This series provides records regarding Centre for Art Tapes building facilities. Records include correspondence, blueprints and planning notes regarding buildings and locations.
Series comprises records regarding the development, writing, publishing and reception of Harry Thurston's book Broken Vessel: Thirty-five Days in the Desert, published by Gaspereau Press. Records types include correspondence; print manuscripts; notes; and published reviews.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
This sub-series contains materials regarding Centre for Art Tapes Broad Casting for Reels event, which was a curated audio art series presented in collaboration with CKDU, Dalhousie University’s student radio station. Records include programs, promotional materials, graphic materials, correspondence, submissions, meeting minutes and track lists.
Subseries contains records created or collected by Christopher Heide in the course of writing Bring Back Don Messer!, which was produced by Mulgrave Road Co-Op Theatre and toured four provinces in three months.
Sub-series contains records related to a brief on Black poverty in Nova Scotia given to a Special Senate Committee on Poverty. Mateirals include proceedings of House of Commons debates, briefs and reports, newspaper clippings, notes, and other materials.
Subseries consists of handwritten and typescript drafts of Budge Wilson's book "Breakdown" for its first edition in 1988 by Scholastic Publishing, and then for its 2015 reissue by Northwest Publishing.
Sub-series contains publicity material related to Bone Cage, including event listings, programs, reviews, and material related to the receipt of the 2008 Governor General's Literary Award.
Subseries contains records created for and during productions of Bone Cage by Mulgrave Road Theatre, Forerunner Playwrights' Theatre, and Downstage Theatre.
Sub-series contains correspondence regarding Bone Cage. Materials include letters and emails about the development of the script and cards congratulating Banks on the opening night of the co-production by Forerunner Playwrights' Theatre and Ship's Company Theatre.
Subseries contains minutes of board meetings, budgets, correspondence, receipts, and tax documents from the executive of the Upstream Music Association, including the Board of Directors and Artistic Directors. These records are not always separated; some files include two or more types of records, while others contain only minutes, or only receipts. Occasionally, files from the Artistic Directors also include information about concerts and season planning (e.g., repertoire of concerts, dates, and venues).
This series includes records illustrating the organization and administration of the Centre for Art Tapes and the activities of its Board of Directors. Included are administrative records, minutes, annual reports, correspondence, bylaws, and records regarding CFAT’s involvement with other groups and organizations.
