summer study, with the following goals: 1 . To obtain Dartmouth citizen support for an efficient public transit system in Dartmouth; and 2. To establish a Dartrnouth Transit Citizens Group to be made up of citizens throughout the city.
File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File contains set designs for Neptune Theatre's production of "Guys and Dolls," directed by B. Ainslie and John Neville with set designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains correspondence with Nobuhiro Habuto, the Deputy Director of the Foreign News Department, NHK (on Part XI of the United Nations Convention on the Law of the Sea, and ocean-mining), correspondence with and Guyana Ambassador to the United Nations Samuel R. Insanally (also on Part XI). All correspondence is outgoing only.
File contains correspondence with Patricia Halo (Cinema Arts Associates, Incorporated), Tom Haydn, Holt, Rinehart and Winston. The latter refers to the transfer of copyright for Mann Borgese's "The Language Barrier," back to her.
File contains correspondence related to the Halifax Relief Commission, ranging from 1918 to 1938. Includes correspondence between K. MacKay, Ralph Bell, D.M. Sheehan, G.H. Archibald, W. Bedwin, T.S. Rogers, E.L. Thorne, and others.
File contains set designs for Neptune Theatre's production of "Harlem Duet," directed by Alison Sealy Smith and designed by Denyse Karn. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "High School Musical," directed by David Connolly, designed by Julia Tribe, and drawn by Jung-Hye Kim.
File contains original and annotated copies of stage diagrams for the Holiday Inn in Halifax, Nova Scotia and the Inn at Willow Tree. The Holiday Inn drawings were drawn by Trevor Parsons.
File includes the set designs for Neptune Theatre's production of "How the Other Half Loves," directed by Leslie Yeo with designs by Arthur Penson. The file includes an original drawing of the rigging plot by "T.P." and annotated copies of the set plans by Penson.
File contains invitations to convocation ceremonies for Dalhousie University on October 27, 1885; April 28, 1886; April 27, 1887; October 18, 1887; April 26, 1888; April 23, 1891; September 21, 1892; April 23, 1895; April 26, 1898; and May 13, 1919. The file contains some duplicates.
File contains five invitations to events at Dalhousie sent to Avis Marshall, including a dance by the junior class of the Faculty of Arts and Science; a sale of gifts and novelties from the Hwaiking Shop; an "at home" at the Pine Hill residence; a dance at Kings College; and an "at home" at the Waegwoltic Club.
File contains correspondence with the Canadian International Development Agency (CIDA) and Elisabeth Mann Borgese. Topics of discussion include Mann Borgese's appointment at Chairman of the International Centre for Ocean Development, training programmes, and potential board members. Correspondents include L.G. Jaeger; Douglas Lindores; Andrew MacNeil; Will Magee; and Ellen S. McLean.
File contains set designs for Neptune Theatre's production of "Jester's Christmas," designed by Andrew Murray. The file includes Murray's original drawings, annotated copies of the originals, and an annotated copy of the light design by P. Reinholdt.
File contains set designs for Neptune Theatre's production of "Joseph," directed by R. Ouzounian and designed by S.J. Degenstein. The file includes original drawings and annotated copies.
File contains set designs for the Neptune Theatre production of "Juno and the Paycock," directed by Tom Kerr with designs by Art Penson. The file includes Penson's original drawings and annotated copies of the originals.
File contains correspondence with the following: Judge Abdul Koroma (on the boat paper, and attachments: A speech on that paper, the "Anderson Paper," a "Draft Resolution for Adoption by the General Assembly," an "Agreement Relating to the Implementation of Part XI of the 1982 United Nations Convention on the Law of the Sea"); Ambassador Ramtane Lamamara (outgoing only, on the need to rally Group 77 countries on ratifying the United Nations Convention on the Law of the Sea); Patricia Lewis; and Dr. Luis Preval (on Part XI of the United Nations Convention on the Law of the Sea).
File includes correspondence between Elisabeth Mann Borgese and the following individuals: D.C. Krause (UNESCO), A.G. Koroma (Permanent Mission of the Republic of Sierra Leone to the UN), A.N. Kholodilin (UNESCO), the International Institute for Integrative Technology (IIT), and V. Kopal (Academy of Science, Prague).
File contains correspondence. Correspondents include Lithuanian Deputy Minister A. Kisonas, and Presidential Adviser Saulius Kolyta, on a possible visit of Elisabeth Mann Borgese to Lithuania to disucss ratification of the United Nations Convention on the Law of the Sea; University of Zagreb law professor Budislav Vukas; and Judge Abdul Koroma (attached is a copy of the G-77 Draft Paper, on an interim regime for seabed mining). File contains a duplicate copy of a letter, which has not been digitized.
File includes correspondence to/from: [Kirthisinga], Dale Krause (United Nations Educational, Scientific and Cultural Organization, or UNESCO), Martin Kaplan (World Health Organization, or WHO), Heimo Kellner, Birabhongse Karemrri, Johan Kaufman (The Permanent Representative of the Netherlands to the United Nations), Susan Kaeser (World College West), and Franz Koenig (Archbishop of Vienna), which discusses the Holy See's position on the Law of the Sea.
File contains correspondence with Armelli de Kerros, P. Korrinsp (?), Lee Kimball, Susan Kaeser, Don and Marion Kelley, Robert L. Kanter, and Lars-Ake Kvarning. Topics of discussion include "The Drama of the Oceans," and an upcoming book on self-management by Elisabeth Mann Borgese.
File contains correspondence with Ruud Lubbers (on the United Nations Oceans Assembly proposal), Senator Allan J. MacEachen, Francois Napoleon Bailet and Canadian Finance Minister Paul Martin (on the notion of a Tobin Tax).
FIle contains correspondence (all of which is outgoing) to Jean-Pierre Lévy and Rudd Lubers. Topic of discussion concerns the Independent World Commission on the Oceans Study Group on the Economic Uses of the Ocean, of which Elisabeth Mann Borgese was a member.
File contains correspondence concerning the ICOD seminar, and the ICOD Board of Directors. Correspondence include the Public Service Commission of Canada; Minister for External Relations and International Development (Monique Landry); the Minister's Oceans Group; the Privy Council Office; Huguette Labelle; Philip Lapp (attached are Elisabeth Mann Borgese's comments on a document by Minister's Ocean Group); Michael Latremouille (attached is a plan for an ICOD seminar); Michele Lemay; and Douglas Lindores.
File includes correspondence with David Luke of Dalhousie University, Lev Ljubmov, Betty Lussier (Consultants in Development), Dennis Livingston, Lawrence Livermore Laboratory, Edward Landstrom (United States Department of State), Heldegard Lamfrom, The Law of the Sea Institute, and Jonathan Lu.
File contains layout planning pages for the 1986 Dalhousie University School of Physiotherapy yearbook. Text and photographs have been pasted onto the pages. The photographs show R. S. Tonks; Linda McCann; Monique Breau; Krista MacDonald; Cheryl Theriault; Kim Furlong; Jill Henderson; Wallace Ross; and other physiotherapy students and faculty.
File contains layout planning pages for the 1988 Dalhousie University School of Physiotherapy yearbook. Text and photographs have been pasted onto the pages.
Item is a legal document between Sir John Wentworth and Matthew Richardson. The document involves land originally secured by William Dawes Quarrell for Maroons that the British sent to Nova Scotia from Trelawny Town, Jamaica in 1790s.
File contains set designs for Neptune Theatre's production of "Lend me a Tenor," designed by B. Lumsden. File includes a second, annotated copy of the Groundplan.
File contains set designs for Neptune Theatre's production of "Les Miserables," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and annotated copies of the first page of the set designs. The file also includes a copy of the lighting plot, drawn by Harry Frehner.
Item is a letter accompanying an excerpt from the Board of Governors' minutes in which is recorded its appreciation of Judge MacDonald's long service to Dalhousie as Dean of the Law School.